My Cart
Gift Certificates

ARTBOOK BLOG

RECENT POSTS

DATE 3/25/2026

The Strand presents George Condo in conversation with Massimiliano Gioni and Dakis Joannou for the launch of 'The Mad and the Lonely'

DATE 3/19/2026

AIGA presents '50 Books | 50 Covers: The Exhibition' at Pratt Institute, Brooklyn

DATE 3/13/2026

McNally Jackson presents Oluremi C. Onabanjo in conversation with Air Afrique on 'Ideas of Africa'

DATE 3/9/2026

Obedience only to inspiration in 'Agnes Martin: On Beauty'

DATE 3/8/2026

Textile testimony in 'Women Affected by Dams: Embroidering Our Rights'

DATE 3/5/2026

Deeply strange, and deeply sympathetic: Marisol

DATE 3/4/2026

Revolutionary portraiture in 'Alice Neel: I Am the Century'

DATE 3/1/2026

May all your weeds be wildflowers: Staff Picks for Gardeners, 2026

DATE 3/1/2026

Women's History Month Staff Picks, 2026

DATE 3/1/2026

Contemporary Latinx painting in new release, 'Let Us Gather in a Flourishing Way'

DATE 3/1/2026

Back in stock! ‘Kent Monkman: History is Painted by the Victors’

DATE 2/26/2026

Join Artbook | D.A.P. at Show LA

DATE 2/25/2026

Villa Albertine presents Rémi Babinet launching 'No Ads Please'


IMAGE GALLERY

"Yau Ma Tei, Hong Kong" (1996-97), photographed by Lau Kin-wai, is reproduced from
CORY REYNOLDS | DATE 3/18/2014

The King of Kowloon: The Art of Tsang Tsou Choi

"Yau Ma Tei, Hong Kong" (1996-97), photographed by Lau Kin-wai, is reproduced from The King of Kowloon, the first monograph ever published on Hong Kong street artist Tsang Tsou Choi (1921–2007). In the April/May Bookforum, Christopher Lyon writes, "Over some 40 years, Tsang, who supported himself as a garbage collector, was a familiar figure in Hong Kong, but it was only during his final decade that he gained attention from the art and fashion worlds, and became a kind of mascot of the city, with his face and calligraphy seen on T-shirts and stenciled street art. This beautifully designed book—with boards, an exposed paper spine, and trimmed text-block edges all printed with reproductions of Tsang's lively calligraphy—aptly represents his monomania. Often taking the form of Chinese ancestral records, Tsang's calligraphy typically presented him as an emperor—of Hong Kong, perhaps, or all of China—or even occasionally as the Queen of England. A cleverly designed guide to key terms in his street works allows readers without Chinese to gain a sense of how Tsang's work may be decoded."

The King of Kowloon: The Art of Tsang Tsou Choi

The King of Kowloon: The Art of Tsang Tsou Choi

Damiani
Hbk, 10.5 x 9.5 in. / 225 pgs / illustrated throughout.





Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!