ARTBOOK BLOG

RECENT POSTS

DATE 6/25/2024

LIVE from NYPL presents Michael Stipe launching 'Even the birds gave pause'

DATE 6/22/2024

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DATE 6/22/2024

Michael Stipe's poetic new photobook

DATE 6/20/2024

Transgression and transformation in Shanay Jhavari's 'Night Fever'

DATE 6/20/2024

picturehouse + thesmalldarkroom present Yelena Yemchuk on 'Malanka'

DATE 6/19/2024

Celebrate Juneteenth with Mickalene Thomas’s unabashed celebration of Black womanhood

DATE 6/17/2024

Jenny Holzer continues to challenge, opaquely, with 'Trace'

DATE 6/16/2024

Celebrate Father's Day with 'What Matters Most'

DATE 6/13/2024

LaToya Ruby Frazier, removing the contradiction between ideals and practice

DATE 6/13/2024

ICP presents Eugene Richards on 'Remembrance Garden'

DATE 6/8/2024

"Next-level otherness" in Pride Month staff pick 'Nick Cave: Forothermore'

DATE 6/6/2024

Celebratory and transgressive, 'John Waters: Pope of Trash' is a Pride Month Staff Pick

DATE 6/3/2024

In Nan Goldin's 'The Other Side,' you are who you pretend to be


IMAGE GALLERY

Herbert Bayer, exhibition posters for the "European Applied Arts Exhibition" (1927) and "50 Years Bauhaus" (1968) and spread from László Moholy-Nagy
CORY REYNOLDS | DATE 3/30/2022

Bauhaus Typography, Still Thrilling after 100 Years

Featured images—two posters by Herbert Bayer (1927 and 1968) and a spread from László Moholy-Nagy's 1928 Bauhausbücher series book, Painting, Photography, Film—are from Bauhaus Typography at 100, launching tonight with a talk by design luminary Ellen Lupton, who also contributes the Introduction to the book. "The Bauhaus remains today an open idea and a contested myth," Lupton writes. "Some designers working in the 1920s thought the Bauhaus was arrogant and self-important. In Germany in the 1920s and 30s, the egalitarian universalism of the Bauhaus was attacked by nationalists hawking their poisoned promises of racial purity. Even before the Bauhaus was closed by the Nazis in 1933, it had become a flattened icon for functional design, and yet the school’s strongest educators—from Itten, Klee and Kandinsky to Moholy-Nagy, Albers and Schmidt—pursued humanistic, even spiritual, paths through their teaching. Moholy-Nagy left, in part, because he thought the school was becoming too focused on practical concerns. Later, postmodernists poked fun at its repression of history and ornament, as well as its ideological fervor. Today, the Bauhaus faces new tests of purity. The modernist legacy is Eurocentric, patriarchal and exclusionary. Although some design educators say, 'It’s time to throw the Bauhaus under the bus,' others keep finding new ideas in this school’s layered history. The people who lived, worked, wrote and taught within the Bauhaus’ glowing orb of influence struggled with the conflicts and possibilities of their time. They looked boldly forward—and also sideways—at the dangerous present. They left behind their own trails of light and shadow—traces to be read, interpreted, and questioned."

Bauhaus Typography at 100

Bauhaus Typography at 100

Letterform Archive Books
Hbk, 7.5 x 9.5 in. / 280 pgs / 450 color / 25 b&w.

$45.00  free shipping





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