My Cart
Gift Certificates

ARTBOOK BLOG

RECENT POSTS

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/8/2026

Maï Lucas reception and book signing at Dashwood Projects

DATE 4/5/2026

For Catherine Opie, "Without representation, there is no visibility"

DATE 4/5/2026

In this season of rejuvenation, a meditation on loss and revival

DATE 4/1/2026

Hiroshi Sugimoto's terrestrial celestial masterpiece

DATE 3/29/2026

Celebrating Women's History Month and Frida-mania in NYC

DATE 3/27/2026

Gateways to other realms in 'Uman: After all the things'

DATE 3/25/2026

The Strand presents George Condo in conversation with Massimiliano Gioni and Dakis Joannou for the launch of 'The Mad and the Lonely'

DATE 3/24/2026

Back in stock! 'Helen Frankenthaler: Painting without Rules'

DATE 3/23/2026

Head Hi presents a double-header book launch for 'We the Bacteria' and 'Sick Architecture'

DATE 3/21/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eileen G’sell launching 'Lipstick'

DATE 3/21/2026

The fearless self-portraiture of Frida Kahlo, timed for MoMA's Kahlo / Rivera show


IMAGE GALLERY

The Theatre Box (La Loge de théâtre, le monsieur et la dame) (1909, oil on canvas, 46 x 38 cm, private collection) is reproduced from
CORY REYNOLDS | DATE 10/29/2019

At last! 'Félix Vallotton: Painter of Disquiet' opens at The Met

The Theatre Box (La Loge de théâtre, le monsieur et la dame) (1909, oil on canvas, 46 x 38 cm, private collection), is reproduced from Félix Vallotton, published to accompany Félix Vallotton: Painter of Disquiet, opening today at the Metropolitan Museum of Art. First known for his acerbic, satiric wit and masterful woodcut prints, Vallotton moved towards painting and portraiture in the 1900s. “Although the domestic scenes and portraits that Vallotton embarked on around 1900 appear to signal a complete break with his work of the 1890s,” Dita Amory and Ann Dumas write, “the subversive, caustic wit that is so brilliantly exploited in the Intimacies woodcuts resurfaces in a handful of later paintings such as The Theatre Box, in which, with the greatest economy, Vallotton manages to convey the sense of an illicit assignation rather than a bourgeois evening out.”



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!