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DATE 5/19/2026

Rizzoli Bookstore presents Pieter Henket and Justin Gaspar in conversation for the launch of 'Birds of Mexico City'

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/24/2026

Lost City Books presents Yumna Al-Arashi and Farrah Skeiky on 'Aisha'

DATE 4/20/2026

Mrs. Dalloway's Bookstore presents Jane Fulton Alt, Susan Page Tillett and James Baraz on 'Still Life'

DATE 4/20/2026

Rizzoli Bookstore presents Chris Wiley, Nan Goldin, and Robert Swope on 'Michel Hurst: Órale'

DATE 4/19/2026

Morbid Anatomy presents 'Divine Color' author Laura Weinstein on 'Gods in Living Color: Hindu Devotional Lithographs and the Birth of Modern Indian Visual Culture'

DATE 4/18/2026

Artbook @ MoMA PS1 Bookstore presents a Zine-Making Workshop with Lauren Simkin Berke

DATE 4/17/2026

Watershed moments in Australian Aboriginal modernism

DATE 4/17/2026

Spoonbill Books presents 'Aisha' author Yumna Al-Arashi in conversation with Céline Semaan

DATE 4/16/2026

'The Stars We Do Not See: Australian Indigenous Art'—alive and in the present

DATE 4/14/2026

The essential companion to MoMA's monumental 'Marcel Duchamp'

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/11/2026

A long lost archive documenting life at the Chelsea Hotel, 1969–71


IMAGE GALLERY

Featured image is reproduced from
CORY REYNOLDS | DATE 1/17/2018

An acute and unceasingly inquiring creative mind in 'Anni Albers: Notebook 1970–1980'

Here is a book among books—a facsimile edition of a humble graph-paper notebook, complete with dark brown tape residues, shorthand notations, and pencil drawings that both conform and do not conform to the printed grid. It was kept by Bauhaus textile master Anni Albers late in her life—primarily during the 1970s—but discovered only after her death in 1994. “We can simply turn the pages,” Brenda Danilowitz writes, “and be dazzled and beguiled by this septuagenarian’s control of her medium and the forms that she could elicit from simple materials—pencil and paper—and apparently straightforward geometry. Or we can look long and hard and compare the pages, studying the nuances and finding shapes within shapes: the soft lines of curving forms; the fine lines joining in a constellation-like manner; solid shapes or tiny points laid out on the grid. And we can let ourselves become caught up in imagining the workings of an acute and unceasingly inquiring creative mind.”



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!