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RECENT POSTS

DATE 11/15/2025

Holiday Gift Guide 2025: Stuff that Stocking

DATE 11/15/2025

Artbook at MoMA PS1 presents Cory Arcangel, Eivind Røssaak and Alexander R. Galloway launching 'The Cory Arcangel Hack'

DATE 11/14/2025

Columbia GSAPP presents 'The Library is Open 23: Archigram Facsimile' with Beatriz Colomina Thomas Evans, Amelyn Ng, David Grahame Shane, Bernard Tschumi & Bart-Jan Polman

DATE 11/13/2025

Pop-up pleasure in Kelli Anderson's astonishing 'Alphabet in Motion'

DATE 11/13/2025

Holiday Gift Guide 2025: For the Edition Collector

DATE 11/13/2025

Holiday Gift Guide 2025: For the Photo Fanatic

DATE 11/12/2025

Rizzoli Bookstore presents Sandy Skoglund with René Paul Barilleaux for the launch of 'Enchanting Nature'

DATE 11/10/2025

Holiday Gift Guide 2025: LGBTQ+ perspectives

DATE 11/9/2025

Holiday Gift Guide 2025: For Architecture Aficionados

DATE 11/8/2025

Holiday Gift Guide 2025: For the Lover of Letters

DATE 11/7/2025

In Celebration of Southwest Asian and North African Art & Artists

DATE 11/7/2025

The first major monograph on Greer Lankton’s iconic, life-sized dolls

DATE 11/7/2025

Holiday Gift Guide 2025: For the Fashion Forward


IMAGE GALLERY

Peter Fischli and David Weiss
CORY REYNOLDS | DATE 6/22/2015

No Problem: Cologne/New York 1984-1989

Peter Fischli and David Weiss' "Grater with Carrot and Zucchini" (1984-1985) is reproduced from David Zwirner Books' superb examination of the late-80s art scenes of Cologne and New York—the centers, at the time, of the biggest developments in the international art world. Bob Nickas writes, "The significance of the art of the 80s resides not only in an image of its own making, but in an immediately recognizable identity, rather than one that formed by official consensus over time. Many works achieved an iconicity with their initial appearance. Images were, in a very potent sense, self-aware, and art in this period would encounter and engage its 'double,' images echoing others, from both art history and popular culture, invoking the presence of the past and an ever-present now, at times uneasily. In their intent, the engagements could be facile or complex, either retrograde or willfully meant to reorient and disorient art's axis, and one quickly learned to differentiate between advance and retreat. In that moment, as may no longer be true for our own, the future still had a future."



From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!