DATE 3/7/2024

Rizzoli Bookstore presents Chloe Sherman and Noelle Flores Théard on 'Renegades: San Francisco, The 1990s'

DATE 3/6/2024

Yelena Yemchuk to launch 'Malanka' at Dashwood Books

DATE 2/27/2024

192 Books and Paula Cooper Gallery presents Robert Slifkin, Elizabeth Smith and Jacob Proctor on 'The New York Tapes'

DATE 2/26/2024

A gorgeous new book on the woodblock virtuosos of the Edo period

DATE 2/24/2024

Save 75–85% at our 2024 LA Showroom Sample Sale!

DATE 2/24/2024

Artbook at Hauser & Wirth LA Bookstore presents 'Exquisite Dreams: The Art and Life of Dorothea Tanning' with Amy Lyford and Amelia Jones

DATE 2/23/2024

In Walter Pfeiffer's 'Chez Walti,' a playful, captivating dream world

DATE 2/20/2024

The elusive practice of bootlegging, alive and well in the creative fields

DATE 2/18/2024

Artbook at Hauser & Wirth LA Bookstore presents Lisa Lapinski and Bennett Simpson launching 'Miss Swiss'

DATE 2/17/2024

Artbook @ MoMA PS1 Bookstore presents Hilton Als launching 'God Made My Face: A Collective Portrait of James Baldwin'

DATE 2/17/2024

Artbook at Hauser & Wirth LA Bookstore presents Karen Lofgren & Carmina Escobar launching 'emBRUJAda'

DATE 2/17/2024

Arcana Books presents Yelena Yemchuk signing 'Malanka'

DATE 2/15/2024

Next-level Ellsworth Kelly


“Astonishing Grace” (1975) is reproduced from

‘David Hammons: Body Prints, 1968–1979’ is Back in Stock!

At last, a new shipment of The Drawing Center’s concise paperback on David Hammons’ seminal series—in which he used the body as both a drawing tool and a printing plate—has arrived! Drawing Center Executive Director Laura Hoptman writes, “Hammons’ body print series is an eloquent and consummate first expression of his artistic brilliance and, in many ways, these deeply meaningful works on paper speak for themselves. The body prints contain the techniques, concepts and messages that Hammons would continue to expand upon in an array of mediums over the next half century, but their singularity lies in that they represent a first act of artistic and political bravery. In a decade that was an inflection point for racial tension and racial justice in the United States, Hammons chose to use his own body to depict the quotidian joys and entrenched injustices of living as a Black man in midcentury America. As Hammons explained to the artist Ulysses Jenkins in 1978, ‘By using the body, I’m going to have the truth whether I want it or not.’” Featured image is “Astonishing Grace” (1975).

David Hammons: Body Prints, 1968–1979

David Hammons: Body Prints, 1968–1979

The Drawing Center
Pbk, 6 x 9 in. / 144 pgs / 36 color / 18 b&w.

Vintage Valentine

DATE 2/14/2024

Vintage Valentine

Forever Valentino

DATE 11/27/2023

Forever Valentino

Heads up!

DATE 8/13/2023

Heads up!