Published by Garth Greenan Gallery. Text by Barry Schwabsky.
This publication provides an overview of Howardena Pindell's (born 1943) work from 1974 to 1980, an incredibly innovative period in which she began cutting the canvas in strips and sewing them back together, then building up the surface in elaborate stages. By the late 1970s, sequins, string, hair and even perfume had become a part of her painting.
PUBLISHER Garth Greenan Gallery
BOOK FORMAT Hardcover, 8.75 x 10.25 in. / 64 pgs / 40 color / 1 bw.
PUBLISHING STATUS Pub Date 10/27/2015 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2015 p. 187
PRODUCT DETAILS ISBN 9780989890243FLAT40 List Price: $40.00 CDN $54.00 GBP £35.00
Published by The Museum of Modern Art, New York. Text by Esther Adler.
The Chicago-born artist Charles White (1918–79) was celebrated during his lifetime for depictions of African-American men, women and children that acquired the name “images of dignity. White’s draftsmanship, his direct address of the social and political concerns of his time, and his commitment to media that gave his art wide circulation established him as a major artist, and one with significant influence both on his contemporaries and on later generations.
Beginning with White’s early days as an artist in the Chicago of the 1930s and ’40s, moving through his time spent developing his craft in New York in the late 1940s and ’50s, and closing with his final decades as a revered figure in Los Angeles, Charles White: Black Pope explores the artist’s practice and strategies through consideration of key works. It devotes particularly close examination to his late masterwork Black Pope (Sandwich Board Man)," in the collection of The Museum of Modern Art. By creating visually compelling, ideologically complex works that engage audiences on many levels, White established himself as a key figure of his time, one whose work continues to resonate today."
Esther Adler is Assistant Curator in the Department of Drawings and Prints at The Museum of Modern Art, New York.
Published by D.A.P./Tate. Edited with text by Mark Godfrey, Zoé Whitley. Contributions by Linda Goode Bryant, Susan E. Cahan, David Driskell, Edmund Barry Gaither, Jae Jarrell, Wadsworth Jarrell, Samella Lewis.
African American art in the era of Malcolm X and the Black Panthers
In the period of radical change that was 1963–83, young black artists at the beginning of their careers confronted difficult questions about art, politics and racial identity. How to make art that would stand as innovative, original, formally and materially complex, while also making work that reflected their concerns and experience as black Americans?
Soul of a Nation surveys this crucial period in American art history, bringing to light previously neglected histories of 20th-century black artists, including Sam Gilliam, Melvin Edwards, Jack Whitten, William T. Williams, Howardina Pindell, Romare Bearden, David Hammons, Barkley L. Hendricks, Senga Nengudi, Noah Purifoy, Faith Ringgold, Betye Saar, Charles White and Frank Bowling.
The book features substantial essays from Mark Godfrey and Zoe Whitley, writing on abstraction and figuration, respectively. It also explores the art-historical and social contexts with subjects ranging from black feminism, AfriCOBRA and other artist-run groups to the role of museums in the debates of the period and visual art’s relation to the Black Arts Movement. Over 170 artworks by these and many other artists of the era are illustrated in full color.
2017 marks the 50th anniversary of the first use of the term “black power” by student activist Stokely Carmichael; it will also be 50 years since the US Supreme Court overturned the prohibition of interracial marriage. At this turning point in the reassessment of African American art history, Soul of a Nation is a vital contribution to this timely subject.
Published by Gregory R. Miller & Co.. Text by Katy Siegel, Kelly Baum, Jack Whitten, Richard Shiff, Kwame Anthony Appiah, Kellie Jones. Interview with Courtney Martin.
What a book! This art-historical must-have was published to accompany the revelatory 2018 traveling exhibition of Jack Whitten's previously un-shown and unpublished sculptural work at the Baltimore Museum of Art and the Metropolitan Museum of Art. It was reviewed everywhere from The New York Times, The New Yorker and The New York Review of Books to Bookforum, where Albert Mobilio writes, "Whitten repurposed traditional forms with the same ease that marked his movement between modes of visual representation."
Published by Gregory R. Miller & Co.. Edited by Courtney J. Martin. Introduction by Mary Schmidt Campbell. Text by Chris Bedford, Joost Boosland, Mark Bradford, Alexis Clark, Nicholas Cullinan, Mark Godfrey, Norman L. Kleeblatt, et al.
A gorgeous survey of the world renowned Joyner Giuffrida collection of work by artists of African descent. Artists include Norman Lewis, Jacob Lawrence, Jack Whitten, Robin Rhode, Shinique Smith and many more.
Art by African Americans in the Museum of Fine Arts, Boston
Published by MFA Publications. Edited with text by Lowery Stokes Sims. Text by Dennis Carr, Janet L. Comey, Elliot Bostwick Davis, Aiden Faust, Nonie Gadsden, Edmund Barry Gaither, Karen Haas, Erica E. Hirshler, Kelly Hays L'Ecuyer, Taylor L. Poulin, Karen Quinn.
The story of African Americans in the visual arts has closely paralleled their social, political and economic aspirations over the last 400 years. From enslaved craftspersons to contemporary painters, printmakers and sculptors, African American artists have created a wealth of artistic expression that addresses common experiences, such as exclusion from dominant cultural institutions, and confronts questions of identity and community. This generously illustrated volume gathers more than 100 works of art in a variety of media by leading figures from the nineteenth century to the present—among them, Henry Ossawa Tanner, Jacob Lawrence, Romare Bearden, Lois Mailou Jones, Gordon Parks, Wifredo Lam, Kara Walker, Glenn Ligon and Kerry James Marshall—alongside many others who deserve to be better known, including artists from the African diaspora in South America and the Caribbean. Arranged thematically and featuring authoritative texts that provide historical and interpretive context, Common Wealth invites readers to share in a rich outpouring of art that meets shared challenges with individual creative responses.
Published by Jordan Schnitzer Family Foundation. Edited by Sigrid Asmus. Introduction by Jessica Hunter-Larsen, Megan Valentine. Foreword by Catherine M. Pears. Text by Heidi R. Lewis, Roland Mitchell, Takiyah Nur Amin, Velva Boles, Claire Garcia, Jean Gumpper, Kate Leonard, Venetria K. Patton, Sha'Condria Sibley, Karen Riley Simmons, Claudine Taaffe.
Engaging a wide range of experiences, techniques and materials, the nine artists featured in this volume challenge the images of black women that continue to pervade our culture and influence perceptions: stereotypes such as the suffering mama, the angry black woman and the temptress. Brought together in this publication, works by Romare Bearden, Mildred Howard, Wangechi Mutu, Lorna Simpson, Kara Walker, Robert Colescott, Ellen Gallagher, Alison Saar and Mickalene Thomas disrupt expectations and replace simplistic narratives with nuanced, sophisticated meditations on contemporary identity.
Published by CCA Wattis Institute for Contemporary Arts. Edited by Anthony Huberman. Text by Tongo Eisen-Martin, David Hammons, Fred Moten.
The CCA Wattis Institute for Contemporary Arts, an exhibition space and research institute in San Francisco, dedicates year-long seasons of discussions and public events to a single artist. In 2016–17, the American artist David Hammons (born 1943) was "on our mind." The book begins with the previously unpublished transcript of a rare artist talk given by Hammons in 1994 at the San Francisco Museum of Modern Art, on the occasion of his exhibition there. It then introduces a series of photographs the artist sent to the Wattis Institute in 2017, interspersed with texts by the Bay Area poet Tongo Eisen-Martin and the writer and critic Fred Moten. Much like Hammons’ work, this publication raises more questions than it answers. Rather than functioning as a comprehensive introduction to the artist, David Hammons Is on Our Mind offers visual and textual elements that relate obliquely to the enigmatic artist’s oeuvre.
PUBLISHER CCA Wattis Institute for Contemporary Arts
BOOK FORMAT Hardcover, 8.25 x 11.75 in. / 88 pgs / 28 color.
PUBLISHING STATUS Pub Date 8/28/2018 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2019 p. 148
PRODUCT DETAILS ISBN 9780984960941TRADE List Price: $20.00 CDN $29.95 GBP £17.50
AVAILABILITY Out of stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.