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DATE 11/19/2019

Michael Kagan & Bill Powers in Conversation at New York Academy of Art

DATE 11/16/2019

Nicholas Muellner to launch 'Lacuna Park' at Artbook at Hauser & Wirth Bookstore, Los Angeles

DATE 11/16/2019

Walt Cassidy to launch 'New York: Club Kids' at Opening Ceremony

DATE 11/14/2019

For the Cinephile or Music Lover

DATE 11/14/2019

Greek yiayia cooking for the next generation in Mina Stone's 'Cooking for Artists'

DATE 11/12/2019

Arthur Elgort celebrates the women he's loved

DATE 11/12/2019

Ken Price: Drawings

DATE 11/11/2019

Poetry, prose, observations and dreams in 'Cobalt Blue: Writings from the Papers of Sam Francis'

DATE 11/10/2019

Surprising 'Félix Vallotton' is on view at The Met

DATE 11/10/2019

For the Armchair Traveler

DATE 11/10/2019

For the Design Devotee

DATE 11/9/2019

Long lost NYC photos by Magnum master, Bruce Gilden

DATE 11/9/2019

For the Stargazer

DATE 11/8/2019

Art in the age of Black Power. 'Soul of a Nation' opens at de Young

DATE 11/8/2019

For the Fashion Forward

DATE 11/7/2019

'The New Woman's Survival Catalog' is a powerful feminist facsimile

DATE 11/7/2019

For the Photographer and Photography Collector

DATE 11/7/2019

Arthur Elgort to launch 'I Love...' at Bookmarc NYC

DATE 11/7/2019

Join us at the Boston Art Book Fair!

DATE 11/7/2019

Slow Down Fast, A Toda Raja — A conversation with Camila Marambio and Cecilia Vicuña at Printed Matter

DATE 11/6/2019

For the Bookworm

DATE 11/6/2019

David Reinfurt speaking on "A *New* Program for Graphic Design" at SVA

DATE 11/6/2019

'City of Immortals' book launch at Artbook at Hauser & Wirth Los Angeles

DATE 11/5/2019

Stocking Stuffers

DATE 11/5/2019

Everything You Always Wanted to Know about Film Projection (But Were Afraid to Ask) at Light Industry

DATE 11/5/2019

'Black Lives 1900: W.E.B. Du Bois at the Paris Exposition' is a book for every art or history bookshelf

DATE 11/5/2019

'The Art of Film Projection' is both manifesto and how-to guide

DATE 11/4/2019

For the Art Lover

DATE 11/4/2019

A new paperback edition of 'John Cage: Diary'

DATE 11/3/2019

'Landscape Painting Now' delivers the state of the art

DATE 11/2/2019

Micah Lexier signing 'Call Ampersand Response' at Acid Free Los Angeles Book Market

DATE 11/2/2019

JR: Chronicles, reinventing photography for the 21st century

DATE 11/1/2019

Hiroshi Sugimoto stretches and reshapes the concepts of time, space and light

DATE 10/31/2019

Get into the spirit of Halloween with the 18th-century black magic of 'Touch Me Not' facsimile

DATE 10/31/2019

Halloween Inspiration 2019

DATE 10/30/2019

Staff favorite "Séance" documents Shannon Taggart's quest for Spiritualist ectoplasm

DATE 10/29/2019

At last! 'Félix Vallotton: Painter of Disquiet' opens at The Met

DATE 10/29/2019

'Ira Cohen: Into the Mylar Chamber' book launch at Artbook @ MoMA PS1 Bookstore

DATE 10/27/2019

Soviet atheist propaganda in 'Godless Utopia'

DATE 10/27/2019

Landmark '30 Americans' has had a profound effect

DATE 10/26/2019

Collectors take note of this beautiful new 'Kohei Yoshiyuki: The Park' ltd ed

DATE 10/25/2019

Hiroshi Sugimoto & Darius Himes to launch 'Architecture' at the Strand

DATE 10/25/2019

Woody Leslie and Chloë Bass to launch 'H.F. Henderson: Understanding Molecular Typography' at Printed Matter

DATE 10/25/2019

A Visual Record: Michael Stipe with Douglas Coupland and Jonathan Berger, Live from the NYPL

DATE 10/25/2019

Tarsila do Amaral, cannibal of Modernism

DATE 10/24/2019

Art against isolation and indifference in 'Sur moderno'

DATE 10/24/2019

Juergen Teller signing 'Handbags' at Owl Bureau

DATE 10/23/2019

Artbook at Hauser & Wirth Los Angeles presents the launch of 'Cobalt Blue: Writings from the Papers of Sam Francis'

DATE 10/23/2019

Max Hirshfeld to launch 'Sweet Noise: Love in Wartime' at Politics and Prose, Union Market

DATE 10/23/2019

Special 'non-objects' in MoMA's 'Sur moderno'

DATE 10/22/2019

Mitch Epstein signing 'Sunshine Hotel' at Dashwood Books


STAFF PICKS | FROM THE SHELVES

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AVERY LOZADA | DATE 10/31/2019

Halloween Inspiration 2019

California Infernal: Anton LaVey & Jayne MansfieldCalifornia Infernal: Anton LaVey & Jayne Mansfield
Cindy ShermanCindy Sherman
DraculaDracula
Emil Nolde: The GrotesquesEmil Nolde: The Grotesques
Frankenstein: The First Two Hundred YearsFrankenstein: The First Two Hundred Years
Monster Chetwynd: The Supreme Deluxe Essential Monster Chetwynd HandbookMonster Chetwynd: The Supreme Deluxe Essential Monster Chetwynd Handbook
Phyllis Galembo: Mexico Masks RitualsPhyllis Galembo: Mexico Masks Rituals
Posada: A Century of SkeletonsPosada: A Century of Skeletons
SpellsSpells
The Anatomical VenusThe Anatomical Venus
The Sick RoseThe Sick Rose
The Spectacle of IllusionThe Spectacle of Illusion
This Is No Dream: Making Rosemary's BabyThis Is No Dream: Making Rosemary's Baby
Tim BurtonTim Burton
Touch Me NotTouch Me Not

California Infernal: Anton LaVey & Jayne MansfieldCalifornia Infernal: Anton LaVey & Jayne Mansfield

As Portrayed by Walter Fischer

Published by Trapart Books.
Foreword by Carl Abrahamsson, Alf Wahlgren. Introduction by Kenneth Anger.

Satanism and the silver screen: the bizarre friendship of Anton LaVey and Jayne Mansfield

Movie star Jayne Mansfield and notorious Satanist Anton LaVey met in 1966. Both were publicity conscious and made the most of the meetings, which evolved into a friendship. Almost always present was German paparazzo Walter Fischer, stationed in Hollywood and catering to image- and scandal-hungry photo magazines all over the world.

Fischer’s unique collection of photos takes us straight into the ritual chamber of the Church of Satan in LaVey’s infamous “black house” in San Francisco, as well as into Mansfield’s Hollywood “pink palace.” We also get to follow LaVey on excursions to his friend Forrest “Famous Monsters of Filmland” Ackerman, to Marilyn Monroe’s grave, to TV studios and back, to Satanic weddings and Zeena’s baptism at the Church of Satan HQ.

These were wild and narcissistic times in America. Few understood the power of media exposure better than Jayne Mansfield and Anton LaVey. Captured alone or together by master paparazzo Fischer, this devilishly handsome couple made headlines that still resonate today. The book contains an introduction by legendary filmmaker Kenneth Anger, and forewords by writer Carl Abrahamsson and collector Alf Wahlgren.



PUBLISHER
Trapart Books

BOOK FORMAT
Hardcover, 8.25 x 9.75 in. / 152 pgs / 12 color / 130 bw.

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Catalog: FALL 2017 p. 53   

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Cindy ShermanCindy Sherman

Published by The Museum of Modern Art, New York.
By Eva Respini. Text by Johanna Burton. Interview by John Waters.

Published to accompany the first major survey of Cindy Sherman’s work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artist’s 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman’s sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977–80); centerfolds (1981); history portraits (1989–90); head shots (2000–2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman’s career, weaving together art historical analysis and discussions of the artist’s working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman’s work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provides an enlightening view into the creative process.

Cindy Sherman is a ground-breaking American photographer, born in 1954. She began her "Film Stills" series at the age of 23, gaining early recognition, and has followed it with remarkable experiments in color photography. Her art has won her wide recognition and praise, and been collected and exhibited by major museums throughout the world since 1980. A major retrospective exhibition of her work was shown at The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Walker Art Center, Minneapolis; and the Dallas Museum of Art. Sherman is the recipient of a MacArthur Foundation "genius" award and a John Simon Guggenheim Memorial Fellowship. She is represented by Metro Pictures gallery in New York.

Eva Respini is a former Curator in the Department of Photography at The Museum of Modern Art, New York where she contributed to numerous publications including Robert Heinecken: Object Matter (2014); Cindy Sherman (2012); and Into the Sunset: Photography’s Image of the American West (2009); Fashioning Fiction in Photography since 1990 (2004).

John Waters is an American filmmaker, actor, writer, and visual artist best known for his cult films, including "Hairspray", "Pink Flamingos", and "Cecil B. DeMented". He lives in Baltimore, Maryland.

Johanna Burton has served as the director of the graduate program at the Center for Curatorial Studies at Bard College.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 9.5 x 12 in. / 264 pgs / 153 color / 102 bw.

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Catalog: SPRING 2012 p. 3   

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DraculaDracula

By Bram Stoker

Published by Four Corners Books.
Illustrated by James Pyman.

Truly a Dracula for both art and book lovers, this new edition of the most famous of vampire tales completely overhauls the notion of how a literary classic might be creatively revisited. James Pyman is already famed for his eerily exacting and hallucinatory draftsmanship, as well as for his relish for the exploration of book formats such as cartoon or children's books, and is therefore ideally suited to the illustration of this volume. Herein, Pyman returns to the original text, illustrating a line or phrase from each of the novel's 27 chapters in a series of wonderfully sinister and weirdly clinical pencil drawings. The book, which Bram Stoker composed as a series of diaries, letters and newspaper cuttings, has been typeset by designer John Morgan with a different typeface allocated to each character--each font being based on those in use at the time of the book's original publication. As a final flourish, the striking bright yellow clothbound cover, with its vivid red lettering, is based on that of the first UK edition.

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BOOK FORMAT
Clth, 6.25 x 10 in. / 488 pgs / 27 duotone.

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Catalog: SPRING 2009 p. 60   

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Emil Nolde: The GrotesquesEmil Nolde: The Grotesques

Published by Hatje Cantz.
Edited by Ulrich Luckhardt, Christian Ring. Text by Caroline Dieterich, Daniel J. Schreiber, Roman Zieglgänsberger.

Emil Nolde (1867–1956) is famous for his dramatic ocean views and colorful flower gardens, but his love of the fantastical and grotesque has received less attention. Yet it is clear from his autobiography and his letters that they had a significant impact on his art. Alongside his first oil painting, “Bergriesen” (“Mountain Giants,” 1895–96), his alpine postcards of this period, in which the Swiss mountains appear as bizarre human physiognomies, also convey his fascination with the fantastical. His rejection of realism in favor of a grotesque, alternative world can be seen throughout his oeuvre, from its beginnings to the Grotesken (1905) and watercolors from 1918–19, to the years under the Nazis when he was forbidden to practice his profession. This catalog, which includes works never before shown, is also the first to emphasize this fascinating side of the great painter and water-colorist.



PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 9.5 x 12.25 in. / 176 pgs / 130 color.

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Catalog: FALL 2017 p. 129   

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Frankenstein: The First Two Hundred YearsFrankenstein: The First Two Hundred Years

Published by Reel Art Press.
By Christopher Frayling.

Frankenstein lives! 200 years of the book, the movies and the monster in pop culture and beyond

On New Year’s Day 1818, Mary Shelley’s novel Frankenstein was first published in an anonymous three-volume edition of 500 copies. Some thought the book was too radical in its implications; a few found the central theme intriguing; no-one predicted its success.

Since then, there have been many, many adaptations—120 films alone, at the last count—on screen, stage, in novels, comics and graphic novels, in advertisements and even on cereal packets. From a Regency nightmare, Frankenstein became a cuddly childhood companion—thoroughly munstered, so to speak. The story has been interpreted as a feminist allegory of birthing, an ecological reading of mother earth, an attack on masculinist science, the origin of science fiction, an example of “female gothic,” a reaction to the rise of the industrial proletariat and much else besides. Frankenstein lives! The F word has been applied, since the 1950s, to test-tube babies, heart transplants, prosthetics, robotics, cosmetic surgery, genetic engineering, genetically modified crops and numerous other public anxieties arising from scientific research. Today, Frankenstein has taken over from Adam and Eve as the creation myth for the age of genetic engineering.

This book, celebrating the 200th birthday of Frankenstein, traces the journey of Shelley’s Frankenstein from limited-edition literature into the bloodstream of contemporary culture. With text by renowned Gothic scholar Sir Christopher Frayling, it includes new research on the novel’s origins; a facsimile reprint of the earliest-known manuscript version of the creation scene; visual material on adaptations for the stage, in magazines, on playbills, in prints and in book publications of the 19th century; visual essays on many of the film versions and their inspirations in the history of art; and Frankenstein in popular culture—on posters, advertisements, packaging, in comics and graphic novels.



PUBLISHER
Reel Art Press

BOOK FORMAT
Hardcover, 9 x 11 in. / 208 pgs / 125 color / 75 bw.

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Catalog: FALL 2017 p. 9   

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Monster Chetwynd: The Supreme Deluxe Essential Monster Chetwynd HandbookMonster Chetwynd: The Supreme Deluxe Essential Monster Chetwynd Handbook

Published by Edition Patrick Frey.

Full to bursting with photographic documentation and source material, this book retraces British performance artist Monster Chetwynd’s (born 1973) work from 2007 to 2018. The photo series are adumbrated by references to sources of inspiration and cast lists.



PUBLISHER
Edition Patrick Frey

BOOK FORMAT
Paperback, 7.75 x 10.75 in. / 600 pgs / 800 color.

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Catalog: FALL 2019

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Phyllis Galembo: Mexico Masks RitualsPhyllis Galembo: Mexico Masks Rituals

Published by Radius Books/D.A.P..
Text by Sergio Rodríguez Blanco, George Otis.

The acclaimed photographer of African masks turns her lens to the astounding mask cultures of Mexico

Since 1985, photographer Phyllis Galembo has traveled extensively to photograph sites of ritual dress in Africa and the Caribbean. In her latest body of work, collected in this new publication, Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress.

Masking is a complex tradition in which the participants transcend the physical world and enter the spiritual realm. Masks, costumes and body paint transform the human body and encode a rich range of political, artistic, theatrical, social and religious meanings on the body. In her vibrant color photographs, Galembo highlights the artistry of the performers, how they use materials from their immediate environment to morph into a fantastical representation of themselves and an idealized vision of a mythical figure. In a gorgeous, fascinating photographic survey of Mexico’s masking practices, Galembo captures her subjects suspended between past, present and future, with their religious, political and cultural affiliations—their personal and collective identifications—displayed on their bodies.

Photographer Phyllis Galembo (born 1952) received her MFA from the University of Wisconsin–Madison in 1977, and was Professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. A 2014 Guggenheim Fellow, Galembo has photographs in numerous public and private collections, including the Metropolitan Museum of Art and the New York Public Library. Her photographs of ritual masks in Africa, the Diaspora and beyond have been the subject of several monographic publications, including Maske (Aperture, 2016).



PUBLISHER
Radius Books/D.A.P.

BOOK FORMAT
Hardcover, 9.75 x 10.75 in. / 196 pgs / 120 color.

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Catalog: SPRING 2019 p. 17   

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Posada: A Century of SkeletonsPosada: A Century of Skeletons

Published by RM/BBVA.
Text by Juan Villoro, Mercurio López, Helia Bonilla, Montserrat Gali, Rafael Barajas.

To celebrate the 100th anniversary of Posada’s death, A Century of Skeletons collects nearly 1,000 reproductions of original prints, including dozens of engravings never before published. Over the last century, Posada’s satirical illustrations with their signature "calaveras," or skeletons, have become synonymous with the imagery of Mexico’s Day of the Dead celebrations. Often guised in various costumes, such as the Calavera de la Catrina, the "Skull of the Female Dandy," Posada’s Calaveras also satirized the lifestyle of the Mexican upper classes during the reign of Porfirio Díaz. His prints and lithographs utilize a distinctive blend of black, white and middle tones and his works in type metal, zinc and wood make dramatic use of proportion and disproportion. Reflecting on various aspects of Posada’s life and work, this volume contains essays by Juan Villoro, Helia Bonilla, Monserrat Galí and Rafael Barajas, as well as a study by Mercurio López that organizes a significant part of Posada’s work chronologically, and with regard to the printmaking techniques employed. It also includes two complementary sections: one examining the technical transition from lead to zinc in engraving and a second giving examples of the iconographical sources for Posada’s work.

José Guadalupe Posada (1852–1913) studied lithography as a young man and opened a commercial print shop in the 1870s, focusing on advertising, book illustration and broadsides. After the shop was destroyed in a flood, Posada relocated to Mexico City and began moving toward cheaper methods of printmaking. It was there that Posada began contributing his satirical cartoons to news flyers and periodicals, using his adept imagery to communicate with a largely illiterate public. Though he died virtually unknown, Posada has been acknowledged by Diego Rivera and José Clemente Orozco as the godfather of modern Mexican art.

PUBLISHER
RM/BBVA

BOOK FORMAT
Clth, 9 x 12 in. / 376 pgs / 968 color.

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Catalog: SPRING 2014 p. 54   

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SpellsSpells

Published by Wakefield Press.
By Michel de Ghelderode. Introduction and translation by George MacLennan.

“I live outside the world in a universe I myself have created, like a madman or a holy visionary.” —Michel de Ghelderode

PUBLISHER
Wakefield Press

BOOK FORMAT
Paperback, 6 x 9 in. / 280 pgs / 4 bw.

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Catalog: FALL 2016 p. 69   

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The Anatomical VenusThe Anatomical Venus

Wax, God, Death & the Ecstatic

Published by D.A.P./Distributed Art Publishers.
By Joanna Ebenstein.

The uncanny allure of historical medical models

PUBLISHER
D.A.P./Distributed Art Publishers

BOOK FORMAT
Hardcover, 6.75 x 9.5 in. / 224 pgs / 250 color.

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Catalog: SPRING 2016 p. 45   

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The Sick RoseThe Sick Rose

Disease and the Art of Medical Illustration

Published by D.A.P./Distributed Art Publishers.
By Richard Barnett.

The Sick Rose is a visual tour through the golden age of medical illustration. The nineteenth century experienced an explosion of epidemics such as cholera and diphtheria, driven by industrialization, urbanization and poor hygiene. In this pre-color-photography era, accurate images were relied upon to teach students and aid diagnosis. The best examples, featured here, are remarkable pieces of art that attempted to elucidate the mysteries of the body, and the successive onset of each affliction. Bizarre and captivating images, including close-up details and revealing cross-sections, make all too clear the fascinations of both doctors and artists of the time. Barnett illuminates the fears and obsessions of a society gripped by disease, yet slowly coming to understand and combat it. The age also saw the acceptance of vaccination and the germ theory, and notable diagrams that transformed public health, such as John Snow’s cholera map and Florence Nightingale’s pioneering histograms, are included and explained. Organized by disease, The Sick Rose ranges from little-known ailments now all but forgotten to the epidemics that shaped the modern age. It is a fascinating Wunderkammer of a book that will enthrall artists, students, designers, scientists and the incurably curious everywhere.

PUBLISHER
D.A.P./Distributed Art Publishers

BOOK FORMAT
Hardcover, 6.75 x 9.5 in. / 256 pgs / 250 color.

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Catalog: SPRING 2014 p. 181   

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The Spectacle of IllusionThe Spectacle of Illusion

Deception, Magic and the Paranormal

Published by D.A.P..
By Matthew L. Tompkins.

The tricks and props of magic and spiritualism: how magicians and psychics fooled the world—and what scientists can learn from them

In The Spectacle of Illusion, professional magician-turned experimental psychologist Dr. Matthew L. Tompkins investigates the arts of deception as practised and popularised by mesmerists, magicians and psychics since the early 18th century. Organised thematically within a broadly chronological trajectory, this compelling book explores how illusions perpetuated by magicians and fraudulent mystics can not only deceive our senses but also teach us about the inner workings of our minds. Indeed, modern scientists are increasingly turning to magic tricks to develop new techniques to examine human perception, memory and belief. Beginning by discussing mesmerism and spiritualism, the book moves on to consider how professional magicians such as John Nevil Maskelyne and Harry Houdini engaged with these movements – particularly how they set out to challenge and debunk paranormal claims. It also relates the interactions between magicians, mystics and scientists over the past 200 years, and reveals how the researchers who attempted to investigate magical and paranormal phenomena were themselves deceived, and what this can teach us about deception. Highly illustrated throughout with entertaining and bizarre drawings, double-exposure spirit photographs and photographs of spoon-bending from hitherto inaccessible and un-mined archives, including the Wellcome Collection, the Harry Price Library, the Society for Physical Research, and last but not least, the Magic Circle’s closely guarded collection, the book also features newly commissioned photography of planchettes, rapping boards, tilting tables, ectoplasm, automata and illusion boxes. Concluding with a modern-day analysis of the science of magic and illusion, analysing surprisingly weird phenomena such as ideomotor action, sleep paralysis, choice blindness and the psychology of misdirection, this unnerving volume highlights how unreliable our minds can be, and how complicit they can be in the perpetuation of illusions.



PUBLISHER
D.A.P.

BOOK FORMAT
Hardcover, 7 x 9.5 in. / 224 pgs / 165 color / 370 bw.

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Catalog: SPRING 2019 p. 13   

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This Is No Dream: Making Rosemary's BabyThis Is No Dream: Making Rosemary's Baby

Published by Reel Art Press.
By James Munn. Photographs by Bob Willoughby. Forword by Taylor Hackford.

Reviewed in AnOther, the Wall Street Journal, the Washington Post and elsewhere, this is the definitive illustrated history of Roman Polanski's 1968 Satanic horror masterpiece—covering everything from director and casting choices to the kudos and condemnation it received upon its release. The Globe and Mail warns, "on the film’s 50th anniversary, this study and the unseen behind-the-scenes saga is almost as unsettling as the movie itself." During its making, Polanski fell seriously behind schedule and was almost fired; star Mia Farrow faced an ultimatum—career or marriage—from husband Frank Sinatra; and actor John Cassavetes nearly came to blows with his brilliant nemesis: Polanski. Revisit this classic with what Vanity Fair's Laura Jacobs calls "an insightful study of the film." 

PUBLISHER
Reel Art Press

BOOK FORMAT
Hardcover, 9 x 11 in. / 208 pgs / 100 color / 100 bw.

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Catalog: SPRING 2018 p. 40   

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ISBN 9781909526587 TRADE
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Tim BurtonTim Burton

Published by The Museum of Modern Art, New York.
Text by Tim Burton, Jenny He, Ron Magliozzi.

Tim Burton has reinvented Hollywood genre filmmaking over the past three decades. With a visual style inspired by the aesthetics of animation and silent comedy, Burton's work melds the exotic, the horrific and the comic, manipulating expressionism and fantasy with the skill of a graphic novelist. Published to accompany a major career retrospective at The Museum of Modern Art, this affordable volume considers Burton's career as an artist and filmmaker. It narrates the evolution of his creative practices, following the current of his visual imagination from his earliest childhood drawings through his mature oeuvre. Illustrated with works on paper, moving-image stills, drawn and painted concept art, puppets and maquettes, storyboards and examples of his work as a graphic artist for his non-film projects, this volume sheds new light on Burton and presents previously unseen works from the artist's personal archive.

Acclaimed American filmmaker Tim Burton (born 1958) is known for his dark, gothic films about quirky outsiders, many of which are both Hollywood blockbusters and cult classics. To date they have been nominated for 16 Academy Awards and have won six. They include Pee-Wee's Big Adventure (1985), Beetle Juice (1988), Batman (1989), Edward Scissorhands (1990), Batman Returns (1992), Ed Wood (1994), Sleepy Hollow, (1999), Charlie and the Chocolate Factory and Corpse Bride (both 2005) and Sweeney Todd: The Demon Barber of Fleet Street (2007), among others. Alice in Wonderland is slated for 2010. Burton has collaborated extensively with composer Danny Elfman and with actors Johnny Depp and Helena Bonham Carter.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 8 x 10 in. / 64 pgs / 54 color.

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Catalog: FALL 2009 p. 178   

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ISBN 9780870707605 TRADE
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Touch Me NotTouch Me Not

A Most Rare Compendium of the Whole Magical Art

Published by Fulgur Press.
Edited and translated by Hereward Tilton, Merlin Cox. Introduction by Hereward Tilton.

A full-color facsimile of an 18th-century black-magic compendium

Touch Me Not is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician’s highest ambition—an infernal transfiguration and union with the Devil—can be fulfilled.”

Hidden for decades within the Wellcome Library collection, Touch Me Not is published here as a full-color facsimile. The German and Latin texts have been translated by Hereward Tilton and Merlin Cox, scholars who have explored the sources for the various elements and provided copious references. Tilton provides an introduction that lays out the context for the survival of this extraordinary manuscript.

"

PUBLISHER
Fulgur Press

BOOK FORMAT
Hardcover, 9.25 x 12.5 in. / 160 pgs / 111 color.

PUBLISHING STATUS
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DISTRIBUTION
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Catalog: SPRING 2019 p. 11   

PRODUCT DETAILS
ISBN 9781527228832 TRADE
List Price: $49.95 CDN $67.50

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