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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

Untitled, 1995, "Hellen van Meene: The Years Shall Run Like Rabbits", published by Aperture and distributed by ARTBOOK | D.A.P.
CORY REYNOLDS | DATE 8/30/2015

Hellen van Meene: The Years Shall Run Like Rabbits

Dutch photographer Hellen van Meene "has described how the images she envisages exert a forceful, physical pull on her to make them," Victoria and Albert Museum senior photography curator Martin Barnes writes in Aperture's new release, The Years Shall Run Like Rabbits. "'If I can't make it, I get sick; if I can't make the photos, I can't breathe.' The dynamic between the model and photographer alone is not enough to complete an understanding of these images, which take a deliberately performative stance. Our role as spectators is the missing third element in their reading. Whether consciously calculated or not, Van Meene's photographs leave room for us as viewers to interpret their intention. They operate by using and confounding the accepted and culturally assimilated visual codes of various kinds of photographic imagery—from portraiture to pornography and documentary to fashion–and reinterpret these in the arena of fine art." Featured image is "Untitled" (1995).



The New York Knicks

DATE 6/18/2026

The New York Knicks