ARTBOOK BLOG

RECENT POSTS

DATE 9/26/2023

Turn-of-the-century typographic revolution in 'Die Fläche'

DATE 9/23/2023

Artbook @ MoMA PS1 presents Theo Deutinger and Sharon Helgason Gallagher launching 'Joy and Fear: An Illustrated Report on Modernity'

DATE 9/22/2023

Mindblowing info-design in Theo Deutinger's 'Joy and Fear: An Illustrated Report on Modernity'

DATE 9/21/2023

Hot book alert! ‘Chloe Sherman: Renegades’ is NEW from Hatje Cantz

DATE 9/20/2023

Groundbreaking and expansive: 'Simone Leigh'

DATE 9/18/2023

'Rob Wynne: Obstacle Illusion' is NEW from Gregory R. Miller & Co.

DATE 9/15/2023

'Ed Ruscha / Now Then' is a book for life

DATE 9/14/2023

Rizzoli Bookstore presents Cynthia Carlson and Thomas Mellins launching 'Cynthia Carlson: Sixty Years'

DATE 9/14/2023

Highly anticipated 'Cynthia Carlson: Sixty Years' is NEW from D.A.P. Publishing

DATE 9/11/2023

Rizzoli Bookstore presents Tina Barney and James Welling on 'The Beginning'

DATE 9/11/2023

'Publish Your Photography Book' third edition… at last!

DATE 9/7/2023

Photo book joy in 'Corita Kent: Ordinary Things Will Be Signs for Us'

DATE 9/6/2023

Spiritualist and art historical revelations in ‘Anna Cassel: The Saga of the Rose’


IMAGE GALLERY

Herbert Bayer, exhibition posters for the "European Applied Arts Exhibition" (1927) and "50 Years Bauhaus" (1968) and spread from László Moholy-Nagy
CORY REYNOLDS | DATE 3/30/2022

Bauhaus Typography, Still Thrilling after 100 Years

Featured images—two posters by Herbert Bayer (1927 and 1968) and a spread from László Moholy-Nagy's 1928 Bauhausbücher series book, Painting, Photography, Film—are from Bauhaus Typography at 100, launching tonight with a talk by design luminary Ellen Lupton, who also contributes the Introduction to the book. "The Bauhaus remains today an open idea and a contested myth," Lupton writes. "Some designers working in the 1920s thought the Bauhaus was arrogant and self-important. In Germany in the 1920s and 30s, the egalitarian universalism of the Bauhaus was attacked by nationalists hawking their poisoned promises of racial purity. Even before the Bauhaus was closed by the Nazis in 1933, it had become a flattened icon for functional design, and yet the school’s strongest educators—from Itten, Klee and Kandinsky to Moholy-Nagy, Albers and Schmidt—pursued humanistic, even spiritual, paths through their teaching. Moholy-Nagy left, in part, because he thought the school was becoming too focused on practical concerns. Later, postmodernists poked fun at its repression of history and ornament, as well as its ideological fervor. Today, the Bauhaus faces new tests of purity. The modernist legacy is Eurocentric, patriarchal and exclusionary. Although some design educators say, 'It’s time to throw the Bauhaus under the bus,' others keep finding new ideas in this school’s layered history. The people who lived, worked, wrote and taught within the Bauhaus’ glowing orb of influence struggled with the conflicts and possibilities of their time. They looked boldly forward—and also sideways—at the dangerous present. They left behind their own trails of light and shadow—traces to be read, interpreted, and questioned."

Bauhaus Typography at 100

Bauhaus Typography at 100

LETTERFORM ARCHIVE BOOKS
Hbk, 7.5 x 9.5 in. / 280 pgs / 450 color / 25 b&w.

$45.00  free shipping





Heads up!

DATE 8/13/2023

Heads up!

Salt of the Earth

DATE 4/22/2023

Salt of the Earth

Welcome, Spring!

DATE 3/20/2023

Welcome, Spring!

Pure Couture

DATE 2/9/2023

Pure Couture

Into the meat grinder

DATE 1/21/2023

Into the meat grinder

Why Omaha?

DATE 1/10/2023

Why Omaha?