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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

"Regardez-moi!" (1962) is reproduced from
CORY REYNOLDS | DATE 11/18/2017

‘Ah, Malick’s here! The photographer’s arrived.’

“I would be in my studio until ten or eleven at night, because the nightlife started late. Then I would go off to the clubs with my bike, until five in the morning! I could cover five parties all at once, especially on Saturdays and during the holidays. Young people trusted me, they were with me, on my side. Garrincha and I were invited everywhere. People said that if we were at a party, it gave it prestige. I would let people know I had arrived by letting off my flash, people made way to let me in, and everyone was happy. You could feel the temperature rise right away, and the atmosphere would heat up. I would circulate among the people dancing, taking several quick photos. People would say: ‘Ah, Malick’s here! The photographer’s arrived.’” – Malick Sidibé, excerpted from Mali Twist

Malick Sidibé: Mali Twist

Malick Sidibé: Mali Twist

Fondation Cartier Pour L'Art Contemporain / Editions Xavier Barral
Clth, 7.75 x 10.25 in. / 296 pgs / 276 b&w.





The New York Knicks

DATE 6/18/2026

The New York Knicks