Published by Hatje Cantz. Edited with text by Nancy Borowick. Introduction by James Estrin.
When American photojournalist Nancy Borowick’s (born 1985) parents Howie and Laurel were diagnosed with stage-four cancer and underwent simultaneous treatment, she did the only thing she knew how to do: she documented it. By turning the camera on her family’s life during this most intimate time, Borowick learned a great deal about herself, family and relationships in general. Borowick's father died in 2013, and her mother followed 364 days later. The lessons she garnered from Howie and Laurel were plentiful: always call when the airplane lands, never pass on blueberry pie, and most importantly, family is love and love is family.
“Though it is nothing she would have wished for, in a relatively short time Nancy Borowick became an expert in photographing death.” —The New York Times
In We Learn at Home, Miriam Elia’s follow-up to last year’s hit We Go to the Gallery, Mummy takes John and Susan out of their local school to be reeducated at home—though not before tagging the walls of St. James’ Primary with the words “Fascist Scum.” In order to introduce their young minds to a new, alternative worldview, Mummy will ground all learning in a feelings-based outlook, free of any actual facts or skills, and reevaluate core subjects such as mathematics, religion, philosophy and art. John and Susan burn the Union Jack, debate and learn to paint their inner children. Key vocabulary for young readers includes terms such as “Marx” and “Buddha.”
Pocket-sized, printed in bold colors and written in clear, simple English, the Dung Beetle Learning series pays tribute to and skewers the much-loved British Ladybird early learning children’s books of the 1960s, with our child protagonists learning about contemporary art and politics rather than helping their parents around the house. In We Go to the Gallery, Susan found that the decay of Western civilization smells like rubbish, John learned that some toys are only for venture capitalists and the siblings discovered that God is dead. What new lessons will Mummy teach?
PUBLISHER Dung Beetle Ltd
BOOK FORMAT Hardcover, 4.75 x 7 in. / 48 pgs / 20 color.
PUBLISHING STATUS Pub Date 2/28/2017 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2017 p. 48
PRODUCT DETAILS ISBN 9780992834999TRADE List Price: $14.95 CDN $19.95
AVAILABILITY In stock
in stock $14.95
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
Published by nai010 publishers/Rijksmuseum. By Marije Jansen.
Japan Modern presents an overview of Japanese printing in the first half of the 20th century. Japan was flourishing in the years following the turn of the century: modern city culture offered plenty of opportunities, the landscape changed, the rights of women began to improve and optimism abounded. At the same time, these vast cultural shifts produced feelings of nostalgia. Prints made in this period portray the turbulent times unlike anything else. Using an ancient wood-carving technique, artists show us modern life: streets scenes with high-rise buildings, cars, railroads, factories and Japanese women with modern hairdos dancing and drinking cocktails. However, more traditional subjects, such as idealized portraits of women and romantic landscapes are portrayed as well. Unique in the Netherlands, the Elise Wessels collection of modern Japanese prints is counted among the best in its field (outside of Japan). This superbly designed volume displays its assets to superb effect.