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RECENT POSTS

DATE 5/19/2026

Rizzoli Bookstore presents Pieter Henket and Justin Gaspar in conversation for the launch of 'Birds of Mexico City'

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/24/2026

Lost City Books presents Yumna Al-Arashi and Farrah Skeiky on 'Aisha'

DATE 4/20/2026

Mrs. Dalloway's Bookstore presents Jane Fulton Alt, Susan Page Tillett and James Baraz on 'Still Life'

DATE 4/20/2026

Rizzoli Bookstore presents Chris Wiley, Nan Goldin, and Robert Swope on 'Michel Hurst: Órale'

DATE 4/19/2026

Morbid Anatomy presents 'Divine Color' author Laura Weinstein on 'Gods in Living Color: Hindu Devotional Lithographs and the Birth of Modern Indian Visual Culture'

DATE 4/18/2026

Artbook @ MoMA PS1 Bookstore presents a Zine-Making Workshop with Lauren Simkin Berke

DATE 4/17/2026

Watershed moments in Australian Aboriginal modernism

DATE 4/17/2026

Spoonbill Books presents 'Aisha' author Yumna Al-Arashi in conversation with Céline Semaan

DATE 4/16/2026

'The Stars We Do Not See: Australian Indigenous Art'—alive and in the present

DATE 4/14/2026

The essential companion to MoMA's monumental 'Marcel Duchamp'

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/11/2026

A long lost archive documenting life at the Chelsea Hotel, 1969–71


IMAGE GALLERY

Peter Fischli and David Weiss
CORY REYNOLDS | DATE 6/22/2015

No Problem: Cologne/New York 1984-1989

Peter Fischli and David Weiss' "Grater with Carrot and Zucchini" (1984-1985) is reproduced from David Zwirner Books' superb examination of the late-80s art scenes of Cologne and New York—the centers, at the time, of the biggest developments in the international art world. Bob Nickas writes, "The significance of the art of the 80s resides not only in an image of its own making, but in an immediately recognizable identity, rather than one that formed by official consensus over time. Many works achieved an iconicity with their initial appearance. Images were, in a very potent sense, self-aware, and art in this period would encounter and engage its 'double,' images echoing others, from both art history and popular culture, invoking the presence of the past and an ever-present now, at times uneasily. In their intent, the engagements could be facile or complex, either retrograde or willfully meant to reorient and disorient art's axis, and one quickly learned to differentiate between advance and retreat. In that moment, as may no longer be true for our own, the future still had a future."



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!