ARTBOOK LOGO

ARTBOOK BLOG

WHAT'S NEW?
EVENTS
BOOKS IN THE MEDIA
AT FIRST SIGHT
FEATURED IMAGES
EX LIBRIS
ARTBOOK INTERVIEWS
EXCERPTS & ESSAYS
FROM THE SHELVES

RECENT POSTS

DATE 4/21/2014

Join ARTBOOK at Paris Photo 2014!

DATE 4/21/2014

The NYPL Presents 'Art Is a Problem' with Joshua Decter

DATE 4/21/2014

Philip Guston: Late Works

DATE 4/19/2014

Sigmar Polke: Alibis

DATE 4/17/2014

Sigmar Polke: Alibis 1963-2010

DATE 4/16/2014

'Richard Serra: Early Work' Launch Events at The Strand and NYPL

DATE 4/15/2014

Episodes with Wayne Thiebaud

DATE 4/13/2014

Trevor Winkfield

DATE 4/10/2014

'The Sick Rose' Lecture and Book Signing at Morbid Anatomy Library

DATE 4/10/2014

Reading Andy Warhol

DATE 4/9/2014

Show Time: The 50 Most Influential Exhibitions of Contemporary Art

DATE 4/7/2014

Eva Hesse: One More than One

DATE 4/4/2014

Abiding Architecture III: 10 days, 26 People, 4 Projects, 11 Languages and 1 site in Titanyen, Haiti: Us and Them

DATE 4/4/2014

Charles Traub: Dolce Via: Italy in the 1980s

DATE 4/2/2014

'Geometric Sociology' in Christoph Gielen: Ciphers

DATE 4/2/2014

Martin Creed: What's the Point of It?

DATE 4/1/2014

Metropolis Live! Susan S. Szenasy to Speak in Boston

DATE 3/31/2014

'Larry Sultan & Mike Mandel: Evidence' eBook Now Available from iTunes

DATE 3/30/2014

Soviets: Drawings by Danzig Baldaev & Photographs by Sergei Vasiliev

DATE 3/28/2014

Richard Serra: Early Work

DATE 3/27/2014

Sarah Jones

DATE 3/27/2014

'Emilie Brzezinksi: The Lure of the Forest' Featured on 'Morning Joe'

DATE 3/25/2014

Derek Ridgers: 78-87 London Youth

DATE 3/22/2014

Philip-Lorca diCorcia

DATE 3/19/2014

Susan S. Szenasy & Debbie Millman to Launch 'Szenasy, Design Advocate' with Conversation at Museum of Arts and Design, NY

DATE 3/18/2014

The King of Kowloon: The Art of Tsang Tsou Choi

DATE 3/18/2014

Xavier Guardans: Windows

DATE 3/17/2014

'Lutz Bacher: Snow' Launch at Greene Naftali

DATE 3/16/2014

Futurism and Dance

DATE 3/14/2014

Italian Futurism, 1909-1944: Reconstructing the Universe

DATE 3/14/2014

Favelization: The Imaginary Brazil in Contemporary Film, Fashion and Design

DATE 3/12/2014

Surrealism and the Dream

DATE 3/10/2014

Robert Heinecken: Object Matter

DATE 3/7/2014

'Maria Lassnig: The Location of Pictures' at ARTBOOK @ MoMA PS1

DATE 3/6/2014

Celebrate 'You Should've Heard Just What I Seen' with DJ set by Matthew Higgs Friday, March 7 at Gavin Brown's Enterprise

DATE 3/5/2014

Join ARTBOOK at The Armory Show, March 6-9

DATE 3/5/2014

Nancy Graves Project & Special Guests

DATE 3/3/2014

Major Exhibition of Austrian Artist Maria Lassnig’s Work Opens at MoMA PS1 This Sunday, March 9th

DATE 3/3/2014

Show Time: The 50 Most Influential Exhibitions of Contemporary Art

DATE 3/2/2014

Visit ARTBOOK @ Collective 2 Design Fair

DATE 2/28/2014

Keiichi Tanaami: Killer Joe's Early Times 1965-73

DATE 2/26/2014

Cuba in Revolution

DATE 2/25/2014

Tom Dixon Presentation & Booksigning February 27 at Twentieth Gallery, Los Angeles

DATE 2/24/2014

Looking East: Western Artists and the Allure of Japan

DATE 2/23/2014

Mostly Sunny, With a Sense of Menace: William Christenberry

DATE 2/21/2014

The Eye of the Storm: Gerhard Richter Catalogue Raisonné, Volume 3

DATE 2/20/2014

It Is Almost That: Ann Hamilton, Jane Hammond & Lisa Pearson, March 5 at the NYPL

DATE 2/20/2014

Aaron Stern: I Woke Up in My Clothes

DATE 2/18/2014

Cape Cod Modern Co-Author Previews Book at Design Within Reach, Boston

DATE 2/18/2014

21st-Century Portraits

DATE 2/15/2014

Edvard Munch: A Genius of Printmaking


EXCERPTS & ESSAYS

MING LIN | DATE 8/12/2011

Documenta Notebooks: Erkki Kurenniemi

In the first track of Erkki Kurenniemi's 1968 debut album Information Explosion, a single resounding beep escalates unceremoniously into a cacophony of sound. There are bursts of classical music and splashes of synthesizer. Occasionally it bears resemblance to the popular German synthpop band Kraftwerk, but unlike the former, Kurenniemi provides no safe narrative in which the listener can take refuge--there are only sporadic episodes of recognizable sound from an eclectic array of samples. This cut-and-paste approach might be likened to the work of Christian Marclay, whose "sound collages" were composed of clips woven together from records on a turntable. Kurenniemi's works, however, are determined by a more concrete rationale. A trained nuclear physicist and mathematician turned musician, it is evident that his compositions are fueled by an underlying logic.
Kurenniemi's methodical approach does not render his work devoid of sensual or emotional content. In 1970 he created the video synthesizer DIMI-O (also known as the the "Sexophone") which generated light and sound based on human contact. When stimulated by several participants at once, the instrument would react to their collective emotional states, thereby converting them into a blast of discordant sound and roving light. In the 1960s, he collaborated with Terry Riley to create the first “happening” in Finland. He orchestrated the event using artists from the Finnish underground music scene including the band The Sperm. One might infer that with the calculated compositions of sound and action, Kurenniemi has attempted to emphasize that the products of new technology are inevitably governed by with the human characteristics of chance and spontaneity.

Kurenniemi's contribution to Documenta 13’s 100 Notes, 100 Thoughts series is a facsimile excerpt from a personal diary from October 1980. A myriad of technical drawings are found alongside recounted daily events as well as sketches for performance pieces and traces of personal relationships. On one page is a Polaroid of a woman staring off into the distance and on another the artist himself glares from a thumbnail photograph. In introduction to the diary, Lars Bang Larson notes that to Kurenniemi it is desire--“its excess, gratuitousness, negation, or lack”--that distinguishes humans from machines. Kurenniemi finds this struggle and unpredictability invigorating and seeks to infuse his compositions with it.
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi

Erkki Kurenniemi

Erkki Kurenniemi

HATJE CANTZ
Pbk, 5.75 x 8.25 in. / 48 pgs.

$10.00  free shipping



ARTBOOK LOGO
 
 

the artworld's favorite source for books on art and culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
155 Sixth Avenue
New York NY 10013
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 Broadway
Los Angeles CA 90812
Tel   213 888 7957

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2013 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com