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DATE 5/19/2026

Rizzoli Bookstore presents Pieter Henket and Justin Gaspar in conversation for the launch of 'Birds of Mexico City'

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/24/2026

Lost City Books presents Yumna Al-Arashi and Farrah Skeiky on 'Aisha'

DATE 4/20/2026

Mrs. Dalloway's Bookstore presents Jane Fulton Alt, Susan Page Tillett and James Baraz on 'Still Life'

DATE 4/20/2026

Rizzoli Bookstore presents Chris Wiley, Nan Goldin, and Robert Swope on 'Michel Hurst: Órale'

DATE 4/19/2026

Morbid Anatomy presents 'Divine Color' author Laura Weinstein on 'Gods in Living Color: Hindu Devotional Lithographs and the Birth of Modern Indian Visual Culture'

DATE 4/18/2026

Artbook @ MoMA PS1 Bookstore presents a Zine-Making Workshop with Lauren Simkin Berke

DATE 4/17/2026

Watershed moments in Australian Aboriginal modernism

DATE 4/17/2026

Spoonbill Books presents 'Aisha' author Yumna Al-Arashi in conversation with Céline Semaan

DATE 4/16/2026

'The Stars We Do Not See: Australian Indigenous Art'—alive and in the present

DATE 4/14/2026

The essential companion to MoMA's monumental 'Marcel Duchamp'

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/11/2026

A long lost archive documenting life at the Chelsea Hotel, 1969–71


IMAGE GALLERY

"Genie" (2014) by Ryan McGinley is reproduced from
CORY REYNOLDS | DATE 7/4/2015

The Open Road

"I have absolutely no interest in creating depressing images," Ryan McGinley is quoted in The Open Road, Aperture's quintessential book of American road trip photography. Perhaps this is why he is widely considered the photographic voice of his generation. Of the series, The Journey Is the Destination, which includes "Genie" (2014), featured here, author David Campany writes, "Many commentators have likened McGinley's work to the diaristic photography of Nan Goldin and Larry Clark. While his images lack their pain and hardship, Hollywood has taught us that any scene of youthful, bucolic bliss tends to presage something ominous. Likewise, any art that is so relentlessly upbeat inevitably has the inverse effect. Beauty slips into 'beauty,' fun into 'fun,' nudity into 'nudity.' Whatever the unspoken cause, it seems to haunt McGinley's photographs. Sometimes it's the vague melancholy of perfect summers past, but there is looming unrest as well. Its absence from the frame only serves to amplify it."



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!