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RECENT POSTS

DATE 10/30/2014

Goya: The Sleep of Reason Produces Monsters

DATE 10/29/2014

Todd Hido on Landscapes, Interiors, and The Nude

DATE 10/28/2014

Grotesque, Garish, Exuberant American Art: 'What Nerve!' in the NYRB

DATE 10/27/2014

In Memoriam: David Armstrong

DATE 10/26/2014

'Fischerspooner: New Truth' Launch at VFILES

DATE 10/24/2014

Photography & Modern Architecture in Spain 1925-1965

DATE 10/24/2014

New York Times Reviews Paul Strand’s Lifetime of Photography at Philadelphia Museum

DATE 10/23/2014

Josef Albers: Minimal Means, Maximum Effect

DATE 10/22/2014

Josef Albers: Minimal Means, Maximum Effect

DATE 10/21/2014

Alec Soth and Brad Zellar Book Event at the Walker Art Center

DATE 10/20/2014

Bernadette Corporation: 2000 Wasted Years

DATE 10/16/2014

Carlo Mollino: Polaroids

DATE 10/16/2014

ARTBOOK @ Swiss Institute Presents 'What Nerve' Panel, Signing and Screening

DATE 10/15/2014

'Matthew Brandt: Lakes and Reservoirs' Launches Thursday at MOCA Grand Avenue

DATE 10/15/2014

'Edgewise: A Picture of Cookie Mueller' Launches in NY

DATE 10/14/2014

Julian Schnabel: Draw a Family

DATE 10/12/2014

Jim Shaw: The Hidden World

DATE 10/12/2014

Jim Shaw: The Hidden World

DATE 10/10/2014

Goya: Order & Disorder

DATE 10/10/2014

Goya: Order & Disorder

DATE 10/8/2014

ZERO: Countdown to Tomorrow, 1950s-60s

DATE 10/8/2014

EX LIBRIS: Hand-Picked Steidl Favorites from Dan Nadel

DATE 10/6/2014

Bridget Riley: The Stripe Paintings 1961-2014

DATE 10/5/2014

The Heart Is Not a Metaphor: Robert Gober at MoMA

DATE 10/3/2014

Robert Gober: The Heart Is Not a Metaphor

DATE 10/2/2014

Books for Life: Steidl

DATE 10/1/2014

Gordon Parks: Collected Works

DATE 10/1/2014

'Superlight: Rethinking How Our Homes Impact the Earth' Featured in the New York Times

DATE 9/30/2014

Termite Art: 'What Nerve: Alternative Figures in American Art' in NY Times

DATE 9/29/2014

Hiroshi Sugimoto: Dioramas

DATE 9/29/2014

Now Available: A New, Expanded Edition of the Teacher's Manual to 'In the Making'

DATE 9/26/2014

ARTBOOK @ NYABF

DATE 9/25/2014

Luck, Laughs, Lust & Love: Chloé Griffin on Cookie Mueller

DATE 9/25/2014

Join OSMOS for a Kon Trubkovich: Leap Second Book Signing at the NYABF

DATE 9/25/2014

K8 Hardy 'How To: Untitled Runway Show' Signing at the NYABF

DATE 9/24/2014

ARTBOOK Presents K8 Hardy Signing at the NYABF

DATE 9/24/2014

ARTBOOK @ MoMA PS1 Presents Cory Arcangel at the NYABF Opening

DATE 9/24/2014

ARTBOOK Presents Cory Arcangel One Night Installation and Signing at the NYABF Opening

DATE 9/23/2014

Paul Chan: New New Testament

DATE 9/22/2014

Cory Arcangel: All The Small Things

DATE 9/21/2014

Kelley Walker Book Signing at 192 Books

DATE 9/20/2014

ARTBOOK + SWISS INSTITUTE Launch Two New Books by Paul Chan

DATE 9/20/2014

Celebrate 'Ray Johnson: Not Nothing' at the MoMA Library Wednesday Night

DATE 9/19/2014

The Essential Cy Twombly: Beautiful in Their Subversion of 'Beauty'

DATE 9/19/2014

What Nerve! Destroy All Monsters

DATE 9/18/2014

A Country of Cities Now Available in eBook Editions

DATE 9/18/2014

What Nerve! Christina Ramberg Rediscovered

DATE 9/17/2014

ARTBOOK @ SI Launch Party

DATE 9/16/2014

What Nerve! Alternative Figures in American Art, 1960 to the Present

DATE 9/16/2014

Le Corbusier & Pierre Jeanneret: Chandigarh, India

DATE 9/15/2014

Just One Good Chair


BOOKS IN THE MEDIA

CORY REYNOLDS | DATE 1/17/2012

Lewis Hine Reviewed in the Wall Street Journal


D.A.P.'s stunning new monograph on the work of early twentieth century photographer Lewis Hine was reviewed this weekend in The Wall Street Journal. Please scroll down to read the complete text.
"For Lewis Hine, photography was both craft and calling. Trained as a teacher and social worker, Hine (1874-1940) picked up a camera in 1904 so that he could offer photography classes at his school. Soon he was advertising his services in the field of
"For Lewis Hine, photography was both craft and calling. Trained as a teacher and social worker, Hine (1874-1940) picked up a camera in 1904 so that he could offer photography classes at his school. Soon he was advertising his services in the field of 'Social Photography,' with a specialty in 'graphic representations of conditions and methods of work.' Commissions from the National Child Labor Committee produced some of his most haunting images: photographs of newsies, including one sleeping with papers for a pillow; a crowd of boy miners whose ghostly faces barely break the enveloping coal dust; a 5-year-old Mississippi shrimp picker. These images and more than 150 others are assembled in the handsome survey Lewis Hine (D.A.P., 261 pages, $65) and capture Hine's belief in the essential nobility of labor. He dubbed his works 'Hineographs,' proud of their rhetorical power and graphic distinction, which he developed more self-consciously in later photographs, such as those in 'Men at Work' (1932). Reproduced here in facsimile, that book celebrates riveters and girder-wranglers, including the men (like the one above) who toiled atop the Empire State Building. Elsewhere, a worker's form, framed by the circle of bolts he is tightening, recalls the geometric perfection of Leonardo's Vitruvian Man."

--The Editors, The Wall Street Journal, Saturday, January 14, 2012

Lewis Hine Reviewed in the Wall Street Journal
Lewis Hine Reviewed in the Wall Street Journal
Lewis Hine Reviewed in the Wall Street Journal
Lewis Hine Reviewed in the Wall Street Journal
Lewis Hine Reviewed in the Wall Street Journal
Lewis Hine Reviewed in the Wall Street Journal
Lewis Hine Reviewed in the Wall Street Journal

Lewis Hine

Lewis Hine

D.A.P./DISTRIBUTED ART PUBLISHERS, INC.
Clth, 8.75 x 10 in. / 264 pgs / 230 duotone.

$65.00  free shipping

DATE 3/11/2013

Mariana Cook: Justice

Mariana Cook: Justice


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