Published by Guggenheim Museum Publications. Edited with text by Tracey Bashkoff. Contributions by Tessel M. Bauduin, Daniel Birnbaum, Briony Fer, Vivien Greene, David Max Horowitz, Andrea Kollnitz, Helen Molesworth, Julia Voss.
Hilma af Klint's daring abstractions exert a mystical magnetism
BOOK FORMAT Hardcover, 8.5 x 11.25 in. / 244 pgs / 220 color.
PUBLISHING STATUS Pub Date 10/23/2018 Active
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2018 p. 3
PRODUCT DETAILS ISBN 9780892075430TRADE List Price: $65.00 CDN $87.00 GBP £55.00
AVAILABILITY In stock
in stock $65.00
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
Published by JRP|Ringier. Edited with text by Heike Munder. Text by Dorota Biczel, Teresa Burga, Julieta González, Miguel A. López, Kalliopi Minioudaki, et al.
Encompassing paintings and environments in the vein of pop art, as well as conceptual drawings and cybernetic installations, the oeuvre of Peruvian artist Teresa Burga (born 1935) highlights the individual's ability to influence social conditions. Her early attraction to conceptual art led her to become a founding member of the Peruvian avant-garde movement Grupo Arte Nuevo (1966–68). In 1968, as a Fulbright scholar, Burga left Peru to study at the Art Institute of Chicago, where she developed her mature pop-conceptual practice, moving away from painting to produce installations, research-based projects and happenings. This volume provides an overview of her work from the 1960s to the present, reflecting on Burga's strategies and themes.
Published by Skira. Edited by Paul Schimmel, Jenni Sorkin. Text by Elizabeth Smith, Anne Wagner.
Accompanying the most comprehensive exhibition of postwar abstract sculpture by women artists to date, Revolution in the Making traces the ways in which women artists deftly transformed the language of sculpture in the 20th Century. The volume teases out multiple strains of proto-feminist practices, characterized by abstraction and repetition, which rejected the singularity of a so-called 'masterwork'.
Divided into four sections, the book features approximately thirty artists and nearly 100 works in total: the postwar era (the late 1950s) including such historically important predecessors as Ruth Asawa, Lee Bontecou, Louise Bourgeois, Claire Falkenstein, and Louise Nevelson; the 1960s and 1970s, highlighting a generation of post-minimalist artists who ignited a revolution in their use of process-oriented materials and methods; the 1980s and 1990s, the period that moved beyond three-dimensional objects toward architectonic works characterized by structure and design; and post-2000 works by artists who created installation-based environments, embraced domestic materials and adopted craft as an embedded discourse.
Published by Kant. Edited by Anežka Šimková, Terezie Zemánková. Preface by Roger Cardinal. Text by Eva Ko?átková, Terezie Zemánková, Manuel Anceau, Pascale Jeanneret, Bruno Decharme. Interview by Pavel Konecný.
“I am growing flowers that are not grown anywhere else”: the fantastical botanica of an Art Brut genius
Published by The Museum of Modern Art, New York. Edited by Cornelia Butler, Alexandra Schwartz. Introductions by Cornelia Butler, Griselda Pollock, Aruna D'Souza.
This landmark survey represents the first effort by a major North American museum to examine its collection by highlighting the production of modern and contemporary women artists. Featuring essays by nearly 50 writers, including both MoMA curators and outside scholars, among them many of the strongest voices in current research on art and gender, this groundbreaking publication presents a variety of generational and cultural perspectives. Modern Women focuses on a diverse range of artists active from the late nineteenth century to the present whose works span the spectrum of mediums and genres in the Museum's collection. Organized chronologically into three sections—“Early Modernism,” “Mid-Century” and “Contemporary”—the book comprises both long and short essays emphasizing new research on women artists within these historical time periods. Subjects include women at the Bauhaus, design collaborations, photographers between the wars, the legacy of Maya Deren, Latin American artists, performance art, architecture, land art, “Riot Grrrls,” African American artists, collage and assemblage in contemporary portraiture as well as essays on individual artists such as Lillian Gish, Sybil Andrews, Diane Arbus, Ida Lupino, Hanne Darboven, Bridget Riley, Ana Mendieta, Louise Bourgeois, Adrian Piper, Nan Goldin, Zaha Hadid, Janet Cardiff and Lin Tianmiao. Heavily illustrated with works from the collection, Modern Women constructs a conversation between past considerations of MoMA's collection and current feminist narratives of art history, putting these varied modes of exploration in productive dialogue.