DATE 6/25/2024

LIVE from NYPL presents Michael Stipe launching 'Even the birds gave pause'

DATE 6/22/2024

Artbook at Hauser & Wirth Los Angeles Bookstore presents Penny Slinger launching and signing 'An Exorcism'

DATE 6/20/2024

picturehouse + thesmalldarkroom present Yelena Yemchuk on 'Malanka'

DATE 6/13/2024

ICP presents Eugene Richards on 'Remembrance Garden'

DATE 6/13/2024

LaToya Ruby Frazier, removing the contradiction between ideals and practice

DATE 6/8/2024

"Next-level otherness" in Pride Month staff pick 'Nick Cave: Forothermore'

DATE 6/6/2024

Celebratory and transgressive, 'John Waters: Pope of Trash' is a Pride Month Staff Pick

DATE 6/3/2024

In Nan Goldin's 'The Other Side,' you are who you pretend to be

DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

There's no such thing as being extra in June! Pride Month Staff Picks 2024

DATE 5/28/2024

'Mickalene Thomas: All About Love,' on view at The Broad

DATE 5/24/2024

Celebrate Memorial Day weekend with Garry Winogrand's intimate, flashing mirror of America

DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists


Featured spreads are from

‘Going Dark’ probes the stakes of being seen

Featured spreads are from Going Dark: The Contemporary Figure at the Edge of Visibility, published to accompany the critically acclaimed exhibition on view now at the Guggenheim. Featuring figurative work by David Hammons, Titus Kaphar and Lorna Simpson (pictured here), among more than two dozen others, Going Dark explores what it means to be seen, not seen or erased in contemporary society. Guggenheim curator Ashley James writes, “This exhibition mobilizes going dark as a concept that names the obfuscation of the figure across mediums, with a focus on painting and photography, as a means of addressing urgent and ongoing discussions around invisibility and evasion, particularly for marginalized subjects. While questions of visibility are relevant across time, this exhibition takes works from the mid-1980s, a critical art historical juncture, as a launching point, while also acknowledging developments forged by 1970s Conceptual artists. Indeed, going dark refers to the occlusion in a formal sense, with many of the artists in the show engaging in questions of perception. Through the lens of going dark emerges an (art) history embedded within a complex matrix of threat, visibility, desire, violence, perception and experimentation concomitantly, asking: what are the stakes of being seen?”

Going Dark: The Contemporary Figure at the Edge of Visibility

Going Dark: The Contemporary Figure at the Edge of Visibility

Guggenheim Museum Publications
Hbk, 8 x 12 in. / 256 pgs / 150 color.

$65.00  free shipping

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