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DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

Featured image is reproduced from
CORY REYNOLDS | DATE 9/4/2020

'Bernadette Mayer: Memory' is reviewed in this week's 'New Yorker'

Congratulations Siglio Press, publisher of Bernadette Mayer: Memory, extensively reviewed in this week's New Yorker, where Dan Chiasson calls the book "a new and beautiful embodiment" of Mayer's 1971 conceptual project that "speaks uncannily to our particular time." We are so moved by this searching, prescient, open-ended book, which Chiasson describes elegantly. "Nostalgia—for the carnal, improvised mood of 1971, but also for the halcyon days of, say, last summer, before we were afraid of communal life—has become the work’s dominant key. Yet Memory, also seems ahead of its time: a database of half-captured meals, barns, bodies—a kind of analog Internet. The visual images are underexposed, overexposed, and double-exposed. Objects are edged half into or half out of the frame; scenes are never complete. The text propels you past tantalizing sights and experiences. It’s all too much, in ways that seem very familiar to anyone who watches stimuli whiz by in a feed."

Bernadette Mayer: Memory

Bernadette Mayer: Memory

Siglio
Hbk, 10 x 7.25 in. / 332 pgs / 1155 color.





The New York Knicks

DATE 6/18/2026

The New York Knicks