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DATE 6/19/2018

The photograph as source of unlocked potential in 'Shape of Light'

DATE 6/18/2018

The photographic object as a record of performance in 'The Shape of Light'

DATE 6/17/2018

'Shape of Light' presents 100 years of photography and abstract art

DATE 6/16/2018

Beauty and strangeness in 'Michael Webb: Two Journeys'

DATE 6/16/2018

Theo Deutinger: Handbook of Tyranny at MoMA PS1

DATE 6/15/2018

Still radical. 'Michael Webb: Two Journeys' releases this week.

DATE 6/14/2018

Aggression and menace, history and place in 'Jack Whitten: Odyssey'

DATE 6/13/2018

In 'Jack Whitten: Odyssey,' sculpture moves backward and forward in time and across the globe

DATE 6/12/2018

Manifesting a future only he could see: Bodys Isek Kingelez

DATE 6/11/2018

If only the real world could be more like Bodys Isek Kingelez's

DATE 6/10/2018

Suburban, exotic, utterly private, boisterously public, a threat or a blessing: 'The Swimming Pool in Photography'

DATE 6/9/2018

Celebrate summer with 'The Swimming Pool in Photography'

DATE 6/8/2018

Giacometti: breaking free from enforced immobility

DATE 6/7/2018

Giacometti comes to the Guggenheim!

DATE 6/6/2018

Ice Cream Headaches Launch Events in Bay Head, Long Beach & Montauk

DATE 6/6/2018

Celebrate Pride Month with the recently rediscovered paintings of Patrick Angus

DATE 6/5/2018

Celebrate Pride Month with 'LGBT: San Francisco'

DATE 6/4/2018

Grotesque, sensual and erotic: The Art of Aubrey Beardsley

DATE 6/2/2018

'Brion Gysin: His Name Was Master' Launch with Genesis Breyer P-Orridge at Mast

DATE 6/2/2018

Doves and fists, creativity and subversion in 'Protest: The Aesthetics of Resistance'

DATE 6/1/2018

Fifty years after 1968, Protest: The Aesthetics of Resistance

DATE 5/31/2018

Teju Cole on the Superhero Photographs of the Black Lives Matter movement in 'Protest: The Aesthetics of Resistance'

DATE 5/30/2018

Get ready for 'Protest: The Aesthetics of Resistance'

DATE 5/30/2018

Join ARTBOOK | D.A.P. at Book Expo 2018!

DATE 5/29/2018

Michael Stipe: Volume 1

DATE 5/29/2018

Michael Stipe signing at Mast Books

DATE 5/27/2018

No wonder photographers love pools…

DATE 5/27/2018

Migrant Journal: Dark Matters launch at the Artbook @ MoMA PS1 Book Space

DATE 5/26/2018

Celebrate Memorial Day with Joseph Szabo's Jones Beach Lifeguard photos

DATE 5/25/2018

Memorial Day Staff Pick: Ice Cream Headaches

DATE 5/24/2018

BACK IN STOCK! Sophie Calle: The Address Book

DATE 5/23/2018

The Art of Aubrey Beardsley, between the mind's outline and the outline of visible things

DATE 5/23/2018

BACK IN STOCK! Georgia O'Keeffe: Watercolors

DATE 5/22/2018

A different kind of photographer and woman: Susan Meiselas

DATE 5/21/2018

Agnes Martin: "Gratitude" (2001)

DATE 5/20/2018

Late Magritte: the missing link between James Ensor and Zap Comix

DATE 5/19/2018

After the confusion and panic… Magritte's late vache paintings and 'sunlit Surrealism'

DATE 5/18/2018

Whitewalling: Aruna D'Souza with Paul Chan at McNally Jackson Soho

DATE 5/18/2018

Susan Meiselas with Ann Hamilton LIVE from the NYPL

DATE 5/18/2018

René Magritte: The Fifth Season comes to SFMOMA

DATE 5/17/2018

David Goldes: Electricities, up against the limits of the medium

DATE 5/16/2018

BACK IN STOCK! Gordon Parks: The Flavio Story

DATE 5/15/2018

Positive notions of transgressions in Vitra's 'Night Fever: Designing Club Culture 1960-Today'

DATE 5/14/2018

Gay Pride!

DATE 5/14/2018

Night Fever, Night Fever!

DATE 5/13/2018

Mother's Day Magic in 'The Secret Language of Flowers: Notes on the Hidden Meanings of Flowers in Art'

DATE 5/12/2018

Howardena Pindell: intellectual and hedonistic, ironic and lyrical

DATE 5/11/2018

See video of Hiroshi Sugimoto and Darius Himes speaking at The Strand

DATE 5/9/2018

Jack Pierson to launch 'Tomorrow's Man 4' at BOOKMARC NYC

DATE 5/9/2018

Kevin Beasley opens at ICA Boston

DATE 5/9/2018

Almost like a thunderbolt out of the sky: Birgit Nilsson


EVENTS

MADDIE GILMORE | DATE 7/8/2017

The deceptive simplicity of Women in Trees

Women in Trees, a lovely little collection of some 50 vintage amateur photographs of, well, women in trees, is a true gem. Charming, endearing, and full of life, this diminutive volume provides a happy glimpse into forgotten moments from the past. What exactly these moments are is not always easy to determine, but the sincerity with which the women pose in their trees makes the activity feel like the most natural theme in the world.

The deceptive simplicity of Women in Trees

And it's true – people like to climb trees. But the subject matter of Women in Trees may be deceptively simple. While delighting in the joy of such moments, the photographs engage the reader in a number of complex questions regarding self-representation and the artistic intentions of this sort of amateur photography.

The deceptive simplicity of Women in Trees

The book also tangoes with the perennial tropes of women in nature. But the diverse array of images suggests that these relationships are as varied as the types and species of trees themselves. Where a short, stout stub of a tree provides the perfect place for a lady to recline for the camera, the wily branches of a taller, spindly tree require a bit more exertion. The more challenging photograph becomes something of a prize for the conqueror.

The deceptive simplicity of Women in Trees

Dutifully gathered at flea markets by historical amateur photography collector Jochen Raiss, Women in Trees represents a personal collection of photographs in several senses. Not only do the photographs comprise a kind of unique treasure for Raiss himself, who used to carry the found pictures around as bookmarks, but they also each contain a private, maybe intimate, scene, played out between the knowing postures of the women and the invisible eye of the photographer.

The deceptive simplicity of Women in Trees

How fitting that the photos that once found homes between the pages of books now live on the pages themselves. How wondrous that someone saved these images and gave them new life, that each woman and each tree found a home amongst their likenesses. The book is a small blessing.

The deceptive simplicity of Women in Trees
The deceptive simplicity of Women in Trees
The deceptive simplicity of Women in Trees
The deceptive simplicity of Women in Trees

Women in Trees

Women in Trees

HATJE CANTZ
Hbk, 4.75 x 6.75 in. / 112 pgs / 55 b&w.



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