DATE 7/22/2024

Explore the influence of Islamic art and design on Cartier luxury objects

DATE 7/18/2024

Join us at the San Francisco Art Book Fair, 2024!

DATE 7/18/2024

History and healing in Calida Rawles' 'Away with the Tides'

DATE 7/16/2024

Join us at the Atlanta Gift & Home Summer Market 2024

DATE 7/15/2024

In 'Gordon Parks: Born Black,' a personal report on a decade of Black revolt

DATE 7/14/2024

Familiar Trees presents a marathon reading of Bernadette Mayer's 'Memory'

DATE 7/11/2024

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DATE 7/8/2024

For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’

DATE 7/5/2024

Celebrate summer with Tony Caramanico’s Montauk Surf Journals

DATE 7/4/2024

For love, and for country

DATE 7/1/2024

Summertime Staff Picks, 2024!

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DATE 6/30/2024

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Featured detail is from

Jordan Peele's notes bring insight to 'Get Out: The Complete Annotated Screenplay'

Featured detail is from Get Out: The Complete Annotated Screenplay. It corresponds to the backyard scene in Act 2 where Chris holds out his fist for Andre/Logan to bump, and Andre/Logan inexplicably grabs Chris's fist instead. In his annotation, Jordan Peele explains, "Andre is probably invited to this party as an advertisement. Because he already has a body, he's invited so that prospective buyers can see how it works. There's a moment here where Andre/Logan will do a little twirl showing off his outfit, but what he's really doing is showing that the neural connections worked. On another level—the one Chris sees—it shows that this Black man is volunteering himself for approval. Chris is thinking, 'This motherfucker did a twirl in front of some white people. Something is wrong.' Just being Black people in America gives us something in common."

Get Out

Get Out

Inventory Press
Pbk, 4.25 x 7 in. / 224 pgs / 150 b&w.

$19.95  free shipping

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