| RECENT POSTS DATE 10/31/2021 DATE 10/19/2021 DATE 10/16/2021 DATE 10/14/2021 DATE 10/14/2021 DATE 10/12/2021 DATE 10/11/2021 DATE 10/10/2021 DATE 10/10/2021 DATE 10/6/2021 DATE 10/6/2021 DATE 10/4/2021 DATE 10/3/2021 DATE 10/2/2021 DATE 10/1/2021 DATE 9/30/2021 DATE 9/29/2021 DATE 9/28/2021 DATE 9/26/2021 DATE 9/25/2021 DATE 9/25/2021 DATE 9/23/2021 DATE 9/22/2021 DATE 9/21/2021 DATE 9/18/2021 DATE 9/18/2021 DATE 9/17/2021 DATE 9/14/2021 DATE 9/14/2021 DATE 9/12/2021 DATE 9/10/2021 DATE 9/9/2021 DATE 9/9/2021 DATE 9/7/2021 DATE 9/5/2021 DATE 9/3/2021 DATE 9/1/2021 DATE 8/31/2021 DATE 8/26/2021 DATE 8/25/2021 DATE 8/22/2021 DATE 8/21/2021 DATE 8/20/2021 DATE 8/18/2021 DATE 8/18/2021 DATE 8/17/2021 DATE 8/12/2021 DATE 8/10/2021 DATE 8/8/2021 DATE 8/6/2021 DATE 8/5/2021
| | |  CORY REYNOLDS | DATE 3/1/2013In a 1967 issue of Art in America, Lucy Lippard published "Homage to the Square," featuring this text by Sol LeWitt: "The best that can be said for either the square or the cube is that they are relatively uninteresting in themselves. Being basic representations of two- and three- dimensional form, they lack the expressive force of other more interesting forms and shapes. They are standard and universally recognized, no initiation being required of the viewer; it is immediately evident that a square is a square and a cube, a cube. Released from the necessity of being significant in themselves, they can be better used as grammatical devices from which the work may proceed. The use of a square or cube obviates the necessity of inventing other forms and reserves their use for invention." This excerpt and the featured image, "Wall Drawing # 356 BB" (2003), are reproduced from JRP | Ringier's stellar new monograph, Sol LeWitt.  JRP|RINGIER
Hbk, 10 x 11.25 in. / 326 pgs / illustrated throughout.
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