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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

“Astonishing Grace” (1975) is reproduced from
CORY REYNOLDS | DATE 8/7/2022

‘David Hammons: Body Prints, 1968–1979’ is Back in Stock!

At last, a new shipment of The Drawing Center’s concise paperback on David Hammons’ seminal series—in which he used the body as both a drawing tool and a printing plate—has arrived! Drawing Center Executive Director Laura Hoptman writes, “Hammons’ body print series is an eloquent and consummate first expression of his artistic brilliance and, in many ways, these deeply meaningful works on paper speak for themselves. The body prints contain the techniques, concepts and messages that Hammons would continue to expand upon in an array of mediums over the next half century, but their singularity lies in that they represent a first act of artistic and political bravery. In a decade that was an inflection point for racial tension and racial justice in the United States, Hammons chose to use his own body to depict the quotidian joys and entrenched injustices of living as a Black man in midcentury America. As Hammons explained to the artist Ulysses Jenkins in 1978, ‘By using the body, I’m going to have the truth whether I want it or not.’” Featured image is “Astonishing Grace” (1975).

David Hammons: Body Prints, 1968–1979

David Hammons: Body Prints, 1968–1979

The Drawing Center
Pbk, 6 x 9 in. / 144 pgs / 36 color / 18 b&w.





The New York Knicks

DATE 6/18/2026

The New York Knicks