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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

"Albuquerque, New Mexico" (1958) is reproduced from the Garry Winogrand portfolio in
CORY REYNOLDS | DATE 3/8/2016

Double Elephant 1973–74

"Anything and all things are photographs. A photograph can only look like how the camera saw what was photographed. Or, how the camera saw the piece of time and space is responsible for how the photograph looks. Therefore, a photograph can look any way. Or, there's no way a photograph had to look (beyond being an illusion of a literal description). Or, there are no external or abstract or preconceived rules of design that can apply to still photographs. I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both." - Garry Winogrand, Austin, TX, 1974, from Steidl's gorgeous new slipcased edition presenting the four portfolios of Lee Friedlander and Burt Wolf's historic press, Double Elephant. "Albuquerque, New Mexico" (1958) is © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco and Galerie Thomas Zander, Cologne.

Double Elephant 1973–74: Manuel Álvarez Bravo, Walker Evans, Lee Friedlander, Garry Winogrand

Double Elephant 1973–74: Manuel Álvarez Bravo, Walker Evans, Lee Friedlander, Garry Winogrand

Steidl
Slip, Hbk, 5 vols, 11.5 x 14 in. / 224 pgs / illustrated throughout.





The New York Knicks

DATE 6/18/2026

The New York Knicks