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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

"Genie" (2014) by Ryan McGinley is reproduced from
CORY REYNOLDS | DATE 7/4/2015

The Open Road

"I have absolutely no interest in creating depressing images," Ryan McGinley is quoted in The Open Road, Aperture's quintessential book of American road trip photography. Perhaps this is why he is widely considered the photographic voice of his generation. Of the series, The Journey Is the Destination, which includes "Genie" (2014), featured here, author David Campany writes, "Many commentators have likened McGinley's work to the diaristic photography of Nan Goldin and Larry Clark. While his images lack their pain and hardship, Hollywood has taught us that any scene of youthful, bucolic bliss tends to presage something ominous. Likewise, any art that is so relentlessly upbeat inevitably has the inverse effect. Beauty slips into 'beauty,' fun into 'fun,' nudity into 'nudity.' Whatever the unspoken cause, it seems to haunt McGinley's photographs. Sometimes it's the vague melancholy of perfect summers past, but there is looming unrest as well. Its absence from the frame only serves to amplify it."



The New York Knicks

DATE 6/18/2026

The New York Knicks