DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

There's no such thing as being extra in June! Pride Month Staff Picks 2024

DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists

DATE 5/19/2024

Of bodies and knowing, in 'Christina Quarles: Collapsed Time'

DATE 5/17/2024

192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' series

DATE 5/17/2024

Lee Quiñones signing at Perrotin Store New York

DATE 5/15/2024

A gorgeous new book on Bauhaus textile innovator Otti Berger

DATE 5/13/2024

Rizzoli Bookstore presents Tony Caramanico and Zack Raffin launching 'Montauk Surf Journals'

DATE 5/12/2024

Black Feminist World-Building in LaToya Ruby Frazier’s ‘Monuments of Solidarity’

DATE 5/10/2024

Artbook at MoMA PS1 Bookstore presents Yasmine Ostendorf-Rodríguez and Juan Ferrer on 'Let's Become Fungal!'

DATE 5/8/2024

The World of Tim Burton in rare, archival materials

DATE 5/5/2024

Eugene Richards' eloquent new photobook documenting Green-Wood Cemetery

DATE 5/5/2024

Artbook at Hauser & Wirth LA Bookstore presents Yasmine Ostendorf-Rodríguez and David Horvitz on 'Let's Become Fungal'


"Sidewalk" is reproduced from

'Julie Blackmon: Midwest Materials' is NEW from Radius Books

"Sidewalk" is reproduced from Julie Blackmon: Midwest Materials, the photographer's third monograph with Radius Books. Collecting 45 color images that exemplify Blackmon's experience of Springfield, Missouri, where her large extended family still lives, this evocative and beautifully-produced hardcover focuses on "home and the rituals that unfold in backyards, attics and garages," Leah Ollman writes. "Each frame in her ongoing epic is an absorbing, meticulously orchestrated slice of ethnographic theater starring a tribe of scuffed and shirtless nieces, nephews, neighbors, and friends. If the enjoyment of theater requires us to suspend disbelief, to temporarily accept as true the artifice we’re presented, the fullest appreciation of photography asks of us the opposite: to suspend our reflexive belief, to accept (and further, to embrace) as artifice what appears to be truth. Since Blackmon practices photography as theater, she traffics in the seductive illusions and entrancing deceptions of both mediums. Hers is an elaborate and sophisticated act of make-believe. An act of serious mischief. Also, perhaps, an act of frustrated faith, an act of longing."

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!

Vintage Valentine

DATE 2/14/2024

Vintage Valentine

Forever Valentino

DATE 11/27/2023

Forever Valentino