DATE 6/25/2024

LIVE from NYPL presents Michael Stipe launching 'Even the birds gave pause'

DATE 6/22/2024

Artbook at Hauser & Wirth Los Angeles Bookstore presents Penny Slinger launching and signing 'An Exorcism'

DATE 6/20/2024

picturehouse + thesmalldarkroom present Yelena Yemchuk on 'Malanka'

DATE 6/13/2024

ICP presents Eugene Richards on 'Remembrance Garden'

DATE 6/13/2024

LaToya Ruby Frazier, removing the contradiction between ideals and practice

DATE 6/8/2024

"Next-level otherness" in Pride Month staff pick 'Nick Cave: Forothermore'

DATE 6/6/2024

Celebratory and transgressive, 'John Waters: Pope of Trash' is a Pride Month Staff Pick

DATE 6/3/2024

In Nan Goldin's 'The Other Side,' you are who you pretend to be

DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

There's no such thing as being extra in June! Pride Month Staff Picks 2024

DATE 5/28/2024

'Mickalene Thomas: All About Love,' on view at The Broad

DATE 5/24/2024

Celebrate Memorial Day weekend with Garry Winogrand's intimate, flashing mirror of America

DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists


Tatiana Parcero’s “Interior Cartography #35” (1996) is reproduced from new release

Photography as a tool of resistance in 'Our Selves: Photographs by Women Artists'

Tatiana Parcero’s “Interior Cartography #35” (1996) is reproduced from new release Our Selves: Photographs by Women Artists, a survey exploring the connections between photography, feminism, civil rights, Indigenous sovereignty and queer liberation, published to accompany the exhibition currently on view at MoMA. In her essay, “What is a Feminist Photograph,” curator Roxana Marcoci touches on “the ecofeminist connection between the exploitation of nature and the oppression of women under a patriarchal system of ownership,” citing Parcero’s photomontage, which “superimposes imagery taken from Amerindian codices, astrological charts, flora and fauna associated with Aztec mythology and handwritten script onto the surfaces of the artist’s face and hands. Parcero’s overlay of Indigenous knowledge on the female body creates a map of self-governance linked to animist, anticolonial and natural histories—a feminist reclamation of land and a mobilization of cultural identity as resistance against colonialism’s legacy.”

Our Selves: Photographs by Women Artists

Our Selves: Photographs by Women Artists

The Museum of Modern Art, New York
Hbk, 9 x 10.5 in. / 152 pgs / 114 color.

$45.00  free shipping

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!

Vintage Valentine

DATE 2/14/2024

Vintage Valentine

Forever Valentino

DATE 11/27/2023

Forever Valentino