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RECENT POSTS

DATE 2/1/2026

Black History Month Reading, 2026

DATE 1/22/2026

ICP presents Audrey Sands on 'Lisette Model: The Jazz Pictures'

DATE 1/21/2026

Guggenheim Museum presents 'The Future of the Art World' author András Szántó in conversation with Mariët Westermann, Agnieszka Kurant and Souleymane Bachir Diagne

DATE 1/19/2026

Rizzoli Bookstore presents Toto Bergamo Rossi, Diane Von Furstenberg and Charles Miers on 'The Gardens of Venice'

DATE 1/19/2026

Black Photojournalism, 1945 to 1984

DATE 1/18/2026

Artbook at MoMA PS1 presents Paul M. Farber and Sue Mobley launching 'Monument Lab: Re:Generation'

DATE 1/17/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Peter Tomka on 'Double Player'

DATE 1/14/2026

Printed Matter, Inc. presents Pedro Bernstein and Courtney Smith on "Commentary on 'Approximations to the Object'"

DATE 1/13/2026

Join us at the Winter Atlanta Gift & Home Market 2026

DATE 1/12/2026

Pan-African possibility in 'Ideas of Africa'

DATE 1/11/2026

Previously unseen photographs by Canadian color master Fred Herzog

DATE 1/5/2026

Minnie Evans’ divine visions of a lost world

DATE 1/1/2026

Happy New Year!


IMAGE GALLERY

"Sidewalk" is reproduced from
CORY REYNOLDS | DATE 9/16/2022

'Julie Blackmon: Midwest Materials' is NEW from Radius Books

"Sidewalk" is reproduced from Julie Blackmon: Midwest Materials, the photographer's third monograph with Radius Books. Collecting 45 color images that exemplify Blackmon's experience of Springfield, Missouri, where her large extended family still lives, this evocative and beautifully-produced hardcover focuses on "home and the rituals that unfold in backyards, attics and garages," Leah Ollman writes. "Each frame in her ongoing epic is an absorbing, meticulously orchestrated slice of ethnographic theater starring a tribe of scuffed and shirtless nieces, nephews, neighbors, and friends. If the enjoyment of theater requires us to suspend disbelief, to temporarily accept as true the artifice we’re presented, the fullest appreciation of photography asks of us the opposite: to suspend our reflexive belief, to accept (and further, to embrace) as artifice what appears to be truth. Since Blackmon practices photography as theater, she traffics in the seductive illusions and entrancing deceptions of both mediums. Hers is an elaborate and sophisticated act of make-believe. An act of serious mischief. Also, perhaps, an act of frustrated faith, an act of longing."



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!

From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!