DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

There's no such thing as being extra in June! Pride Month Staff Picks 2024

DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists

DATE 5/19/2024

Of bodies and knowing, in 'Christina Quarles: Collapsed Time'

DATE 5/17/2024

192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' series

DATE 5/17/2024

Lee Quiñones signing at Perrotin Store New York

DATE 5/15/2024

A gorgeous new book on Bauhaus textile innovator Otti Berger

DATE 5/13/2024

Rizzoli Bookstore presents Tony Caramanico and Zack Raffin launching 'Montauk Surf Journals'

DATE 5/12/2024

Black Feminist World-Building in LaToya Ruby Frazier’s ‘Monuments of Solidarity’

DATE 5/10/2024

Artbook at MoMA PS1 Bookstore presents Yasmine Ostendorf-Rodríguez and Juan Ferrer on 'Let's Become Fungal!'

DATE 5/8/2024

The World of Tim Burton in rare, archival materials

DATE 5/5/2024

Eugene Richards' eloquent new photobook documenting Green-Wood Cemetery

DATE 5/5/2024

Artbook at Hauser & Wirth LA Bookstore presents Yasmine Ostendorf-Rodríguez and David Horvitz on 'Let's Become Fungal'


"Selkirk Rex" (2012) is reproduced from

Elad Lassry

"Selkirk Rex" (2012) is reproduced from Mousse Publishing's new release, Elad Lassry. Hammer Museum curator Aram Moshayedi writes, "The world we inhabit, the one not conveyed by Lassry's pictures, is populated by bodies that sweat, that leak fluids and shit; bodies that decay, that have acne and scars and stringy hair; bodies that quiver, that shake; bodies that smell and that carry a stench; bodies with razor burn and saggy skin, misshapen genitals and droopy asses; and, most importantly, bodies that make noise, that grunt and groan and strain. When they are at their glossiest, Lassry's images keep forces like these at bay, and this our greatest grievance: that we can never be as perfect as a picture or contain as much ghost-like elegance as a dancer on film. Taken one step further, it is the impossible silence of photographic images and of so-called "silent films" that makes this alienating experience all the more apparent. Collectively, we don't fit into the picture provided by the alienating quietness of most exhibitions, as our shoes scrape across a given concrete floor, our stomach grumbles, and our heavy breath gives away our age. The annoyance with ourselves is often most deafening when we are put on display by the performance of looking at an exhibition; and the scenes composed for Lassry's photographs, films, and by his architectural tableaux, are reminders of how inherently divorced we are from pictures, how difficult it is to penetrate and access picturehood in spite of the supposed visual literacy of our time."

Elad Lassry

Elad Lassry

Mousse Publishing
Hbk, 9 x 13 in. / 80 pgs / 60 color.

$45.00  free shipping

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