| RECENT POSTS DATE 2/1/2026 DATE 2/1/2026 DATE 1/31/2026 DATE 1/29/2026 DATE 1/28/2026 DATE 1/28/2026 DATE 1/25/2026 DATE 1/22/2026 DATE 1/22/2026 DATE 1/21/2026 DATE 1/19/2026 DATE 1/19/2026 DATE 1/18/2026
| | |  CORY REYNOLDS | DATE 6/18/2021Featured spreads are from The Work of Several Lifetimes, Detroit native Mario Moore’s new collection of portraits of the Black blue-collar workers who keep Princeton University running behind the scenes. “I knew that whatever I created for this series would walk a tight line between the expectation of how Black people are seen in blue-collar jobs versus the true representation of them—making them visible,” Moore writes. “Generally, portraits at elite institutions are created to represent owners, donors, deans, presidents and scholars. But I wanted to ask the question: Which positions garner such attention and how could painting contribute to conversations about who deserves to be recognized? My hope is that the work I created has explored a sense of power and individuality. I believe that all of the work offers insight into each individual that is more complex, more nuanced than at first glance.” Lewis Center for the Arts, Princeton University Hbk, 9 x 11 in. / 128 pgs / 60 color.
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