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RECENT POSTS

DATE 11/30/2025

Artbook at Hauser & Wirth Los Angeles Bookstore presents Kelli Anderson and Claire L. Evans launching 'Alphabet in Motion'

DATE 11/27/2025

Indigenous presence in 'Wendy Red Star: Her Dreams Are True'

DATE 11/24/2025

Holiday Gift Guide 2025: Artful Crowd-Pleasers

DATE 11/22/2025

From 'Bottle Rocket' to 'The Phoenician Scheme' — the archives of Wes Anderson

DATE 11/20/2025

The testimonial art of Reverend Joyce McDonald

DATE 11/18/2025

A profound document of art, love and friendship in ‘Paul Thek and Peter Hujar: Stay away from nothing’

DATE 11/17/2025

The Strand presents Kelli Anderson + Giorgia Lupi launching 'Alphabet in Motion'

DATE 11/15/2025

Holiday Gift Guide 2025: Stuff that Stocking

DATE 11/15/2025

Artbook at MoMA PS1 presents Cory Arcangel, Eivind Røssaak and Alexander R. Galloway launching 'The Cory Arcangel Hack'

DATE 11/14/2025

Columbia GSAPP presents 'The Library is Open 23: Archigram Facsimile' with Beatriz Colomina Thomas Evans, Amelyn Ng, David Grahame Shane, Bernard Tschumi & Bart-Jan Polman

DATE 11/13/2025

Holiday Gift Guide 2025: For the Photo Fanatic

DATE 11/13/2025

Holiday Gift Guide 2025: For the Edition Collector

DATE 11/13/2025

Pop-up pleasure in Kelli Anderson's astonishing 'Alphabet in Motion'


IMAGE GALLERY

“Astonishing Grace” (1975) is reproduced from
CORY REYNOLDS | DATE 8/7/2022

‘David Hammons: Body Prints, 1968–1979’ is Back in Stock!

At last, a new shipment of The Drawing Center’s concise paperback on David Hammons’ seminal series—in which he used the body as both a drawing tool and a printing plate—has arrived! Drawing Center Executive Director Laura Hoptman writes, “Hammons’ body print series is an eloquent and consummate first expression of his artistic brilliance and, in many ways, these deeply meaningful works on paper speak for themselves. The body prints contain the techniques, concepts and messages that Hammons would continue to expand upon in an array of mediums over the next half century, but their singularity lies in that they represent a first act of artistic and political bravery. In a decade that was an inflection point for racial tension and racial justice in the United States, Hammons chose to use his own body to depict the quotidian joys and entrenched injustices of living as a Black man in midcentury America. As Hammons explained to the artist Ulysses Jenkins in 1978, ‘By using the body, I’m going to have the truth whether I want it or not.’” Featured image is “Astonishing Grace” (1975).

David Hammons: Body Prints, 1968–1979

David Hammons: Body Prints, 1968–1979

The Drawing Center
Pbk, 6 x 9 in. / 144 pgs / 36 color / 18 b&w.





From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!