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DATE 6/19/2018

The photograph as source of unlocked potential in 'Shape of Light'

DATE 6/18/2018

The photographic object as a record of performance in 'The Shape of Light'

DATE 6/17/2018

'Shape of Light' presents 100 years of photography and abstract art

DATE 6/16/2018

Beauty and strangeness in 'Michael Webb: Two Journeys'

DATE 6/16/2018

Theo Deutinger: Handbook of Tyranny at MoMA PS1

DATE 6/15/2018

Still radical. 'Michael Webb: Two Journeys' releases this week.

DATE 6/14/2018

Aggression and menace, history and place in 'Jack Whitten: Odyssey'

DATE 6/13/2018

In 'Jack Whitten: Odyssey,' sculpture moves backward and forward in time and across the globe

DATE 6/12/2018

Manifesting a future only he could see: Bodys Isek Kingelez

DATE 6/11/2018

If only the real world could be more like Bodys Isek Kingelez's

DATE 6/10/2018

Suburban, exotic, utterly private, boisterously public, a threat or a blessing: 'The Swimming Pool in Photography'

DATE 6/9/2018

Celebrate summer with 'The Swimming Pool in Photography'

DATE 6/8/2018

Giacometti: breaking free from enforced immobility

DATE 6/7/2018

Giacometti comes to the Guggenheim!

DATE 6/6/2018

Ice Cream Headaches Launch Events in Bay Head, Long Beach & Montauk

DATE 6/6/2018

Celebrate Pride Month with the recently rediscovered paintings of Patrick Angus

DATE 6/5/2018

Celebrate Pride Month with 'LGBT: San Francisco'

DATE 6/4/2018

Grotesque, sensual and erotic: The Art of Aubrey Beardsley

DATE 6/2/2018

'Brion Gysin: His Name Was Master' Launch with Genesis Breyer P-Orridge at Mast

DATE 6/2/2018

Doves and fists, creativity and subversion in 'Protest: The Aesthetics of Resistance'

DATE 6/1/2018

Fifty years after 1968, Protest: The Aesthetics of Resistance

DATE 5/31/2018

Teju Cole on the Superhero Photographs of the Black Lives Matter movement in 'Protest: The Aesthetics of Resistance'

DATE 5/30/2018

Get ready for 'Protest: The Aesthetics of Resistance'

DATE 5/30/2018

Join ARTBOOK | D.A.P. at Book Expo 2018!

DATE 5/29/2018

Michael Stipe: Volume 1

DATE 5/29/2018

Michael Stipe signing at Mast Books

DATE 5/27/2018

No wonder photographers love pools…

DATE 5/27/2018

Migrant Journal: Dark Matters launch at the Artbook @ MoMA PS1 Book Space

DATE 5/26/2018

Celebrate Memorial Day with Joseph Szabo's Jones Beach Lifeguard photos

DATE 5/25/2018

Memorial Day Staff Pick: Ice Cream Headaches

DATE 5/24/2018

BACK IN STOCK! Sophie Calle: The Address Book

DATE 5/23/2018

The Art of Aubrey Beardsley, between the mind's outline and the outline of visible things

DATE 5/23/2018

BACK IN STOCK! Georgia O'Keeffe: Watercolors

DATE 5/22/2018

A different kind of photographer and woman: Susan Meiselas

DATE 5/21/2018

Agnes Martin: "Gratitude" (2001)

DATE 5/20/2018

Late Magritte: the missing link between James Ensor and Zap Comix

DATE 5/19/2018

After the confusion and panic… Magritte's late vache paintings and 'sunlit Surrealism'

DATE 5/18/2018

Whitewalling: Aruna D'Souza with Paul Chan at McNally Jackson Soho

DATE 5/18/2018

Susan Meiselas with Ann Hamilton LIVE from the NYPL

DATE 5/18/2018

René Magritte: The Fifth Season comes to SFMOMA

DATE 5/17/2018

David Goldes: Electricities, up against the limits of the medium

DATE 5/16/2018

BACK IN STOCK! Gordon Parks: The Flavio Story

DATE 5/15/2018

Positive notions of transgressions in Vitra's 'Night Fever: Designing Club Culture 1960-Today'

DATE 5/14/2018

Gay Pride!

DATE 5/14/2018

Night Fever, Night Fever!

DATE 5/13/2018

Mother's Day Magic in 'The Secret Language of Flowers: Notes on the Hidden Meanings of Flowers in Art'

DATE 5/12/2018

Howardena Pindell: intellectual and hedonistic, ironic and lyrical

DATE 5/11/2018

See video of Hiroshi Sugimoto and Darius Himes speaking at The Strand

DATE 5/9/2018

Jack Pierson to launch 'Tomorrow's Man 4' at BOOKMARC NYC

DATE 5/9/2018

Kevin Beasley opens at ICA Boston

DATE 5/9/2018

Almost like a thunderbolt out of the sky: Birgit Nilsson


BOOKS IN THE MEDIA

CORY REYNOLDS | DATE 1/18/2013

'Old All-Stars Who Still Dazzle the Eye' in the New York Times


In today's New York Times Paper Gallery column, Dana Jennings reviews "Old All-Stars Who Still Dazzle the Eye," including two books from the ARTBOOK | D.A.P. list.

"Glen Canyon Dam, Page, Arizona, 1983," by Joel Sternfeld, is reproduced from American Prospects.

Below are Jennings' reviews of Mati Klarwein, "whose album covers shimmer with a cryptic hippie cool that seduced Miles Davis and Carlos Santana" and Joel Sternfeld, "whose reissued photographs snap us back to the dingy grays and ochers of the early 1980s."
"Sometimes you just need to tip your cap to the all-stars," Jennings writes, "the perennial crowd pleasers whose work stays in print year after year, whose worth still spurs debate decades after their deaths and whose images inescapably show up on the walls of college dorm rooms and your finer dive bars."


'Old All-Stars Who Still Dazzle the Eye' in the New York Times
MATI & THE MUSIC: 52 Record Covers 1955/2005
Text by Serge Bramly
184 pages. RM/Librairie 13. $45.

Mati Klarwein liked to call himself the most famous unrecognized artist in the world. That’s a fair self-call given that he painted two of the 1970s’ enduring pop-culture images, the album covers of Miles Davis’s Bitches Brew and Carlos Santana’s Abraxas. The Santana sums up Klarwein’s style: Sculptural figures are set in a hypersurreal phantasmagoria that seems to reflect some groovy non-Western mythology, all complemented by an ample supply of bared breasts. (Klarwein was a master of the gratuitous breast.) Other covers include albums by Jimi Hendrix (below), the Last Poets, Gregg Allman — and, oh, Leonard Bernstein.
'Old All-Stars Who Still Dazzle the Eye' in the New York Times
"Hendrix" (ca. 1974) is reproduced from MATI & THE MUSIC



'Old All-Stars Who Still Dazzle the Eye' in the New York Times
JOEL STERNFELD: American Prospects
140 pages (unnumbered). D.A.P. $125.

In the late 1970s and early ’80s Joel Sternfeld crisscrossed the country, from Beverly Hills, Calif., to Aroostook County, Me., capturing Thoreau’s lives of quiet desperation whipsawed by the American dream in transition. One of the most powerful images here is of a potato harvest (below). A bone-weary girl waits on a barrel of potatoes on a gray Maine day. The horizon looms before her, but rather than being limitless it seems as if it means to crush her. American Prospects, first issued in 1987, is an essential document in understanding both 20th- and 21st-century America.
'Old All-Stars Who Still Dazzle the Eye' in the New York Times
"Potato Harvest, Aroostook County, Maine, October 1982," by Joel Sternfeld, is reproduced from American Prospects.
'Old All-Stars Who Still Dazzle the Eye' in the New York Times
'Old All-Stars Who Still Dazzle the Eye' in the New York Times
'Old All-Stars Who Still Dazzle the Eye' in the New York Times

Mati & The Music: 52 Record Covers 1955-2005

Mati & The Music: 52 Record Covers 1955-2005

RM/LIBRAIRIE 213
Hbk, 12 x 12 in. / 184 pgs / illustrated throughout.



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