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DATE 7/20/2019

The Eagle Has Landed … Celebrate the 50th Anniversary of the First Moon Landing, July 20, 1969

DATE 6/17/2019

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DATE 5/14/2019

Mind-flexing 'Mundos Alternos' opens at the Queens Museum


STAFF PICKS | FROM THE SHELVES

PRINT ORDER FORM   

CORY REYNOLDS | DATE 1/19/2017

You Say You Want a Revolution

The Protest BoxSteidl
Provoke: Between Protest and PerformanceSteidl
See Red Women's WorkshopFour Corners Books
Body as ProtestHatje Cantz
Speak its Name! Quotations by and about Gay Men and WomenNational Portrait Gallery
Rebels Rebel: AIDS, Art and Activism in New York, 1979-1989AsaMER
Mark Peterson: Political TheatreSteidl
Revolution: Russian Art 1917–1932Royal Academy Publications
Jane Stockdale: I Predict A RiotWalther König, Köln/Koenig Books
Art & Activism in the Age of Globalizationnai010 publishers

The Protest BoxThe Protest Box

Published by Steidl.
Edited by Marin Parr.

Martin Parr's collection of photobooks is one of the finest to have ever been assembled and The Protest Box is a boxset which brings together five books from that collection as facsimile reprints. Parr has selected diverse books which each deal with the subject of protest in quite different ways. From the documentation of various protest movements to the actual book being a form of protest, all these reprints are gems within the history of photographic publishing. A few are known but many are new, even to the connoisseur of photography books. All these books are virtually impossible to locate, so these reprints will make a substantial contribution to our understanding of this sub-genre of the photobook. The box set is accompanied by a booklet which includes an introduction by Martin Parr, an essay discussing the wider context of these books by Gerry Badger, and English translations of all the texts in the books. Enrique Bostelmann América: un Viaje a traves de la injusticaFirst published in 1970 by Siglo I Editores, Mexico City; Bostelmann, a Mexican photographer, journeyed through Latin America looking for examples of injustice, such as the exploitation of indigenous Indians who were forced into factories and menial jobs. Paolo Gasparini Para verte major, América LatinaFirst published in 1972 by Siglo I Editores, Mexico City; Gasparini, an Italian born photographer who has lived in Caracas most of his life, traversed Latin America to document the contrast between communism and capitalism. The book also documents and uses graffiti and graphics to emphasis his polemic. Dirk Alvermann AlgeriaFirst published in 1961 in Berlin, GDR; Alvermann, a photographer originally born in West Germany, published his book about both sides of the Algerian conflict in East Berlin. The radical design was inspired by Russian film stills. Kitai Kazuo SanrizukaFirst published in 1971 by Nora-Sha, Tokyo; a classic protest book which shows the huge popular uprising inspired by the proposed building of Narita airport. Paolo Mattioli and Anna Candiani Immagini del NoFirst published in 1974 by Occhio Magico No 11, Milan; this small format book documented various protests in Italy, from the Feminist Movement to Anti-Fascism marches.

PUBLISHER
Steidl

BOOK FORMAT
Boxed, 8 vols, , 11.5 x 9.25 in. / 1020 pgs / illustrated throughout.

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Catalog: FALL 2014

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ISBN 9783869301242 TRADE
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Provoke: Between Protest and PerformanceProvoke: Between Protest and Performance

Photography in Japan 1960–1975

Published by Steidl.
Edited by Matthew Witkovsky, Diane Dufour, Duncan Forbes, Walter Moser. Text by Yukio Lippit, Yuri Mitsuda. Interviews by Araki Nobuyoshi, Daido Moriyama, Eikoh Hosoe, Ryuichi Kaneko.

A compilation of the ground-breaking Japanese photography journal of the late 1960's, whose maxim was "Provocative documents for the sake of thought"

PUBLISHER
Steidl

BOOK FORMAT
Paperback, 7.5 x 9.75 in. / 680 pgs / 600 bw.

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Catalog: SPRING 2016 p. 22   

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ISBN 9783958291003 TRADE
List Price: $75.00 CDN $99.00

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See Red Women's WorkshopSee Red Women's Workshop

Feminist Posters 1974–1990

Published by Four Corners Books.
Foreword by Sheila Rowbotham. Text by Prudence Stevenson, Susan Mackie, Anne Robinson, Jess Baines.

"Girls are powerful": the ‘70s feminist posters of See Red Women’s Workshop
A feminist silkscreen poster collective founded in London in 1974 by three former art students, the See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humor and bold, colorful graphics, See Red expressed the personal experiences of women as well as their role in wider struggles for change.
Written by See Red members, detailing the group’s history up until the closure of the workshop in 1990, and with a foreword by celebrated feminist historian Sheila Rowbotham, See Red Women’s Workshop features all of the collective’s original screenprints and posters. Confronting negative stereotypes, questioning the role of women in society, and promoting women’s self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation—with continued relevance for today.

PUBLISHER
Four Corners Books

BOOK FORMAT
Paperback, 8.75 x 12.25 in. / 184 pgs / 90 color / 25 bw.

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Catalog: SPRING 2017 p. 25   

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Body as ProtestBody as Protest

Published by Hatje Cantz.
Edited by Klaus Albrecht Schröder, Walter Moser. Text by Walter Moser, Christina Natlacen.

Body as Protest highlights the photographic representation of the human body as a radical expression of protest against social, political and aesthetic norms. Centering on a series by John Coplans, it also includes works by Hannah Wilke, Ketty La Rocca, Hannah Villiger, Bruce Nauman, Robert Mapplethorpe and Tatiana Lecomte.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Paperback, 8.25 x 11.5 in. / 144 pgs / 60 color.

PUBLISHING STATUS
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Out of print

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Catalog: FALL 2012 p. 175   

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ISBN 9783775734233 TRADE
List Price: $45.00 CDN $55.00

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Speak its Name! Quotations by and about Gay Men and WomenSpeak its Name! Quotations by and about Gay Men and Women

Published by National Portrait Gallery.
Edited by Christopher Tinker. Introduction by Simon Callow.

This collection of quotations by and about gay people celebrates the advances of the international LGBT community over the past 50 years. Amusing observations by Noël Coward, Tallulah Bankhead, Quentin Crisp, Boy George and Ian McKellen are interspersed with interviews with Dusty Springfield, Alan Bennett, Freddie Mercury, Clive Barker, George Michael and William S. Burroughs, and diary entries by Kenneth Williams, Joe Orton, W.H. Auden and John Maynard Keynes. John Gielgud and Alan Turing’s accounts of being arrested contrast with letters from Violet Trefusis to her lover Vita Sackville-West, King James I to the Marquis of Buckingham, and Benjamin Britten to his partner Peter Pears. Contributions by Oscar Wilde, Lord Montagu of Beaulieu, John Wolfenden, Field Marshal Montgomery, Lord Arran, Margaret Thatcher, Waheed Alli and David Cameron demonstrate enormous developments in gay rights. Reflections from celebrity icons such as Julie Andrews and David Beckham are also featured, alongside a wealth of reproductions.

PUBLISHER
National Portrait Gallery

BOOK FORMAT
Hardcover, 7.5 x 6 in. / 366 pgs / 160 color.

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Catalog: FALL 2016 p. 72   

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ISBN 9781855147256 TRADE
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Rebels Rebel: AIDS, Art and Activism in New York, 1979-1989Rebels Rebel: AIDS, Art and Activism in New York, 1979-1989

Published by AsaMER.
Text by Tommaso Speretta. Afterword by Loring McAlpin.

Rebels Rebel looks at the history of AIDS activism undertaken by various artistic collectives in New York between 1979 and 1989. Among these once-controversial, now-legendary collectives were Gran Fury (who scandalized the 1990 Venice Biennale with their billboards juxtaposing the pope and his anti-contraception stance with a two-foot high penis), the Silence = Death Project (who appropriated and inverted the Nazis' pink triangle), Gang and DIVA TV. These collectives addressed concrete social problems using unconventional media, and in doing so helped to shift the public and political perception of the AIDS crisis. Collating a wealth of materials and perspectives, from graphic design to art works, and from sociopolitical to art-historical reflections, Rebel Rebels is an important and thorough examination of a rare overlap between art and activism during a time of heightened conservativism in America. It includes a full-color poster.

PUBLISHER
AsaMER

BOOK FORMAT
Paperback, 5.25 x 8.5 in. / 264 pgs / 100 bw.

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Catalog: FALL 2013 p. 147   

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ISBN 9789490693237 TRADE
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Mark Peterson: Political TheatreMark Peterson: Political Theatre

Published by Steidl.

Mark Peterson’s way of looking—with a raucous wit, and an eye for the scary and the absurd—is meant for our current political moment. His photographs will stand as a defining portrait of an unsettling time. Joanna Milter, Director of Photography, The New Yorker

PUBLISHER
Steidl

BOOK FORMAT
Hardcover, 9.5 x 11 in. / 144 pgs / 120 color & bw.

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Catalog: FALL 2016 p. 138   

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ISBN 9783958291836 TRADE
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Revolution: Russian Art 1917–1932Revolution: Russian Art 1917–1932

Published by Royal Academy Publications.
Text by John Milner, Natalia Murray, Nick Murray, Masha Chlenova, Ian Christie, John E. Bowlt, Nicoletta Misler, Zelfira Tregulova, Faina Balakhovskaya, Evgenia Petrova, Christina Lodder.

One hundred years after the Russian Revolution, this comprehensive survey explores all aspects of its groundbreaking art
One hundred years after the Russian Revolution, Revolution: Russian Art, 1917–1932 explores one of the most momentous periods in modern world history through its groundbreaking art. The October Revolution of 1917 ended centuries of Tsarist rule and left artists such as Malevich, Tatlin, Popova and Rodchenko urgently debating what form a new “people’s art” would take.
Painting and sculpture were redefined by Kandinsky’s boldly innovative compositions, Malevich’s dynamic abstractions and the Constructivists’ attempts to transform art into technical engineering. Photography, architecture, film and graphic design also experienced revolutionary changes. These debates were definitively settled in 1932, when Stalin began to suppress the avant-garde in favor of Socialist Realism—collective in production, public in manifestation and Communist in ideology.
Based around a remarkable exhibition shown in Leningrad’s State Russian Museum in 1932—which was to be the swansong of avant-garde art in Russia—this volume explores that revolutionary 15-year period between 1917 and 1932 when possibilities seemed limitless and Russian art flourished across every medium. Published to accompany a major exhibition at the Royal Academy of Arts, London (the first to attempt to survey the entire artistic landscape of post-Revolutionary Russia), Revolution explores the painting, sculpture, photography, film, poster art and product design of the years after the Russian Revolution.
Including contributions from some of the most prominent scholars in the field (John Milner, Natalia Murray, Nick Murray, Masha Chlenova, Ian Christie, John E. Bowlt, Nicoletta Misler, Zelfira Tregulova, Faina Balakhovskaya, Evgenia Petrova and Christina Lodder), Revolution is a timely and authoritative exploration of both the idealistic aspirations and the harsh realities of the Russian Revolution and its aftermath.

PUBLISHER
Royal Academy Publications

BOOK FORMAT
Hardcover, 9.75 x 11.75 in. / 320 pgs / 350 color.

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Catalog: SPRING 2017 p. 6   

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Jane Stockdale: I Predict A RiotJane Stockdale: I Predict A Riot

Published by Walther König, Köln/Koenig Books.

Scottish photographer Jane Stockdale's first publication, I Predict a Riot documents the now notorious G20 demonstrations that took place in London in April 2009. Hyped in the British media as "The Summer of Rage" and "Meltdown in the City," the events of that summer are here recorded from the midst of the action, in photographs and interspersed captions.

PUBLISHER
Walther König, Köln/Koenig Books

BOOK FORMAT
Paperback, 10.75 x 7.5 in. / 68 pgs / 45 bw.

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Catalog: SPRING 2011 p. 165   

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ISBN 9783865608130 TRADE
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Art & Activism in the Age of GlobalizationArt & Activism in the Age of Globalization

Reflect No. 8

Published by nai010 publishers.
Edited by Ruben De Roo, Karel Vanhaesebrouck, Lieven de Cautier.

What roles can art and activism play in a post-Fordist "society of the spectacle"? Can activist art effect real change? Art & Activism in the Age of Globalization asks these and other pressing questions facing contemporary activist art, through case studies by established artists and filmmakers such as Steven Cohen and Christoph Schlingensief, as well as emerging voices such as Renzo Martens and Les Chiens de Navarre. It investigates issues of urban activism and the activism of anonymous networks, giving special consideration to the effects of the War on Terror upon the activist agenda. In our era of unchecked globalization and the extreme crisis of global warming, this indispensable reader concludes by proposing a theoretical scaffolding for modern-day activism, making a passionate appeal for a truly political art.

PUBLISHER
nai010 publishers

BOOK FORMAT
Paperback, 5.75 x 9 in. / 334 pgs / illustrated throughout.

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Catalog: SPRING 2011 p. 108   

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ISBN 9789056627799 FLAT40
List Price: $35.00 CDN $47.50

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DATE 10/17/2018

Monster Mash!

DATE 9/12/2018

DATE 5/14/2018

Gay Pride!

DATE 8/10/2017

Back to School

DATE 6/18/2017

Gifts for Dads!

DATE 3/8/2017

Black Mountain

DATE 2/5/2017

POSTERS!

DATE 9/21/2016

Paris in Print

DATE 8/5/2016

VIVA BRASIL!

DATE 8/5/2016

DATE 6/27/2016

City of Angels

DATE 6/20/2016

Free to Love

DATE 5/31/2016

Summer of Love


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