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DATE 2/1/2026

Black History Month Reading, 2026

DATE 1/22/2026

ICP presents Audrey Sands on 'Lisette Model: The Jazz Pictures'

DATE 1/21/2026

Guggenheim Museum presents 'The Future of the Art World' author András Szántó in conversation with Mariët Westermann, Agnieszka Kurant and Souleymane Bachir Diagne

DATE 1/19/2026

Rizzoli Bookstore presents Toto Bergamo Rossi, Diane Von Furstenberg and Charles Miers on 'The Gardens of Venice'

DATE 1/19/2026

Black Photojournalism, 1945 to 1984

DATE 1/18/2026

Artbook at MoMA PS1 presents Paul M. Farber and Sue Mobley launching 'Monument Lab: Re:Generation'

DATE 1/17/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Peter Tomka on 'Double Player'

DATE 1/14/2026

Printed Matter, Inc. presents Pedro Bernstein and Courtney Smith on "Commentary on 'Approximations to the Object'"

DATE 1/13/2026

Join us at the Winter Atlanta Gift & Home Market 2026

DATE 1/12/2026

Pan-African possibility in 'Ideas of Africa'

DATE 1/11/2026

Previously unseen photographs by Canadian color master Fred Herzog

DATE 1/5/2026

Minnie Evans’ divine visions of a lost world

DATE 1/1/2026

Happy New Year!


IMAGE GALLERY

"Florida" (1970) by Joel Meyerowitz is reproduced from
CORY REYNOLDS | DATE 11/1/2014

The Open Road: Photography and the American Roadtrip

Joel Meyerowitz's 1970 photograph, "Florida," is reproduced from The Open Road, Aperture's essential paean to photography and the American roadtrip. David Campany quotes Meyerowitz, "'I began to understand that the car window was the frame, and that in some way the car itself was the camera with me inside it, and that the world was scrolling by with a constantly changing image on the screen. All I had to do was raise the camera and blink to make a photograph.' Meyerowitz had returned from [a] European trip with fresh eyes, alert to the profound changes in America. Where the best road trip photography of the 1950s and '60s had been either angry or melancholic (and frequently both), much of the defining work of the 1970s was perplexed, fascinated, and even surreal in tone. Meyerowitz was attuning himself to the nation's wild incongruities, ideological contradictions, and dark rituals. Most often his subject was leisure and even this was a source of unsettling humor."



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!

From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!