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RECENT POSTS

DATE 11/30/2025

Artbook at Hauser & Wirth Los Angeles Bookstore presents Kelli Anderson and Claire L. Evans launching 'Alphabet in Motion'

DATE 11/27/2025

Indigenous presence in 'Wendy Red Star: Her Dreams Are True'

DATE 11/24/2025

Holiday Gift Guide 2025: Artful Crowd-Pleasers

DATE 11/22/2025

From 'Bottle Rocket' to 'The Phoenician Scheme' — the archives of Wes Anderson

DATE 11/20/2025

The testimonial art of Reverend Joyce McDonald

DATE 11/18/2025

A profound document of art, love and friendship in ‘Paul Thek and Peter Hujar: Stay away from nothing’

DATE 11/17/2025

The Strand presents Kelli Anderson + Giorgia Lupi launching 'Alphabet in Motion'

DATE 11/15/2025

Holiday Gift Guide 2025: Stuff that Stocking

DATE 11/15/2025

Artbook at MoMA PS1 presents Cory Arcangel, Eivind Røssaak and Alexander R. Galloway launching 'The Cory Arcangel Hack'

DATE 11/14/2025

Columbia GSAPP presents 'The Library is Open 23: Archigram Facsimile' with Beatriz Colomina Thomas Evans, Amelyn Ng, David Grahame Shane, Bernard Tschumi & Bart-Jan Polman

DATE 11/13/2025

Holiday Gift Guide 2025: For the Photo Fanatic

DATE 11/13/2025

Holiday Gift Guide 2025: For the Edition Collector

DATE 11/13/2025

Pop-up pleasure in Kelli Anderson's astonishing 'Alphabet in Motion'


IMAGE GALLERY

"Albuquerque, New Mexico" (1958) is reproduced from the Garry Winogrand portfolio in
CORY REYNOLDS | DATE 3/8/2016

Double Elephant 1973–74

"Anything and all things are photographs. A photograph can only look like how the camera saw what was photographed. Or, how the camera saw the piece of time and space is responsible for how the photograph looks. Therefore, a photograph can look any way. Or, there's no way a photograph had to look (beyond being an illusion of a literal description). Or, there are no external or abstract or preconceived rules of design that can apply to still photographs. I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both." - Garry Winogrand, Austin, TX, 1974, from Steidl's gorgeous new slipcased edition presenting the four portfolios of Lee Friedlander and Burt Wolf's historic press, Double Elephant. "Albuquerque, New Mexico" (1958) is © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco and Galerie Thomas Zander, Cologne.

Double Elephant 1973–74: Manuel Álvarez Bravo, Walker Evans, Lee Friedlander, Garry Winogrand

Double Elephant 1973–74: Manuel Álvarez Bravo, Walker Evans, Lee Friedlander, Garry Winogrand

Steidl
Slip, Hbk, 5 vols, 11.5 x 14 in. / 224 pgs / illustrated throughout.





From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!