ARTBOOK LOGO

ARTBOOK BLOG

RECENT POSTS

DATE 8/25/2017

Back in Print! Bauhaus 1919-1933

DATE 8/24/2017

KAWS: transgressing the borders between art and society

DATE 8/23/2017

Michael Auping on cartoons, abstraction and KAWS

DATE 8/22/2017

'KAWS: Where the End Starts' available at last!

DATE 8/21/2017

New edition of Stan Brakhage's epic 'Metaphors on Vision'

DATE 8/19/2017

Engagingly seedy and colorful: Fred Herzog's Vancouver

DATE 8/16/2017

Albert Elm's enigmatic 'What Sort of Life Is This'

DATE 8/12/2017

Back in stock! Andy Warhol: Prints

DATE 8/11/2017

Peter Schjeldahl on Peter Cain, 1997

DATE 8/10/2017

Back to School

DATE 8/10/2017

Collier Schorr on Peter Cain

DATE 8/9/2017

Bristling with post-Freudian electricity: Anne Collier: Women with Cameras (Anonymous)

DATE 8/8/2017

Michael Williams and the truth about painting

DATE 8/7/2017

A remarkable feat of facsimile publishing: Lee Lozano: Private Book 2

DATE 8/6/2017

In honor of the Newport Jazz Festival: Jim Marshall

DATE 8/5/2017

Kitchen textile designer Marguerita Mergentime featured on Food 52!

DATE 8/4/2017

Dayanita Singh's poetic mini-museum

DATE 8/3/2017

A museum, a book and an object. Dayanita Singh: Museum Bhavan

DATE 8/2/2017

"Not just anyone makes a good pisser"

DATE 8/1/2017

AUTOPHOTO and the old-fashioned idea of freedom

DATE 7/31/2017

Emil Nolde's wild Grotesques

DATE 7/30/2017

Christine Osinski: Summer Days Staten Island, Young Man Pulling a Go Cart

DATE 7/29/2017

Calling all flaneurs, cosmopolitans and bon vivants!

DATE 7/28/2017

Summer Reading: Midnight: The Tempest Essays by Molly Nesbit

DATE 7/27/2017

Retuning perceptions in 'Fred Sandback: Vertical Constructions'

DATE 7/26/2017

Nonchalant flirting with oblivion: Ray Johnson

DATE 7/25/2017

Philip Guston's Nixon Drawings have never been more relevant

DATE 7/24/2017

A book for our times: Philip Guston: Nixon Drawings

DATE 7/23/2017

Tom Bianchi: Fire Island Pines, Polaroids 1975-1983

DATE 7/22/2017

Tom Bianchi's 70s photos of the Gay Community in Fire Island Pines

DATE 7/21/2017

Exactly what's the deal with Russia, again?

DATE 7/21/2017

Hauser & Wirth LA Presents 'Master of Go' Summer Reading Group

DATE 7/21/2017

Hauser & Wirth LA Presents 'In the Deep' Summer Reading Group

DATE 7/21/2017

Fire Island Pines in its infancy and its heyday

DATE 7/20/2017

Oozing with potency: Margaret Hooks' Tina Modotti Biography

DATE 7/19/2017

"Disagreements must be intensified and their gaps must be widened."

DATE 7/19/2017

Cooking from the CCCP COOK BOOK

DATE 7/18/2017

A beautiful new book on Japanese artist Jiro Takamatsu

DATE 7/17/2017

Enough room to play: Craft Becomes Modern: The Bauhaus in the Making

DATE 7/16/2017

Between utopia and industrial culture: Craft Becomes Modern

DATE 7/15/2017

Exceptional architecture in 'Francis Kéré: Radically Simple'

DATE 7/14/2017

Marriage of the Minds in Alex Webb and Rebecca Norris Webb: Slant Rhymes

DATE 7/13/2017

Poetry meets photography in 'Alex Webb and Rebecca Norris Webb: Slant Rhymes'

DATE 7/12/2017

USPS Celebrates Andrew Wyeth's world - the way he wanted it

DATE 7/11/2017

USPS Celebrates Andrew Wyeth with Forever Stamps

DATE 7/11/2017

'Studio: Remembering Chris Marker' Event at Metrograph

DATE 7/10/2017

The torment of the loner, the distress of the seeker beset by visions: Egon Schiele

DATE 7/9/2017

Even magic is doomed to pass: Egon Schiele

DATE 7/8/2017

Relive turn-of-the-century Paris in the postcards of Eugčne Atget

DATE 7/8/2017

The deceptive simplicity of Women in Trees

DATE 7/8/2017

SUMMER BOOK SALE - SAVE UP TO 70% (click HERE to see more!)


EXCERPTS & ESSAYS

MING LIN | DATE 8/12/2011

Documenta Notebooks: Erkki Kurenniemi

In the first track of Erkki Kurenniemi's 1968 debut album Information Explosion, a single resounding beep escalates unceremoniously into a cacophony of sound. There are bursts of classical music and splashes of synthesizer. Occasionally it bears resemblance to the popular German synthpop band Kraftwerk, but unlike the former, Kurenniemi provides no safe narrative in which the listener can take refuge--there are only sporadic episodes of recognizable sound from an eclectic array of samples. This cut-and-paste approach might be likened to the work of Christian Marclay, whose "sound collages" were composed of clips woven together from records on a turntable. Kurenniemi's works, however, are determined by a more concrete rationale. A trained nuclear physicist and mathematician turned musician, it is evident that his compositions are fueled by an underlying logic.
Kurenniemi's methodical approach does not render his work devoid of sensual or emotional content. In 1970 he created the video synthesizer DIMI-O (also known as the the "Sexophone") which generated light and sound based on human contact. When stimulated by several participants at once, the instrument would react to their collective emotional states, thereby converting them into a blast of discordant sound and roving light. In the 1960s, he collaborated with Terry Riley to create the first “happening” in Finland. He orchestrated the event using artists from the Finnish underground music scene including the band The Sperm. One might infer that with the calculated compositions of sound and action, Kurenniemi has attempted to emphasize that the products of new technology are inevitably governed by with the human characteristics of chance and spontaneity.

Kurenniemi's contribution to Documenta 13’s 100 Notes, 100 Thoughts series is a facsimile excerpt from a personal diary from October 1980. A myriad of technical drawings are found alongside recounted daily events as well as sketches for performance pieces and traces of personal relationships. On one page is a Polaroid of a woman staring off into the distance and on another the artist himself glares from a thumbnail photograph. In introduction to the diary, Lars Bang Larson notes that to Kurenniemi it is desire--“its excess, gratuitousness, negation, or lack”--that distinguishes humans from machines. Kurenniemi finds this struggle and unpredictability invigorating and seeks to infuse his compositions with it.
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi
Documenta Notebooks: Erkki Kurenniemi

Erkki Kurenniemi

Erkki Kurenniemi

HATJE CANTZ
Pbk, 5.75 x 8.25 in. / 48 pgs.

$10.00  free shipping



ARTBOOK LOGO
 
 

the art world's source for books on art & culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
75 Broad Street, Suite 630
New York NY 10004
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com