ARTBOOK LOGO

ARTBOOK BLOG

RECENT POSTS

DATE 2/27/2017

Hollywood and the Ivy Look

DATE 2/26/2017

We Go Out

DATE 2/25/2017

Miralda’s El Internacional (1984–1986): New York’s Archaeological Sandwich

DATE 2/24/2017

Valérie Belin Book Launch at Albertine

DATE 2/24/2017

Clare Rojas: Plain Black, Abstract Paintings

DATE 2/23/2017

The Exhibitionist: Journal on Exhibition Making

DATE 2/22/2017

Small Wonders: Late Gothic Boxwood Microcarvings from the Low Countries

DATE 2/22/2017

Yayoi Kusama: I Who Have Arrived in Heaven

DATE 2/21/2017

Separate Cinema: The First 100 Years of Black Poster Art

DATE 2/20/2017

The Photographs of Abraham Lincoln

DATE 2/19/2017

Jacob Lawrence: The Migration Series, Panel 14 ("injustice in the courts"), 1941

DATE 2/18/2017

Jacob Lawrence: The Migration Series

DATE 2/17/2017

Jacob Lawrence: The Migration Series, Panel 58 (Girls), 1940-41

DATE 2/17/2017

Visit ARTBOOK at the LAABF 2017!

DATE 2/17/2017

Jacob Lawrence: The Migration Series

DATE 2/16/2017

Mark Neville: Fancy Pictures

DATE 2/15/2017

See Red Women's Workshop: Feminist Posters 1974–1990 at CAA!

DATE 2/14/2017

Sophie Calle: The Address Book

DATE 2/13/2017

Leendert Blok: Silent Beauties, Color Photographs from the 1920s, TULIPA, Bleu celeste

DATE 2/12/2017

Merce Cunningham: Common Time

DATE 2/12/2017

Art Catalogues at LACMA Presents Flavin Judd and Michael Govan on 'Donald Judd Writings'

DATE 2/11/2017

Merce Cunningham: Common Time

DATE 2/10/2017

Goodbye Soho, Hello Wall Street!

DATE 2/10/2017

Merce Cunningham: Common Time

DATE 2/9/2017

Visionaries: Creating a Modern Guggenheim

DATE 2/8/2017

Raymond Pettibon

DATE 2/7/2017

In the Good Name of the Company: Artworks and ephemera produced by or in tandem with the Colby Printing Company

DATE 2/6/2017

Hippie Modernism: The Struggle for Utopia

DATE 2/5/2017

Come Alive! The Spirited Art of Sister Corita

DATE 2/4/2017

Come Alive! The Spirited Art of Sister Corita

DATE 2/3/2017

How Posters Work

DATE 2/2/2017

JR & Art Spiegelman: The Ghosts of Ellis Island

DATE 2/1/2017

The Royal Academy of Arts Joins ARTBOOK | D.A.P.

DATE 2/1/2017

Rania Matar: L'Enfant-Femme

DATE 2/1/2017

Mark Neville in conversation with Adam Bell

DATE 2/1/2017

Join ARTBOOK | D.A.P. at the 2017 CAA Conference

DATE 1/30/2017

'Bob & Bob' Launch at ARTBOOK @ Hauser Wirth & Schimmel

DATE 1/30/2017

101 Danish Design Icons

DATE 1/30/2017

Rania Matar: L'Enfant-Femme

DATE 1/29/2017

Yves Klein: In/Out Studio in WSJ Magazine

DATE 1/28/2017

Yves Klein: In/Out Studio in WSJ Magazine

DATE 1/27/2017

'Yves Klein: In/Out Studio' in the WSJ Magazine

DATE 1/25/2017

Břrge Mogensen: Simplicity and Function

DATE 1/24/2017

Břrge Mogensen: Simplicity and Function

DATE 1/24/2017

BACK IN STOCK: The Moon 1968–1972

DATE 1/23/2017

100 Secrets of the Art World Launch at MoMA PS1

DATE 1/23/2017

Judith Bernstein: Rising

DATE 1/22/2017

See Red Women's Workshop

DATE 1/21/2017

See Red Women's Workshop

DATE 1/21/2017

Christopher Bedford, Mary Schmidt Campbell, Thomas Lax, Sheena Wagstaff & Fred Wilson Launch 'Four Generations' at NYPL

DATE 1/20/2017

Mark Peterson: Political Theatre


EXCERPTS & ESSAYS

EMILY PILLOTON | DATE 9/1/2009

Designer's Handshake

BOOK EXCERPT
- - - - - - - - - - - - - - -

DESIGN REVOLUTION by Emily Pilloton

Metropolis Books, September 2009

The Designer’s Handshake

I, _____________________________________ , as an individual engaged within a greater design community, promise to try, to the best of my ability, to commit and adhere to the following principles within my work and life as a designer:

To go beyond doing no harm:

I will engage only in design activities that improve life, both environmental and human. I will recognize that design that does not improve life is a form of apathy and that “doing no harm” is not enough. I will engage only in design processes that are respectful, generative, catalytic, and productive.

To listen, learn, and understand:

I recognize that every client, partner, or stranger is someone to learn from. I will listen before assuming. I will seek to understand the historical, geographical, social, cultural, and economic context and precedents before beginning the design process.

To measure, share, and teach:

I will measure results quantitatively and qualitatively. I will, as appropriate, make my best practices, successes, tools, and failures available to colleagues for communitybased learning.

To empower, heal, and catalyze:

I will use design as a tool to empower people, to make life better, to bring health and improve life, and to enable users to help themselves. I will seek out systemic solutions over quick fixes.

To be optimistic but critical:

I will employ perpetual optimism as a design and business strategy but will apply the same critical evaluation toward social and humanitarian design work that I would any other product. Just because it’s “for the greater good” doesn’t make it good design.

To think big and have no fear:

I will take calculated risks and not be afraid to use design as a tool for change. I will explore new models for how design can have the greatest impact for the greatest number.

To serve the underserved:

I will look first to demographics underserved by design and propose viable solutions for such groups as the homeless, the sick, the ailing, the young and old, the handicapped, poor, and incapacitated.

To not reinvent the wheel:

When something works well, I will not assume I can or should start from scratch. I will use what it is available to me and look to local resources, skill sets, and materials.

To not do what I don’t know:

I will acknowledge the limits of my expertise and will not hesitate to say “no” or to pass projects to another designer who may do a better job.

To always put the user first:

I will always place need over consumption and the human being over the market. I will consider human value, experience, and consequence above all else.

To do good business with good people:

I will be honorable in business and partnerships. I will build distribution into my design, and employ businesses that maximize social impact. I will align myself and work with individuals and groups who have the same values as I do.

To own up and repair:

I will take responsibility for any failures or mistakes I may make and take measures to repair and understand my errors.

To be part of a greater whole:

I will remember that I am a part of a system and a community of designers, users, clients, and global citizens. I will recognize that my individual decisions affect this greater group, and that I have a responsibility to contribute productively.

Insert personal addenda here:

signed:

date:

e-mail address:

Please mail copy to:

Project H Design PO Box 12021 San Rafael, CA 94912

Design Revolution by Emily Pilloton


The Designer's Handshake
The Designer's Handshake
The Designer's Handshake
The Designer's Handshake
The Designer's Handshake
The Designer's Handshake
The Designer's Handshake
Design Revolution: 100 Products That Empower People

Design Revolution: 100 Products That Empower People

METROPOLIS BOOKS
Pbk, 8 x 8 in. / 304 pgs / 250 color.



ARTBOOK LOGO
 
 

the art world's source for books on art & culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
75 Broad Street, Suite 630
New York NY 10004
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2013 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com