DATE 6/25/2024

LIVE from NYPL presents Michael Stipe launching 'Even the birds gave pause'

DATE 6/22/2024

Artbook at Hauser & Wirth Los Angeles Bookstore presents Penny Slinger launching and signing 'An Exorcism'

DATE 6/20/2024

picturehouse + thesmalldarkroom present Yelena Yemchuk on 'Malanka'

DATE 6/13/2024

ICP presents Eugene Richards on 'Remembrance Garden'

DATE 6/13/2024

LaToya Ruby Frazier, removing the contradiction between ideals and practice

DATE 6/8/2024

"Next-level otherness" in Pride Month staff pick 'Nick Cave: Forothermore'

DATE 6/6/2024

Celebratory and transgressive, 'John Waters: Pope of Trash' is a Pride Month Staff Pick

DATE 6/3/2024

In Nan Goldin's 'The Other Side,' you are who you pretend to be

DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

There's no such thing as being extra in June! Pride Month Staff Picks 2024

DATE 5/28/2024

'Mickalene Thomas: All About Love,' on view at The Broad

DATE 5/24/2024

Celebrate Memorial Day weekend with Garry Winogrand's intimate, flashing mirror of America

DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists


Detail of "Lazy Mountain" (2014) reproduced from "Mark Bradford: Tears of a Tree," published by Verlag Für Kunst Nurnberg and distributed by ARTBOOK | D.A.P.

Mark Bradford: Tears of a Tree

This detail of "Lazy Mountain," Mark Bradford's 39-foot-long collage painting on canvas, is reproduced from Verlag Für Kunst Nurnberg's recent Bradford catalog, Tears of a Tree. Available at our pop-up bookstore at Frieze New York, it documents recent work by "arguably the hottest contemporary artist in the country," according to the Washington Post, and the newly minted representative of the United States at the 2017 Venice Biennale. The last painting in a 2014 Shanghai-inspired series, "Lazy Mountain" is the "most mysterious and ethereal… The work is unusual in that the marks left on the canvas are made by the stains of carbon paper—residual ink imprints in varying hues of black and gray. There is no layering of surface here, no sanding down; instead, the canvas remains exposed, a rare occurrence in Bradford’s work."

Mark Bradford: Tears of a Tree

Mark Bradford: Tears of a Tree

Verlag für moderne Kunst
Hbk, 10 x 14.75 in. / 148 pgs / illustrated throughout.

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