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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

Peter Fischli and David Weiss
CORY REYNOLDS | DATE 6/22/2015

No Problem: Cologne/New York 1984-1989

Peter Fischli and David Weiss' "Grater with Carrot and Zucchini" (1984-1985) is reproduced from David Zwirner Books' superb examination of the late-80s art scenes of Cologne and New York—the centers, at the time, of the biggest developments in the international art world. Bob Nickas writes, "The significance of the art of the 80s resides not only in an image of its own making, but in an immediately recognizable identity, rather than one that formed by official consensus over time. Many works achieved an iconicity with their initial appearance. Images were, in a very potent sense, self-aware, and art in this period would encounter and engage its 'double,' images echoing others, from both art history and popular culture, invoking the presence of the past and an ever-present now, at times uneasily. In their intent, the engagements could be facile or complex, either retrograde or willfully meant to reorient and disorient art's axis, and one quickly learned to differentiate between advance and retreat. In that moment, as may no longer be true for our own, the future still had a future."



The New York Knicks

DATE 6/18/2026

The New York Knicks