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DATE 5/19/2026

Rizzoli Bookstore presents Pieter Henket and Justin Gaspar in conversation for the launch of 'Birds of Mexico City'

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/24/2026

Lost City Books presents Yumna Al-Arashi and Farrah Skeiky on 'Aisha'

DATE 4/20/2026

Mrs. Dalloway's Bookstore presents Jane Fulton Alt, Susan Page Tillett and James Baraz on 'Still Life'

DATE 4/20/2026

Rizzoli Bookstore presents Chris Wiley, Nan Goldin, and Robert Swope on 'Michel Hurst: Órale'

DATE 4/19/2026

Morbid Anatomy presents 'Divine Color' author Laura Weinstein on 'Gods in Living Color: Hindu Devotional Lithographs and the Birth of Modern Indian Visual Culture'

DATE 4/18/2026

Artbook @ MoMA PS1 Bookstore presents a Zine-Making Workshop with Lauren Simkin Berke

DATE 4/17/2026

Watershed moments in Australian Aboriginal modernism

DATE 4/17/2026

Spoonbill Books presents 'Aisha' author Yumna Al-Arashi in conversation with Céline Semaan

DATE 4/16/2026

'The Stars We Do Not See: Australian Indigenous Art'—alive and in the present

DATE 4/14/2026

The essential companion to MoMA's monumental 'Marcel Duchamp'

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/11/2026

A long lost archive documenting life at the Chelsea Hotel, 1969–71


IMAGE GALLERY

Untitled, 1995, "Hellen van Meene: The Years Shall Run Like Rabbits", published by Aperture and distributed by ARTBOOK | D.A.P.
CORY REYNOLDS | DATE 8/30/2015

Hellen van Meene: The Years Shall Run Like Rabbits

Dutch photographer Hellen van Meene "has described how the images she envisages exert a forceful, physical pull on her to make them," Victoria and Albert Museum senior photography curator Martin Barnes writes in Aperture's new release, The Years Shall Run Like Rabbits. "'If I can't make it, I get sick; if I can't make the photos, I can't breathe.' The dynamic between the model and photographer alone is not enough to complete an understanding of these images, which take a deliberately performative stance. Our role as spectators is the missing third element in their reading. Whether consciously calculated or not, Van Meene's photographs leave room for us as viewers to interpret their intention. They operate by using and confounding the accepted and culturally assimilated visual codes of various kinds of photographic imagery—from portraiture to pornography and documentary to fashion–and reinterpret these in the arena of fine art." Featured image is "Untitled" (1995).



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!