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RECENT POSTS

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/8/2026

Maï Lucas reception and book signing at Dashwood Projects

DATE 4/5/2026

For Catherine Opie, "Without representation, there is no visibility"

DATE 4/5/2026

In this season of rejuvenation, a meditation on loss and revival

DATE 4/1/2026

Hiroshi Sugimoto's terrestrial celestial masterpiece

DATE 3/29/2026

Celebrating Women's History Month and Frida-mania in NYC

DATE 3/27/2026

Gateways to other realms in 'Uman: After all the things'

DATE 3/25/2026

The Strand presents George Condo in conversation with Massimiliano Gioni and Dakis Joannou for the launch of 'The Mad and the Lonely'

DATE 3/24/2026

Back in stock! 'Helen Frankenthaler: Painting without Rules'

DATE 3/23/2026

Head Hi presents a double-header book launch for 'We the Bacteria' and 'Sick Architecture'

DATE 3/21/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eileen G’sell launching 'Lipstick'

DATE 3/21/2026

The fearless self-portraiture of Frida Kahlo, timed for MoMA's Kahlo / Rivera show


IMAGE GALLERY

Justine Kurland
CORY REYNOLDS | DATE 11/2/2014

The Open Road: Justine Kurland

Justine Kurland's 2010 photograph, "Spare Some Gas," is reproduced from The Open Road: Photography and the American Roadtrip, a book that belongs in every serious collection. David Campany describes Kurland's experience traveling America with her infant son Caspar. "Mother and son would travel in their customized van, going south in the winter and north in the summer. As well as photographing people encountered in passing, Kurland would revisit friends and acquaintances living on the edges of society or close to subsistence levels. 'How to photograph such lives is a tricky question,' she admits. 'There's such a mythology around life on the margins. It goes back to John Steinbeck's writing and beyond.' That mythology, coupled with ethical difficulties of depicting the lives of others has put off many contemporary writers and photographers, resulting in further invisibility. 'I believe it's where the social fabric begins to unravel that we can learn about society. I love that part of Let Us Now Praise Famous Men where James Agee asks 'Who am I to be writing about the lives of these struggling tenant farmers?' but then asks 'and who are you to be reading these words?' For all the criticisms made of documentary practice I still come back to it.'"



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!