| | TITLE | Lewis Hine | IMPRINT | D.A.P./Distributed Art Publishers, Inc. | PRICE US | $65.00 CDN $65.00 | ISBN | 9781935202769 TRADE | FORMAT | Clth, 8.75 x 10 in., 264 pgs, 230 duotone. | CATALOG | SPRING 2012 p. 23 | DISTRIBUTOR | D.A.P. | PUB DATE | 1/15/2012 | STATUS | Active | STOCK | Awaiting stock |
| EXHIBITION SCHEDULEParis, France
Fondation Henri Cartier Bresson, Paris, 09/07/11-12/18/11
Madrid, Spain
Fundación MAPFRE, 02/06/12-04/24/12
Rotterdam, The Netherlands
Nederlands Fotomuseum, 09/14/12-01/06/13 | | NEW PHOTOGRAPHY Edited by Frits Gierstberg, Rik Suermondt.
APERTURE By Eva Respini. Text by Johanna Burton. Interview by John Waters.
THE MUSEUM OF MODERN ART, NEW YORK Edited by Will Steacy. Introduction by Lyle Rexer.
DAYLIGHT BOOKS | GIFTS FOR GRADS 2013: 50 Perfect Choices for Recent Graduates!  | |
| | | Lewis HineText by Alison Nordström, Elizabeth McCausland. In 1905, a young sociologist named Lewis Hine Wickes decided to pursue photography as the medium with which to denounce injustice and poverty. Hine was one of the first photographers to document the wave of mass immigration from an impoverished Europe to an economically booming America, and his portraits of immigrants at Ellis Island offered a more positive image of this influx. Later, while working with the National Child Labor Committee, Hine compiled a vast corpus of images that showed how American industry was making use of child labor, helping to bring about changes in U.S. child labor law. But as he wearied of photographing poverty, Hine developed an idealized vision of the worker that emphasized the dignity of labor--a vision that culminated in his legendary Men at Work series, first published in 1932 and today a classic American photobook. “We call this the Machine Age,” he wrote in its introduction, “But the more machines we use, the more do we need real men to make and direct them.” This beautifully produced volume, which includes a complete facsimile of Men at Work, is compiled from the collection of the George Eastman House, to whom Hine’s son bequeathed his archive after his death. It includes both well-known series and recently discovered early works, plus rare family photographs, ephemera and a detailed chronology. The works are arranged in thematic groupings: “Ellis Island,” “Tenements,” “Child Labor,” “Chicago and New York,” “Pittsburgh,” “Europe,” “Black America,” “Empire State Building” and “New Deal.”
Lewis Hine (1874–1940) was born in Wisconsin and studied sociology at the University of Chicago. He served as official photographer for the WPA and for the construction of the Empire State Building. His later years were filled with professional struggles due to loss of patronage.
Featured spread is reproduced from Lewis Hine. | |
|  | STATUS: Temporarily out of stock pending additional inventory. | |
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| | | | |  | THE DUTCH PHOTOBOOK
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|  | PHOTOGRAPHS NOT TAKEN
Edited by Will Steacy. Introduction by Lyle Rexer.
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Pub Date: 3/31/2012
Active | In stock
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