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RECENT POSTS

DATE 9/12/2026

MASS MoCA R&D Store presents 'three six five' author Lucy Ives in conversation with Lauren Levato Coyne

DATE 9/11/2026

The Strand presents Melissa Auf der Maur in conversation with Kelefa Sanneh for the NYC launch of 'Melissa Auf der Maur: My '90s Rock Photographs'

DATE 9/3/2026

If Emmett Till Lived

DATE 8/30/2026

"No room for squares." Graham Marsh's pocket guide to Ivy style

DATE 8/27/2026

Yayoi Kusama, (1929–2026)

DATE 8/25/2026

Hot book alert! ‘Melissa Auf der Maur: My ’90s Rock Photographs’ releases this week!

DATE 8/20/2026

Printed Matter presents Hugo Martinez, Danielle Becker, DIP, Octavio Zaya and Kevin Monaghan launching 'You Weren't There: ’90s Graffiti in New York'

DATE 8/20/2026

Illuminating ‘Miyoko Ito: Heart of Hearts’ is Back in Stock from Pre-Echo Press!

DATE 8/17/2026

In the tradition of Marianne Wex's landmark taxonomic project, 'Taking Back our Space' is new from MoMA

DATE 8/15/2026

Back to School Sale Staff Picks!

DATE 8/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 8/12/2026

Printed Matter presents Chang Yuchen & Ross Perlin in Conversation: a dictionary, a loom, a manifesto …

DATE 8/11/2026

Back in stock! Albert Scopin's long-lost document of life at the Chelsea Hotel


IMAGE GALLERY

Peter Fischli and David Weiss
CORY REYNOLDS | DATE 6/22/2015

No Problem: Cologne/New York 1984-1989

Peter Fischli and David Weiss' "Grater with Carrot and Zucchini" (1984-1985) is reproduced from David Zwirner Books' superb examination of the late-80s art scenes of Cologne and New York—the centers, at the time, of the biggest developments in the international art world. Bob Nickas writes, "The significance of the art of the 80s resides not only in an image of its own making, but in an immediately recognizable identity, rather than one that formed by official consensus over time. Many works achieved an iconicity with their initial appearance. Images were, in a very potent sense, self-aware, and art in this period would encounter and engage its 'double,' images echoing others, from both art history and popular culture, invoking the presence of the past and an ever-present now, at times uneasily. In their intent, the engagements could be facile or complex, either retrograde or willfully meant to reorient and disorient art's axis, and one quickly learned to differentiate between advance and retreat. In that moment, as may no longer be true for our own, the future still had a future."



The New York Knicks

DATE 6/18/2026

The New York Knicks

Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!