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DATE 3/25/2026

The Strand presents George Condo in conversation with Massimiliano Gioni and Dakis Joannou for the launch of 'The Mad and the Lonely'

DATE 3/21/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eileen G’sell launching 'Lipstick'

DATE 3/19/2026

AIGA presents '50 Books | 50 Covers: The Exhibition' at Pratt Institute, Brooklyn

DATE 3/18/2026

Westweek 2026 kicks off with Christopher Rawlins discussing Fire Island and the Modernist Beach House

DATE 3/15/2026

Artbook at MoMA PS1 presents Jin Mei and Chang Yuchen launching 'Jin Mei: jm'

DATE 3/14/2026

Artbook at MoMA PS1 presents J. Lester Feder and Miriam Elder in conversation for the launch of 'The Queer Face of War'

DATE 3/13/2026

McNally Jackson presents Oluremi C. Onabanjo in conversation with Air Afrique on 'Ideas of Africa'

DATE 3/11/2026

KAWS: FAMILY is back in stock!

DATE 3/9/2026

Obedience only to inspiration in 'Agnes Martin: On Beauty'

DATE 3/8/2026

Textile testimony in 'Women Affected by Dams: Embroidering Our Rights'

DATE 3/5/2026

Deeply strange, and deeply sympathetic: Marisol

DATE 3/4/2026

Revolutionary portraiture in 'Alice Neel: I Am the Century'

DATE 3/1/2026

May all your weeds be wildflowers: Staff Picks for Gardeners, 2026


IMAGE GALLERY

CORY REYNOLDS | DATE 2/18/2025

A new, “best-of” edition of bookseller favorite, 'Women in Trees'

Based on the anonymous flea market photography collection of Jochen Raiß (1969–2022), Women in Trees highlights a motif that had, until the first edition of this beloved 5 x 7 hardcover, previously gone unremarkedupon, but which is immediately recognizable to all who encounter it now. “Ostensibly, the photographers didn’t have any particular aesthetic intention,” Raiß writes, “and yet, a number of them have created images that possess a remarkable depth and beauty: looking at the camera, a woman is standing a little bit higher than the photographer in the fork of a branch. She is leaning back in the tree and because of the interplay of light and shadow her body virtually melts into it. Is it the pattern of her dress or the shadows of the leaves that we see on her skirt? When looking at the photo, it becomes a hidden-image picture. Boundaries seem to dissolve, and the branches and arms, the woman and the tree, overlap. The chance composition of this picture is perfect. The tree’s obstinacy does not allow for the woman to take any other position; surely, she wasn’t deliberately arranged in the tree in that manner. That an image of such fascinating aesthetic quality has been created from this chance arrangement is why I consider it a masterpiece.”

Women in Trees

Women in Trees

Hatje Cantz
Hbk, 5 x 7 in. / 112 pgs / 52 b&w.





Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!