The Lumpkin-Boccuzzi Family Collection of Contemporary Art
Published by D.A.P.. Edited with essay by Antwaun Sargent. Text by Graham C. Boettcher, Jessica Bell Brown, Connie H. Choi, Anthony Graham, Lauren Haynes, Jamillah James, Thomas J. Lax, Hallie Ringle, Adeze Wilford, Gordon Dearborn Wilkins, Matt Wycoff. Interview with Bernard Lumpkin by Thelma Golden.
What’s new, now and next from contemporary Black artists
Published by D.A.P./Tate. Edited with text by Mark Godfrey, Zoé Whitley. Contributions by Linda Goode Bryant, Susan E. Cahan, David Driskell, Edmund Barry Gaither, Jae Jarrell, Wadsworth Jarrell, Samella Lewis.
African American art in the era of Malcolm X and the Black Panthers
Published by The Museum of Modern Art, New York. Edited by Leah Dickerman, Elsa Smithgall. Text by Elizabeth Alexander, Rita Dove, Nikky Finney, Terrance Hayes, Tyehimba Jess, Yusef Komunyakaa, Patricia Spears Jones, Natasha Trethewey, Lyrae Van Clief-Stefanon, Crystal Williams, Kevin Young.
Lawrence's landmark series on African American migration in context
Published by The Museum of Modern Art, New York. Edited with text by Sean Anderson and Mabel O. Wilson. Preface by Robin D. G. Kelley. Text by Emanuel Admassu, Germane Barnes, Adrienne Brown, Sekou Cooke, Milton S. F. Curry, J. Yolande Daniels, Charles L. Davis II, Felecia Davis, Arièle Dionne-Krosnick, Aruna D’Souza, Ifeoma Ebo, Tonya M. Foster, Mario Gooden, Dianne Harris, Walter J. Hood, Olalekan Jeyifous, V. Mitch McEwen, Justin Garrett Moore, David Naguib Pellow, Jennifer Newsom, Audrey Petty, Christina Sharpe, Carla Shedd, Roberta Washington, Michelle Joan Wilkinson, Amanda Williams. Photographic portfolio by David Hartt.
How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies
Published by The Museum of Modern Art, New York. Text by Esther Adler.
The Chicago-born artist Charles White (1918–79) was celebrated during his lifetime for depictions of African-American men, women and children that acquired the name “images of dignity. White’s draftsmanship, his direct address of the social and political concerns of his time, and his commitment to media that gave his art wide circulation established him as a major artist, and one with significant influence both on his contemporaries and on later generations.
Beginning with White’s early days as an artist in the Chicago of the 1930s and ’40s, moving through his time spent developing his craft in New York in the late 1940s and ’50s, and closing with his final decades as a revered figure in Los Angeles, Charles White: Black Pope explores the artist’s practice and strategies through consideration of key works. It devotes particularly close examination to his late masterwork Black Pope (Sandwich Board Man)," in the collection of The Museum of Modern Art. By creating visually compelling, ideologically complex works that engage audiences on many levels, White established himself as a key figure of his time, one whose work continues to resonate today."
Esther Adler is Assistant Curator in the Department of Drawings and Prints at The Museum of Modern Art, New York.
Published by Jordan Schnitzer Family Foundation. Edited by Sigrid Asmus. Introduction by Jessica Hunter-Larsen, Megan Valentine. Foreword by Catherine M. Pears. Text by Heidi R. Lewis, Roland Mitchell, Takiyah Nur Amin, Velva Boles, Claire Garcia, Jean Gumpper, Kate Leonard, Venetria K. Patton, Sha'Condria Sibley, Karen Riley Simmons, Claudine Taaffe.
"Underscores the fallacious nature of stereotyped images and the thunderous power of myth, archetype, detail, metaphor, self-portrait, collage, and, most importantly, black women artists, to overcome them.” –Priscilla Frank, Huffington Post
Published by Guggenheim Museum. Text by Chaédria LaBouvier, Nancy Spector, J. Faith Almiron, Greg Tate. Contributions by Luc Sante, Carlo McCormick, Jeffrey Deitch, Kenny Scharf, Fred Braithwaite, Michelle Shocked, et al.
Police brutality, racism, graffiti and the art world of the early-1980s Lower East Side converge in one painting by Jean-Michel Basquiat
Published by The Museum of Modern Art, New York. Edited with text by Stuart Comer. Text by Naomi Beckwith, Mark H.C. Bessire, C. Carr, Valerie Cassel Oliver, Adrienne Edwards, Malik Gaines, Danielle A. Jackson, Adrian Heathfield, EJ Hill, Thomas J. Lax, André Lepecki, Yvonne Rainer, Martine Syms, Martha Wilson.
An absurdist provocateur and brilliant interventionist, Pope.L is a seditious force in contemporary American art
Published by Benton Museum of Art at Pomona College. Edited with text by Rebecca McGrew, Irene Tsatsos. Text by Camille Dungy, Harryette Mullen, Alison Saar, Christina Sharpe, Evie Shockley. Interview by Irene Tsatsos.
The first extended monograph on Saar, featuring older and more recent works, gorgeously bound in cloth with embossed details
PUBLISHER Benton Museum of Art at Pomona College
BOOK FORMAT Clth, 9.25 x 12.5 in. / 164 pgs / 60 color / 18 bw.
PUBLISHING STATUS Pub Date 9/8/2020 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2020 p. 111
PRODUCT DETAILS ISBN 9780997930634TRADE List Price: $45.00 CDN $63.00 GBP £40.00