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DATE 8/25/2017

Back in Print! Bauhaus 1919-1933

DATE 8/24/2017

KAWS: transgressing the borders between art and society

DATE 8/23/2017

Michael Auping on cartoons, abstraction and KAWS

DATE 8/22/2017

So Many Olympic Exertions Reading at Artbook @ Hauser & Wirth

DATE 8/22/2017

'KAWS: Where the End Starts' available at last!

DATE 8/21/2017

New edition of Stan Brakhage's epic 'Metaphors on Vision'

DATE 8/20/2017

Engagingly seedy and colorful: Fred Herzog's Vancouver

DATE 8/16/2017

Albert Elm's enigmatic 'What Sort of Life Is This'

DATE 8/12/2017

Back in stock! Andy Warhol: Prints

DATE 8/11/2017

Peter Schjeldahl on Peter Cain, 1997

DATE 8/10/2017

Back to School

DATE 8/10/2017

Collier Schorr on Peter Cain

DATE 8/9/2017

Bristling with post-Freudian electricity: Anne Collier: Women with Cameras (Anonymous)

DATE 8/8/2017

Michael Williams and the truth about painting

DATE 8/7/2017

A remarkable feat of facsimile publishing: Lee Lozano: Private Book 2

DATE 8/6/2017

In honor of the Newport Jazz Festival: Jim Marshall

DATE 8/5/2017

Kitchen textile designer Marguerita Mergentime featured on Food 52!

DATE 8/4/2017

Dayanita Singh's poetic mini-museum

DATE 8/3/2017

A museum, a book and an object. Dayanita Singh: Museum Bhavan

DATE 8/2/2017

"Not just anyone makes a good pisser"

DATE 8/1/2017

AUTOPHOTO and the old-fashioned idea of freedom

DATE 7/31/2017

Emil Nolde's wild Grotesques

DATE 7/30/2017

Christine Osinski: Summer Days Staten Island, Young Man Pulling a Go Cart

DATE 7/29/2017

Calling all flaneurs, cosmopolitans and bon vivants!

DATE 7/28/2017

Summer Reading: Midnight: The Tempest Essays by Molly Nesbit

DATE 7/27/2017

Retuning perceptions in 'Fred Sandback: Vertical Constructions'

DATE 7/26/2017

Nonchalant flirting with oblivion: Ray Johnson

DATE 7/25/2017

Philip Guston's Nixon Drawings have never been more relevant

DATE 7/24/2017

A book for our times: Philip Guston: Nixon Drawings

DATE 7/23/2017

Tom Bianchi: Fire Island Pines, Polaroids 1975-1983

DATE 7/22/2017

Tom Bianchi's 70s photos of the Gay Community in Fire Island Pines

DATE 7/21/2017

Exactly what's the deal with Russia, again?

DATE 7/21/2017

Hauser & Wirth LA Presents 'Master of Go' Summer Reading Group

DATE 7/21/2017

Hauser & Wirth LA Presents 'In the Deep' Summer Reading Group

DATE 7/21/2017

Fire Island Pines in its infancy and its heyday

DATE 7/20/2017

Oozing with potency: Margaret Hooks' Tina Modotti Biography

DATE 7/19/2017

Cooking from the CCCP COOK BOOK

DATE 7/19/2017

"Disagreements must be intensified and their gaps must be widened."

DATE 7/18/2017

A beautiful new book on Japanese artist Jiro Takamatsu

DATE 7/17/2017

Enough room to play: Craft Becomes Modern: The Bauhaus in the Making

DATE 7/16/2017

Between utopia and industrial culture: Craft Becomes Modern

DATE 7/15/2017

Exceptional architecture in 'Francis Kéré: Radically Simple'

DATE 7/14/2017

Marriage of the Minds in Alex Webb and Rebecca Norris Webb: Slant Rhymes

DATE 7/13/2017

Poetry meets photography in 'Alex Webb and Rebecca Norris Webb: Slant Rhymes'

DATE 7/12/2017

USPS Celebrates Andrew Wyeth's world - the way he wanted it

DATE 7/11/2017

USPS Celebrates Andrew Wyeth with Forever Stamps

DATE 7/11/2017

'Studio: Remembering Chris Marker' Event at Metrograph

DATE 7/10/2017

The torment of the loner, the distress of the seeker beset by visions: Egon Schiele

DATE 7/9/2017

Even magic is doomed to pass: Egon Schiele

DATE 7/8/2017

Relive turn-of-the-century Paris in the postcards of Eugène Atget

DATE 7/8/2017

The deceptive simplicity of Women in Trees


EXCERPTS & ESSAYS

MING LIN | DATE 7/24/2011

Documenta Notebooks: Lawrence Weiner

"IF IN FACT THERE IS A CONTEXT..." begins Lawrence Weiner, rather skeptically, in his contribution to Hatje Cantz and Documenta's series, 100 Notes, 100 Thoughts. Weiner, a formative figure of the conceptual art movement, is known for his bold typographic works displayed as wall installations. His very literal phrases—for example the famous work "A 36" X 36" REMOVAL TO THE LATHING OR SUPPORT WALL OF PLASTER OR WALL-BOARD FROM A WALL"—lead the viewer to question whether the work of art is the object or action described or the text itself. Like Joseph Kosuth's 1965 "One and Three Chairs" piece, which features a chair, a photograph of the same chair and a copy of the dictionary definition of the word "chair," Weiner's work invites ambiguity in order to interrogate themes such as what an original work of art consists of and how meaning is made.
Documenta Notebooks: Lawrence Weiner

Weiner's notebook is 24 pages, printed in A6 format—the exact same dimensions as his contribution to Documenta 5 in 1972—the first year he was asked to participate. According to New York Times art critic Roberta Smith, the 1972 festival was notable as an early example of "the exhibition as spectacle," and was filled with hysteria and misunderstanding. Undoubtedly much of this excitement was stirred by the growing prevalence of conceptual art. Curator of the festival, the visionary Swiss art historian Harald Szeemann, attempted to relate art to wider social and cultural realities by collapsing the boundaries of the art and the everyday. Conceptual works like Weiner’s confounded expectations of what could be considered art, refuting the notion that it had to be fixed in context and materiality.

Documenta Notebooks: Lawrence Weiner

Affixed to different surfaces and spaces, Weiner’s work has the potential to extend art outside of its exclusive spheres.
Documenta Notebooks: Lawrence Weiner
Documenta Notebooks: Lawrence Weiner
Documenta Notebooks: Lawrence Weiner
Documenta Notebooks: Lawrence Weiner
Documenta Notebooks: Lawrence Weiner
Documenta Notebooks: Lawrence Weiner

Lawrence Weiner: If in Fact There is A Context

Lawrence Weiner: If in Fact There is A Context

HATJE CANTZ
Pbk, 4.25 x 5.75 in. / 24 pgs.



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