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DATE 6/29/2015

Black and White

DATE 6/29/2015

Jacob Lawrence: The Migration Series

DATE 6/29/2015

Gillian Laub: Southern Rites

DATE 6/29/2015

No Problem

DATE 6/27/2015

Agnes Martin Excerpt: "Beauty Is the Mystery of Life"

DATE 6/27/2015

Both Sides of Sunset

DATE 6/26/2015

Both Sides of Sunset Launch & Panel at MOCA LA

DATE 6/26/2015

Raymond Pettibon: Surfers 1985-2015

DATE 6/26/2015

Sarah Charlesworth: Doubleworld

DATE 6/26/2015

The Photographs of Abraham Lincoln

DATE 6/25/2015

Both Sides of Sunset - Foreword by Ed Ruscha

DATE 6/25/2015

Sarah Charlesworth: Doubleworld

DATE 6/24/2015

Visit the Hatje Cantz Pop-Up at Sean Kelly Gallery

DATE 6/24/2015

Drawing People

DATE 6/24/2015

Drawing People

DATE 6/22/2015

Surf's Up

DATE 6/22/2015

Drawing Center to Launch 'Drawing People' with Chloe Piene & Dasha Shishkin

DATE 6/22/2015

No Problem: Cologne/New York 1984-1989

DATE 6/21/2015

Ed Ruscha

DATE 6/21/2015

Victor Moscoso

DATE 6/19/2015

Both Sides of Sunset: Photographing Los Angeles

DATE 6/18/2015

Both Sides of Sunset: Photographing Los Angeles

DATE 6/18/2015

Both Sides of Sunset

DATE 6/17/2015

Shigeru Ban to Lecture at the Architectural League

DATE 6/17/2015

More Books for Dads!

DATE 6/16/2015

Shigeru Ban: Humanitarian Architecture

DATE 6/16/2015

'Both Sides of Sunset' at Hamburg Kennedy

DATE 6/15/2015

Drawing People: The Human Figure in Contemporary Art

DATE 6/15/2015

The Future of the Skyscraper

DATE 6/14/2015

Drawing People: The Human Figure in Contemporary Art

DATE 6/13/2015

Niki de Saint Phalle

DATE 6/12/2015

Niki de Saint Phalle

DATE 6/11/2015

Niki de Saint Phalle

DATE 6/11/2015

Most Definitely Fearless

DATE 6/10/2015

Latin America in Construction

DATE 6/9/2015

Henry Leutwyler: Ballet

DATE 6/8/2015

Wim Wenders: Written in the West, Revisited

DATE 6/7/2015

Wim Wenders: Written in the West, Revisited

DATE 6/6/2015

Now Available: 'Interviews by Mike Kelley' eBook Editions

DATE 6/6/2015

David Leventi: Opera

DATE 6/5/2015

Louise Bourgeois: I Have Been to Hell and Back

DATE 6/5/2015

Announcing the Fall 2015 ARTBOOK | D.A.P. Catalogue

DATE 6/5/2015

Wim Wenders: Written in the West, Revisited

DATE 6/5/2015

Agnes Martin

DATE 6/4/2015

Dennis Hopper: Drugstore Camera

DATE 6/3/2015

Dennis Hopper: Drugstore Camera

DATE 6/2/2015

Daniel King: Ukraine Youth

DATE 6/2/2015

For Dads

DATE 5/31/2015

From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola

DATE 5/29/2015

Joel Meyerowitz: Retrospective

DATE 5/29/2015

Kehinde Wiley: The World Stage: Haiti


BOOKS IN THE MEDIA

CORY REYNOLDS | DATE 5/13/2014

Libuse Niklová

What a joy to preview the first monograph in English on mid-century Czech toy designer Libuse Niklová. The woman was unstoppable, designing many dozens of inflatable, accordion-pleated and hollow, static figures of only the most adorable and compelling kind. The book, by the interesting Czech publisher Arbor Vitae, is as playful as its subject, with puffy hardbound cover, three different colored ribbons and a complete inventory of works by this modest modernist printed on special, smaller matte paper and bound inside. Wonderful archival images are interspersed with a wealth of new photographs, and set among both personal and scholarly texts.

Buffalo and calf, 1971.
"Development cannot be held back. In the future, products from plastic matter will surround man just like the air, and they will become commonplace. Increasingly, natural materials will be a luxury and the object of admiration. The future, however, belongs to plastic." - Libuse Niklová, 1971 Libuse Niklová
Buffalo and calf, 1971.

"Development cannot be held back. In the future, products from plastic matter will surround man just like the air, and they will become commonplace. Increasingly, natural materials will be a luxury and the object of admiration. The future, however, belongs to plastic." - Libuse Niklová, 1971

Libuse Niklová
Fox, 1964.

"When designing individual animals I was mainly focusing on the fact that the child should have the opportunity to play with the toy in the most creative way. Since these are flexible and elastic animals, the child can imitate creeping, stretching and meowing, just as he or she learns by watching nature. It is as if the child is playing with a puppet theatre; and it is unlike other toys set in motion by a flywheel or a key where the child is only a passive observer." - L.N., 1964

Libuse Niklová
Red Riding Hood, 1969.

Libuse Niklová
Motorcyclist, 1964.

"We made up themes for the toys on our own and, in some cases, after a particular request from businessmen and Pragoexport. We were absolutely free in deciding what toys to make. We insisted on regular visits to exhibitions in Prague and Brno, and we also drew animals in the zoo." - Anna Vystydova, December 2009

Libuse Niklová
Dutch Girl, 1970.

Libuse Niklová
Elephant, 1972.

Libuse Niklová
Plastic playthings, 1954-1964.

Libuse Niklová
Giraffe, 1971.

"The continual creative process, moving from an idea through the manufacturing process and all the way to the resulting design, is exactly what attracts my attention to plastic material." - L.N., 1972

Libuse Niklová

Libuse Niklová

ARBOR VITAE
Hbk, 8.25 x 8 in. / 298 pgs / illustrated throughout.

DATE 3/11/2013

Mariana Cook: Justice

Mariana Cook: Justice


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