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DATE 2/1/2026

Black History Month Reading, 2026

DATE 1/22/2026

ICP presents Audrey Sands on 'Lisette Model: The Jazz Pictures'

DATE 1/21/2026

Guggenheim Museum presents 'The Future of the Art World' author András Szántó in conversation with Mariët Westermann, Agnieszka Kurant and Souleymane Bachir Diagne

DATE 1/19/2026

Rizzoli Bookstore presents Toto Bergamo Rossi, Diane Von Furstenberg and Charles Miers on 'The Gardens of Venice'

DATE 1/19/2026

Black Photojournalism, 1945 to 1984

DATE 1/18/2026

Artbook at MoMA PS1 presents Paul M. Farber and Sue Mobley launching 'Monument Lab: Re:Generation'

DATE 1/17/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Peter Tomka on 'Double Player'

DATE 1/14/2026

Printed Matter, Inc. presents Pedro Bernstein and Courtney Smith on "Commentary on 'Approximations to the Object'"

DATE 1/13/2026

Join us at the Winter Atlanta Gift & Home Market 2026

DATE 1/12/2026

Pan-African possibility in 'Ideas of Africa'

DATE 1/11/2026

Previously unseen photographs by Canadian color master Fred Herzog

DATE 1/5/2026

Minnie Evans’ divine visions of a lost world

DATE 1/1/2026

Happy New Year!


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Featured image, Lothar Wolleh
CORY REYNOLDS | DATE 4/21/2015

Jan Schoonhoven

In his introduction to David Zwirner Books' new monograph on Dutch artist Jan Schoonhoven (1914-1994), David Leiber writes, "From 1946 until his retirement in 1979, the Dutch artist and civil servant Jan Schoonhoven took the morning commuter train from his native Delft to The Hague, where he labored in the Department of Post, Telegraph, and Telephone. His wife packed his daily lunch of fried meatballs. Somehow Schoonhoven clung to the scaffolding of this everyday clerical routine and returned home nightly to his small kitchen table 'refreshed' and ready to work. There in Delft, a town known for its painters (Vermeer), pottery, and also breathtaking light, the artist crafted his signature sunken reliefs made from discarded cardboard boxes (usually packing for television sets) and sealed with unprinted newsprint and common white latex paint. As Rudi Fuchs wrote: 'Despite their minimal form and color there’s no boring monotony. Firstly, there is a sense of it being a manuscript, in which the handmade quality is almost tangible.'" Thin Ridge Cardboard-Second One (1965) is reproduced from Jan Schoonhoven, which will be the subject of a talk between Leiber and Schoonhoven scholar Antoon Melissen at the New York Public Library tonight at 6PM.



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

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From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!