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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

"Sidewalk" is reproduced from
CORY REYNOLDS | DATE 9/16/2022

'Julie Blackmon: Midwest Materials' is NEW from Radius Books

"Sidewalk" is reproduced from Julie Blackmon: Midwest Materials, the photographer's third monograph with Radius Books. Collecting 45 color images that exemplify Blackmon's experience of Springfield, Missouri, where her large extended family still lives, this evocative and beautifully-produced hardcover focuses on "home and the rituals that unfold in backyards, attics and garages," Leah Ollman writes. "Each frame in her ongoing epic is an absorbing, meticulously orchestrated slice of ethnographic theater starring a tribe of scuffed and shirtless nieces, nephews, neighbors, and friends. If the enjoyment of theater requires us to suspend disbelief, to temporarily accept as true the artifice we’re presented, the fullest appreciation of photography asks of us the opposite: to suspend our reflexive belief, to accept (and further, to embrace) as artifice what appears to be truth. Since Blackmon practices photography as theater, she traffics in the seductive illusions and entrancing deceptions of both mediums. Hers is an elaborate and sophisticated act of make-believe. An act of serious mischief. Also, perhaps, an act of frustrated faith, an act of longing."



The New York Knicks

DATE 6/18/2026

The New York Knicks