DATE 4/1/2023

Rizzoli Bookstore presents Pattie Boyd in conversation with Dave Brolan

DATE 3/25/2023

Artbook at Hauser & Wirth LA Bookstore presents the Los Angeles book launch and signing for 'Ash Kolodner: Gayface'

DATE 3/18/2023

The spirit of exploration in 'Thor Heyerdahl: Voyages of the Sun'

DATE 3/15/2023

192 Books presents a Tony Feher panel discussion

DATE 3/14/2023

Celebrate Pi Day with 'Einstein: The Man and His Mind'

DATE 3/14/2023

Revised 'Philip Guston Now' on view at National Gallery of Art

DATE 3/10/2023

Hot book alert! 'Cyberfeminism Index' is out now from Mindy Seu and Inventory Press

DATE 3/8/2023

Midcentury Modern bliss in 'Room 606'

DATE 3/6/2023

Peculiar beasts in 'Jon Huck: At the Drop of a Hat'

DATE 3/5/2023

Artbook at MoMA PS1 presents Tammy Nguyen and Mina Stone

DATE 3/2/2023

Mast Books presents Jameson Green in conversation with Dan Nadel

DATE 3/1/2023

Celebrate Women's History!

DATE 3/1/2023

Celebrate Women's History Month, 2023!


"Untitled #7" (1973). Ink on punched-and-pasted paper, talcum powder, and thread on paper. 10 1/8 x 8 3/8 in. (25.9 x 21.3 cm). Gift of Lily Auchincloss. 1974. (c) 2019 Howardena Pindell, courtesy the artist and Garth Greenan Gallery, New York. (c) The Museum of Modern Art, Department of Imaging and Visual Resources, photo: John Wronn.

Howardena Pindell's atomized innovation shines in 'Among Others: Blackness at MoMA'

Howardena Pindell's "Untitled #7" (1973) is reproduced from Among Others: Blackness at MoMA—launching today with a panel discussion featuring Pindell, editor Darby English, Ann Temkin, Fred Wilson and moderator Steven Nelson at MoMA PS1. "To say that Howardena Pindell's 'Untitled #7' satisfies traditional conventions of drawing, where the artist's hand guides a mark-making tool over paper, is on appearance a bit of a stretch," Jessica Bell Brown writes. "In this complex work, just over ten by eight inches, Pindell has slickly reimagined the properties of the art form by infusing her drawing with collage and printmaking elements. She began this picture with a 'soft' grid of thread set on mounts recycled from the frame shop at MoMA, where she was working as a curator in the Department of Prints and Illustrated Books. She then turned to the detritus from paper templates she had made for large-scale paintings she was working on, using a three-hole punch to make stencils as conduits through which to squeeze acrylic paint. She kept the punched-out chads from these stencils and later numbered each one with ink. In 'Untitled #7,' Pindell playfully sprinkled a few of these chads at a time onto her makeshift grid of thread, spraying them with 3M photo adhesive as they fell. These 'dots' of paper were accordingly fixed in place in random order, building up an uneven field of atomized space."

Among Others: Blackness at MoMA

Among Others: Blackness at MoMA

Hbk, 9 x 10.5 in. / 488 pgs / 300 color.

$65.00  free shipping

Pure Couture

DATE 2/9/2023

Pure Couture

Into the meat grinder

DATE 1/21/2023

Into the meat grinder

Why Omaha?

DATE 1/10/2023

Why Omaha?

Raise your fist!

DATE 10/24/2022

Raise your fist!