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STAFF PICKS | FROM THE SHELVES

PRINT ORDER FORM   

AVERY LOZADA | DATE 10/31/2019

Halloween Inspiration 2019

California Infernal: Anton LaVey & Jayne MansfieldCalifornia Infernal: Anton LaVey & Jayne Mansfield
Cindy ShermanCindy Sherman
DraculaDracula
Emil Nolde: The GrotesquesEmil Nolde: The Grotesques
Frankenstein: The First Two Hundred YearsFrankenstein: The First Two Hundred Years
Monster Chetwynd: The Supreme Deluxe Essential Monster Chetwynd HandbookMonster Chetwynd: The Supreme Deluxe Essential Monster Chetwynd Handbook
Phyllis Galembo: Mexico Masks RitualsPhyllis Galembo: Mexico Masks Rituals
Posada: A Century of SkeletonsPosada: A Century of Skeletons
SpellsSpells
The Anatomical VenusThe Anatomical Venus
The Sick RoseThe Sick Rose
The Spectacle of IllusionThe Spectacle of Illusion
This Is No Dream: Making Rosemary's BabyThis Is No Dream: Making Rosemary's Baby
Tim BurtonTim Burton
Touch Me NotTouch Me Not

California Infernal: Anton LaVey & Jayne MansfieldCalifornia Infernal: Anton LaVey & Jayne Mansfield

As Portrayed by Walter Fischer

Published by Trapart Books.
Foreword by Carl Abrahamsson, Alf Wahlgren. Introduction by Kenneth Anger.

Satanism and the silver screen: the bizarre friendship of Anton LaVey and Jayne Mansfield

PUBLISHER
Trapart Books

BOOK FORMAT
Hardcover, 8.25 x 9.75 in. / 152 pgs / 12 color / 130 bw.

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Catalog: FALL 2017 p. 53   

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Cindy ShermanCindy Sherman

Published by The Museum of Modern Art, New York.
By Eva Respini. Text by Johanna Burton. Interview by John Waters.

Published to accompany the first major survey of Cindy Sherman’s work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artist’s 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman’s sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977–80); centerfolds (1981); history portraits (1989–90); head shots (2000–2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman’s career, weaving together art historical analysis and discussions of the artist’s working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman’s work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provides an enlightening view into the creative process.

Cindy Sherman is a ground-breaking American photographer, born in 1954. She began her "Film Stills" series at the age of 23, gaining early recognition, and has followed it with remarkable experiments in color photography. Her art has won her wide recognition and praise, and been collected and exhibited by major museums throughout the world since 1980. A major retrospective exhibition of her work was shown at The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Walker Art Center, Minneapolis; and the Dallas Museum of Art. Sherman is the recipient of a MacArthur Foundation "genius" award and a John Simon Guggenheim Memorial Fellowship. She is represented by Metro Pictures gallery in New York.

Eva Respini is a former Curator in the Department of Photography at The Museum of Modern Art, New York where she contributed to numerous publications including Robert Heinecken: Object Matter (2014); Cindy Sherman (2012); and Into the Sunset: Photography’s Image of the American West (2009); Fashioning Fiction in Photography since 1990 (2004).

John Waters is an American filmmaker, actor, writer, and visual artist best known for his cult films, including "Hairspray", "Pink Flamingos", and "Cecil B. DeMented". He lives in Baltimore, Maryland.

Johanna Burton has served as the director of the graduate program at the Center for Curatorial Studies at Bard College.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 9.5 x 12 in. / 264 pgs / 153 color / 102 bw.

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Catalog: SPRING 2012 p. 3   

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DraculaDracula

By Bram Stoker

Published by Four Corners Books.
Illustrated by James Pyman.

Truly a Dracula for both art and book lovers, this new edition of the most famous of vampire tales completely overhauls the notion of how a literary classic might be creatively revisited. James Pyman is already famed for his eerily exacting and hallucinatory draftsmanship, as well as for his relish for the exploration of book formats such as cartoon or children's books, and is therefore ideally suited to the illustration of this volume. Herein, Pyman returns to the original text, illustrating a line or phrase from each of the novel's 27 chapters in a series of wonderfully sinister and weirdly clinical pencil drawings. The book, which Bram Stoker composed as a series of diaries, letters and newspaper cuttings, has been typeset by designer John Morgan with a different typeface allocated to each character--each font being based on those in use at the time of the book's original publication. As a final flourish, the striking bright yellow clothbound cover, with its vivid red lettering, is based on that of the first UK edition.

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BOOK FORMAT
Clth, 6.25 x 10 in. / 488 pgs / 27 duotone.

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Catalog: SPRING 2009 p. 60   

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Emil Nolde: The GrotesquesEmil Nolde: The Grotesques

Published by Hatje Cantz.
Edited by Ulrich Luckhardt, Christian Ring. Text by Caroline Dieterich, Daniel J. Schreiber, Roman Zieglgänsberger.

Emil Nolde (1867–1956) is famous for his dramatic ocean views and colorful flower gardens, but his love of the fantastical and grotesque has received less attention. Yet it is clear from his autobiography and his letters that they had a significant impact on his art. Alongside his first oil painting, “Bergriesen” (“Mountain Giants,” 1895–96), his alpine postcards of this period, in which the Swiss mountains appear as bizarre human physiognomies, also convey his fascination with the fantastical. His rejection of realism in favor of a grotesque, alternative world can be seen throughout his oeuvre, from its beginnings to the Grotesken (1905) and watercolors from 1918–19, to the years under the Nazis when he was forbidden to practice his profession. This catalog, which includes works never before shown, is also the first to emphasize this fascinating side of the great painter and water-colorist.



PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 9.5 x 12.25 in. / 176 pgs / 130 color.

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Catalog: FALL 2017 p. 129   

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Frankenstein: The First Two Hundred YearsFrankenstein: The First Two Hundred Years

Published by Reel Art Press.
By Christopher Frayling.

Frankenstein lives! 200 years of the book, the movies and the monster in pop culture and beyond

On New Year’s Day 1818, Mary Shelley’s novel Frankenstein was first published in an anonymous three-volume edition of 500 copies. Some thought the book was too radical in its implications; a few found the central theme intriguing; no-one predicted its success.

Since then, there have been many, many adaptations—120 films alone, at the last count—on screen, stage, in novels, comics and graphic novels, in advertisements and even on cereal packets. From a Regency nightmare, Frankenstein became a cuddly childhood companion—thoroughly munstered, so to speak. The story has been interpreted as a feminist allegory of birthing, an ecological reading of mother earth, an attack on masculinist science, the origin of science fiction, an example of “female gothic,” a reaction to the rise of the industrial proletariat and much else besides. Frankenstein lives! The F word has been applied, since the 1950s, to test-tube babies, heart transplants, prosthetics, robotics, cosmetic surgery, genetic engineering, genetically modified crops and numerous other public anxieties arising from scientific research. Today, Frankenstein has taken over from Adam and Eve as the creation myth for the age of genetic engineering.

This book, celebrating the 200th birthday of Frankenstein, traces the journey of Shelley’s Frankenstein from limited-edition literature into the bloodstream of contemporary culture. With text by renowned Gothic scholar Sir Christopher Frayling, it includes new research on the novel’s origins; a facsimile reprint of the earliest-known manuscript version of the creation scene; visual material on adaptations for the stage, in magazines, on playbills, in prints and in book publications of the 19th century; visual essays on many of the film versions and their inspirations in the history of art; and Frankenstein in popular culture—on posters, advertisements, packaging, in comics and graphic novels.



PUBLISHER
Reel Art Press

BOOK FORMAT
Hardcover, 9 x 11 in. / 208 pgs / 125 color / 75 bw.

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Catalog: FALL 2017 p. 9   

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Monster Chetwynd: The Supreme Deluxe Essential Monster Chetwynd HandbookMonster Chetwynd: The Supreme Deluxe Essential Monster Chetwynd Handbook

Published by Edition Patrick Frey.

Full to bursting with photographic documentation and source material, this book retraces British performance artist Monster Chetwynd’s (born 1973) work from 2007 to 2018. The photo series are adumbrated by references to sources of inspiration and cast lists.



PUBLISHER
Edition Patrick Frey

BOOK FORMAT
Paperback, 7.75 x 10.75 in. / 600 pgs / 800 color.

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Catalog: FALL 2019

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ISBN 9783906803821 FLAT40
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Phyllis Galembo: Mexico Masks RitualsPhyllis Galembo: Mexico Masks Rituals

Published by Radius Books/D.A.P..
Text by Sergio Rodríguez Blanco, George Otis.

The acclaimed photographer of African masks turns her lens to the astounding mask cultures of Mexico

PUBLISHER
Radius Books/D.A.P.

BOOK FORMAT
Hardcover, 9.75 x 10.75 in. / 196 pgs / 120 color.

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Catalog: SPRING 2019 p. 17   

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Posada: A Century of SkeletonsPosada: A Century of Skeletons

Published by RM/BBVA.
Text by Juan Villoro, Mercurio López, Helia Bonilla, Montserrat Gali, Rafael Barajas.

To celebrate the 100th anniversary of Posada’s death, A Century of Skeletons collects nearly 1,000 reproductions of original prints, including dozens of engravings never before published. Over the last century, Posada’s satirical illustrations with their signature "calaveras," or skeletons, have become synonymous with the imagery of Mexico’s Day of the Dead celebrations. Often guised in various costumes, such as the Calavera de la Catrina, the "Skull of the Female Dandy," Posada’s Calaveras also satirized the lifestyle of the Mexican upper classes during the reign of Porfirio Díaz. His prints and lithographs utilize a distinctive blend of black, white and middle tones and his works in type metal, zinc and wood make dramatic use of proportion and disproportion. Reflecting on various aspects of Posada’s life and work, this volume contains essays by Juan Villoro, Helia Bonilla, Monserrat Galí and Rafael Barajas, as well as a study by Mercurio López that organizes a significant part of Posada’s work chronologically, and with regard to the printmaking techniques employed. It also includes two complementary sections: one examining the technical transition from lead to zinc in engraving and a second giving examples of the iconographical sources for Posada’s work.

José Guadalupe Posada (1852–1913) studied lithography as a young man and opened a commercial print shop in the 1870s, focusing on advertising, book illustration and broadsides. After the shop was destroyed in a flood, Posada relocated to Mexico City and began moving toward cheaper methods of printmaking. It was there that Posada began contributing his satirical cartoons to news flyers and periodicals, using his adept imagery to communicate with a largely illiterate public. Though he died virtually unknown, Posada has been acknowledged by Diego Rivera and José Clemente Orozco as the godfather of modern Mexican art.

PUBLISHER
RM/BBVA

BOOK FORMAT
Clth, 9 x 12 in. / 376 pgs / 968 color.

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Catalog: SPRING 2014 p. 54   

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SpellsSpells

Published by Wakefield Press.
By Michel de Ghelderode. Introduction and translation by George MacLennan.

Hitherto unavailable in English, Spells, by the Belgian dramatist Michel de Ghelderode, ranks among the 20th century’s most noteworthy collections of fantastic tales. Like Ghelderode’s plays, the stories are marked by a powerful imagination and a keen sense of the grotesque, but in these the author speaks to us still more directly. Written at a time of illness and isolation, and conceived as a fresh start, Spells was Ghelderode’s last major creative work, and he claimed it as his most personal and deeply felt one: a set of written spells through which his fears, paranoia and nostalgia found concrete form.

By turns mystical, macabre and whimsically humorous, and set in the unsettled atmosphere of Brussels, Ostend, Bruges and London, Spells conjures up an uncanny realm of angels, demons, masks, effigies and apparitions, a twilit, oppressed world of diseased gardens, dusty wax mannequins and sinister relics.

Combining the full contents of both the 1941 and 1947 editions, this translation of Spells is the most comprehensive edition yet published.

Michel de Ghelderode was born in Brussels in 1898. After nearly a decade of penning fiction, drama, literary journalism and puppet plays, in 1926 he began to write almost entirely for the theater and the following ten years saw the creation of most of his major plays. After 1936 he suffered from poor health and his involvement with the theater diminished. In the later 1940s, performances of his plays in Paris sparked a major awakening of interest in his work. Ghelderode died in 1962; the interior of his apartment, packed with books, pictures, puppets and masks, has been reassembled in Brussels as the Musée-Bibliothèque Michel de Ghelderode.

PUBLISHER
Wakefield Press

BOOK FORMAT
Paperback, 6 x 9 in. / 280 pgs / 4 bw.

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Catalog: FALL 2016 p. 69   

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The Anatomical VenusThe Anatomical Venus

Wax, God, Death & the Ecstatic

Published by D.A.P./Distributed Art Publishers.
By Joanna Ebenstein.

"Ebenstein, founder of the Morbid Anatomy Museum in Brooklyn, finds her peculiar subject at the intersection of science and art in 18th-century Florence." –Publishers Weekly

PUBLISHER
D.A.P./Distributed Art Publishers

BOOK FORMAT
Hardcover, 6.75 x 9.5 in. / 224 pgs / 250 color.

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Catalog: SPRING 2016 p. 45   

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The Sick RoseThe Sick Rose

Disease and the Art of Medical Illustration

Published by D.A.P./Distributed Art Publishers.
By Richard Barnett.

Bizarre and captivating images, including close-up details and revealing cross-sections, make all too clear the fascinations of both doctors and artists of the time

PUBLISHER
D.A.P./Distributed Art Publishers

BOOK FORMAT
Hardcover, 6.75 x 9.5 in. / 256 pgs / 250 color.

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Catalog: SPRING 2014 p. 181   

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The Spectacle of IllusionThe Spectacle of Illusion

Deception, Magic and the Paranormal

Published by D.A.P..
By Matthew L. Tompkins.

The tricks and props of magic and spiritualism: how magicians and psychics fooled the world—and what scientists can learn from them

PUBLISHER
D.A.P.

BOOK FORMAT
Hardcover, 7 x 9.5 in. / 224 pgs / 165 color / 370 bw.

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This Is No Dream: Making Rosemary's BabyThis Is No Dream: Making Rosemary's Baby

Published by Reel Art Press.
By James Munn. Photographs by Bob Willoughby. Forword by Taylor Hackford.

The birthing of Rosemary's Baby: behind the scenes, 50 years on

PUBLISHER
Reel Art Press

BOOK FORMAT
Hardcover, 9 x 11 in. / 208 pgs / 100 color / 100 bw.

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Catalog: SPRING 2018 p. 40   

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Tim BurtonTim Burton

Published by The Museum of Modern Art, New York.
Text by Tim Burton, Jenny He, Ron Magliozzi.

Tim Burton has reinvented Hollywood genre filmmaking over the past three decades. With a visual style inspired by the aesthetics of animation and silent comedy, Burton's work melds the exotic, the horrific and the comic, manipulating expressionism and fantasy with the skill of a graphic novelist. Published to accompany a major career retrospective at The Museum of Modern Art, this affordable volume considers Burton's career as an artist and filmmaker. It narrates the evolution of his creative practices, following the current of his visual imagination from his earliest childhood drawings through his mature oeuvre. Illustrated with works on paper, moving-image stills, drawn and painted concept art, puppets and maquettes, storyboards and examples of his work as a graphic artist for his non-film projects, this volume sheds new light on Burton and presents previously unseen works from the artist's personal archive.

Acclaimed American filmmaker Tim Burton (born 1958) is known for his dark, gothic films about quirky outsiders, many of which are both Hollywood blockbusters and cult classics. To date they have been nominated for 16 Academy Awards and have won six. They include Pee-Wee's Big Adventure (1985), Beetle Juice (1988), Batman (1989), Edward Scissorhands (1990), Batman Returns (1992), Ed Wood (1994), Sleepy Hollow, (1999), Charlie and the Chocolate Factory and Corpse Bride (both 2005) and Sweeney Todd: The Demon Barber of Fleet Street (2007), among others. Alice in Wonderland is slated for 2010. Burton has collaborated extensively with composer Danny Elfman and with actors Johnny Depp and Helena Bonham Carter.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 8 x 10 in. / 64 pgs / 54 color.

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Catalog: FALL 2009 p. 178   

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Touch Me NotTouch Me Not

A Most Rare Compendium of the Whole Magical Art

Published by Fulgur Press.
Edited and translated by Hereward Tilton, Merlin Cox. Introduction by Hereward Tilton.

A full-color facsimile of an 18th-century black-magic compendium

PUBLISHER
Fulgur Press

BOOK FORMAT
Hardcover, 9.25 x 12.5 in. / 160 pgs / 111 color.

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Catalog: SPRING 2019 p. 11   

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ISBN 9781527228832 TRADE
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DATE 9/13/2019

The … of Things

DATE 10/17/2018

Monster Mash!

DATE 9/12/2018

DATE 5/14/2018

Gay Pride!


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