DATE 3/29/2018

'Ice Cream Headaches' launch event at Pilgrim Surf

DATE 3/16/2018

What is 'The Sausage of the Future'?

DATE 3/15/2018

The enigmatic, unreadable writings of Mirtha Dermisache

DATE 3/14/2018

Joyce J. Scott: "I skirt the borders between comedy, pathos, delight, and horror"

DATE 3/13/2018

Bringing boundless joy: Anna Zemánková

DATE 3/12/2018

Weird and beautiful: Anna Zemánková

DATE 3/11/2018

Singular, odd and inspiring: Danh Vo: Take My Breath Away

DATE 3/10/2018

Mojos, mandalas and divining tools: Chris Martin

DATE 3/10/2018

Subversive, even scandalous: Francis Picabia: Littérature

DATE 3/9/2018

Provocateurs of the human body in 'Klimt and Schiele: Drawings'

DATE 3/8/2018

Celebrate International Women's Day… 1975 to now!

DATE 3/7/2018

Celebrate Women's History Month with Marina Abramovic's rendition of 'The Ugly Duckling'

DATE 3/6/2018

René Magritte: The Revealing Image

DATE 3/6/2018

Watch the Video Trailer for "Johnny Cash at Folsom and San Quentin: Photographs by Jim Marshall"

DATE 3/5/2018

Private entertainments or public show? Frida Kahlo: Her Photos

DATE 3/5/2018

SOM to launch 'The Future of Public Space' at the Strand

DATE 3/5/2018

Chris Martin book launch at Spoonbill Studio

DATE 3/4/2018

Frida Kahlo's life in photographs

DATE 3/2/2018

Sheila Hicks: Knotting, wrapping, folding, twisting and stacking wool, linen, cotton and more

DATE 3/2/2018

The warp and weft of poetics in 'Sheila Hicks: Lifelines'

DATE 3/1/2018

Recommended Reading: Women's History Month

DATE 3/1/2018

Celebrate Women's History with brand new release, 'Sheila Hicks: Lifelines'

DATE 2/28/2018

In 'Ellen Gallagher: Accidental Records' radical aesthetic possibilities emerge from seismic cracks in the surface of things

DATE 2/28/2018

Robert Storr and Francesca Pietropaolo in conversation about 'Interviews on Art' at 192 Books

DATE 2/28/2018

Amy Sillman book event and 'Scarlet Street' screening at Metrograph

DATE 2/28/2018

'Entanglements: Plans and Accidents' at the Artbook @ MoMA PS1 Book Space

DATE 2/27/2018

Jack Whitten and the rock-bottom meaning of universality

DATE 2/27/2018

Brian Blomerth's 'XAK'S WAX' zine launch at MoMA PS1 Book Space

DATE 2/26/2018

Black History as told through 'Black Dolls'

DATE 2/25/2018

Unsentimental Wonder: Hilton Als on Alice Neel

DATE 2/24/2018

Boom boxes, break dancing and the Salsa King: Black History from Jamel Shabazz

DATE 2/23/2018

The meaning of color, both racial and painterly

DATE 2/23/2018

Readings in Criticism with 'unbag' at the MoMA PS1 Book Space

DATE 2/22/2018

Swept up by a feeling of awe: Shinique Smith in 'Four Generations'

DATE 2/20/2018

Celebrate 60 years of Gerald Holtom's Peace Symbol with 'Jim Marshall: Peace'

DATE 2/20/2018

Four Generations of 'Solidary & Solitary' work by artists of African descent

DATE 2/19/2018

Symbols that call us into being: 'Beyond Mammy, Jezebel & Sapphire'

DATE 2/19/2018

Reclaiming Images of Black Women in 'Beyond Mammy, Jezebel & Sapphire'

DATE 2/17/2018

Celebrate Black History with Mark Bradford

DATE 2/16/2018

Christian Wassmann book launch at Spoonbill Studio

DATE 2/16/2018

Dive Deeper into Black History with Recently Discovered African Studio Photographer Sory Sanlé

DATE 2/15/2018

Betye Saar: Uneasy Dancer

DATE 2/14/2018

Sweets for the Sweet: Valentine's Reading, 2018

DATE 2/14/2018

Ah, love… or at least seduction!

DATE 2/13/2018

Carolee Schneemann launch event at the MoMA PS1 Book Space

DATE 2/12/2018

Celebrate Black History with 'Dancehall'

DATE 2/11/2018

Jean-Michel Basquiat: Words Are All We Have

DATE 2/10/2018

Join ARTBOOK | D.A.P. at the 2018 ARLIS National Conference in New York!

DATE 2/10/2018

Celebrate Black History with Jacob Lawrence's Migration Series

DATE 2/9/2018

Black History told through the Collected Works of Gordon Parks

DATE 2/8/2018

Gordon Parks: A Harlem Family



Both Sides of Sunset - Foreword by Ed Ruscha

Metropolis Books' enlightening new survey, Both Sides of Sunset: Photographing Los Angeles, launches in New York this week with a signing and exhibition at Hamburg Kennedy gallery.

In his Foreword, contributor Ed Ruscha writes, "This book had to be done if only for the kaleidoscopic references to its subject. New vistas are at every off-ramp. Is there a way to portray Los Angeles that hasn't already been seen? The answer is not a negative: There is always another view, as this book evidences with both gravity and levity. The city, as well as the artist's perspective, is always changing. I'll bet anyone turning these pages will fall deep into a Los Angeles they didn't expect."

Both Sides of Sunset - Foreword by Ed Ruscha
ABOVE: Karin Apollonia Müller, "Eastside Mercantile" (2007).

"The way artists show us the city in these pages is reflected neatly in the title of the book, Both Sides of Sunset, which nods to the romanticism, the decadence, the glitz, and the grit about the whole place. I was surprised by this selection because it gives me a full-bodied view of an elusive town. The pictures sit together as a refreshing collage of what this place is all about, even with all the stereotypes of the city in tow. It's got multiple sides of the L.A. story represented and, happily, a few head-scratchers, which are the ones that I keep going back to. In these pages, new views stand next to well-worn ones, and visually utter a different story than I've seen before. It's a new read."

Both Sides of Sunset - Foreword by Ed Ruscha
ABOVE: Peter Holzhauer, "Plants" (2008).

"As far as I'm concerned, this collection would give the Los Angeles newbie or hardened local something to chew on. It's like seeing a good movie about your own town that takes you into 
its zone, surrounds and overwhelms you with stimuli, and gives you a face-slapping double take."

Both Sides of Sunset - Foreword by Ed Ruscha
ABOVE: Daido Moriyama, "Record #22" (2012).

"I like the democracy of this book. It treats all the images as necessary for the whole; there are no stars or hierarchy. From the ocean to the burbs, inside cars, behind sunglasses and from a bird's-eye view, the facades and the faded glory are all here in pictures, not fighting for attention but hand in hand becoming a whole. This whole doesn't have a "The End" moment and it has another side of the street to look at."
Both Sides of Sunset - Foreword by Ed Ruscha
Both Sides of Sunset - Foreword by Ed Ruscha
Both Sides of Sunset - Foreword by Ed Ruscha
Both Sides of Sunset - Foreword by Ed Ruscha
Both Sides of Sunset - Foreword by Ed Ruscha

Both Sides of Sunset

Both Sides of Sunset

Hbk, 12.75 x 10.25 in. / 288 pgs / 181 color / 106 b&w.

$45.00  free shipping


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