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RECENT POSTS

DATE 2/1/2026

Black History Month Reading, 2026

DATE 1/22/2026

ICP presents Audrey Sands on 'Lisette Model: The Jazz Pictures'

DATE 1/21/2026

Guggenheim Museum presents 'The Future of the Art World' author András Szántó in conversation with Mariët Westermann, Agnieszka Kurant and Souleymane Bachir Diagne

DATE 1/19/2026

Rizzoli Bookstore presents Toto Bergamo Rossi, Diane Von Furstenberg and Charles Miers on 'The Gardens of Venice'

DATE 1/19/2026

Black Photojournalism, 1945 to 1984

DATE 1/18/2026

Artbook at MoMA PS1 presents Paul M. Farber and Sue Mobley launching 'Monument Lab: Re:Generation'

DATE 1/17/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Peter Tomka on 'Double Player'

DATE 1/14/2026

Printed Matter, Inc. presents Pedro Bernstein and Courtney Smith on "Commentary on 'Approximations to the Object'"

DATE 1/13/2026

Join us at the Winter Atlanta Gift & Home Market 2026

DATE 1/12/2026

Pan-African possibility in 'Ideas of Africa'

DATE 1/11/2026

Previously unseen photographs by Canadian color master Fred Herzog

DATE 1/5/2026

Minnie Evans’ divine visions of a lost world

DATE 1/1/2026

Happy New Year!


IMAGE GALLERY

Peter Fischli and David Weiss
CORY REYNOLDS | DATE 6/22/2015

No Problem: Cologne/New York 1984-1989

Peter Fischli and David Weiss' "Grater with Carrot and Zucchini" (1984-1985) is reproduced from David Zwirner Books' superb examination of the late-80s art scenes of Cologne and New York—the centers, at the time, of the biggest developments in the international art world. Bob Nickas writes, "The significance of the art of the 80s resides not only in an image of its own making, but in an immediately recognizable identity, rather than one that formed by official consensus over time. Many works achieved an iconicity with their initial appearance. Images were, in a very potent sense, self-aware, and art in this period would encounter and engage its 'double,' images echoing others, from both art history and popular culture, invoking the presence of the past and an ever-present now, at times uneasily. In their intent, the engagements could be facile or complex, either retrograde or willfully meant to reorient and disorient art's axis, and one quickly learned to differentiate between advance and retreat. In that moment, as may no longer be true for our own, the future still had a future."



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!

From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!