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DATE 5/19/2026

Rizzoli Bookstore presents Pieter Henket and Justin Gaspar in conversation for the launch of 'Birds of Mexico City'

DATE 5/7/2026

Join Artbook | D.A.P. at the 2026 ICP Photobook Fest

DATE 5/3/2026

Craftsmanship, creativity, change: 'Fashioning Chinese Women' captures twentieth-century flux

DATE 5/2/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Ryan McIntosh and Yogan Muller launching 'Tracy Hills'

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 5/1/2026

'Mathew Wong: Interiors' — radiating the light of dreams

DATE 4/27/2026

Internal lyrical motives in Frida Kahlo’s ’Self-Portrait with Cropped Hair’

DATE 4/25/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Derek McCormack for the LA launch of 'The Shithole Opry Collector's Guide'

DATE 4/24/2026

Lost City Books presents Yumna Al-Arashi and Farrah Skeiky on 'Aisha'

DATE 4/23/2026

Garden passion and the passing of time

DATE 4/21/2026

‘Carol Bove’ is new from Guggenheim New York

DATE 4/20/2026

Rizzoli Bookstore presents Chris Wiley, Nan Goldin, and Robert Swope on 'Michel Hurst: Órale'

DATE 4/20/2026

Mrs. Dalloway's Bookstore presents Jane Fulton Alt, Susan Page Tillett and James Baraz on 'Still Life'


IMAGE GALLERY

CORY REYNOLDS | DATE 2/18/2025

A new, “best-of” edition of bookseller favorite, 'Women in Trees'

Based on the anonymous flea market photography collection of Jochen Raiß (1969–2022), Women in Trees highlights a motif that had, until the first edition of this beloved 5 x 7 hardcover, previously gone unremarkedupon, but which is immediately recognizable to all who encounter it now. “Ostensibly, the photographers didn’t have any particular aesthetic intention,” Raiß writes, “and yet, a number of them have created images that possess a remarkable depth and beauty: looking at the camera, a woman is standing a little bit higher than the photographer in the fork of a branch. She is leaning back in the tree and because of the interplay of light and shadow her body virtually melts into it. Is it the pattern of her dress or the shadows of the leaves that we see on her skirt? When looking at the photo, it becomes a hidden-image picture. Boundaries seem to dissolve, and the branches and arms, the woman and the tree, overlap. The chance composition of this picture is perfect. The tree’s obstinacy does not allow for the woman to take any other position; surely, she wasn’t deliberately arranged in the tree in that manner. That an image of such fascinating aesthetic quality has been created from this chance arrangement is why I consider it a masterpiece.”

Women in Trees

Women in Trees

Hatje Cantz
Hbk, 5 x 7 in. / 112 pgs / 52 b&w.





Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!