ARTBOOK LOGO

ARTBOOK BLOG

RECENT POSTS

DATE 2/27/2017

Hollywood and the Ivy Look

DATE 2/26/2017

We Go Out

DATE 2/25/2017

Miralda’s El Internacional (1984–1986): New York’s Archaeological Sandwich

DATE 2/24/2017

Valérie Belin Book Launch at Albertine

DATE 2/24/2017

Clare Rojas: Plain Black, Abstract Paintings

DATE 2/23/2017

The Exhibitionist: Journal on Exhibition Making

DATE 2/22/2017

Small Wonders: Late Gothic Boxwood Microcarvings from the Low Countries

DATE 2/22/2017

Yayoi Kusama: I Who Have Arrived in Heaven

DATE 2/21/2017

Separate Cinema: The First 100 Years of Black Poster Art

DATE 2/20/2017

The Photographs of Abraham Lincoln

DATE 2/19/2017

Jacob Lawrence: The Migration Series, Panel 14 ("injustice in the courts"), 1941

DATE 2/18/2017

Jacob Lawrence: The Migration Series

DATE 2/17/2017

Jacob Lawrence: The Migration Series, Panel 58 (Girls), 1940-41

DATE 2/17/2017

Visit ARTBOOK at the LAABF 2017!

DATE 2/17/2017

Jacob Lawrence: The Migration Series

DATE 2/16/2017

Mark Neville: Fancy Pictures

DATE 2/15/2017

See Red Women's Workshop: Feminist Posters 1974–1990 at CAA!

DATE 2/14/2017

Sophie Calle: The Address Book

DATE 2/13/2017

Leendert Blok: Silent Beauties, Color Photographs from the 1920s, TULIPA, Bleu celeste

DATE 2/12/2017

Merce Cunningham: Common Time

DATE 2/12/2017

Art Catalogues at LACMA Presents Flavin Judd and Michael Govan on 'Donald Judd Writings'

DATE 2/11/2017

Merce Cunningham: Common Time

DATE 2/10/2017

Goodbye Soho, Hello Wall Street!

DATE 2/10/2017

Merce Cunningham: Common Time

DATE 2/9/2017

Visionaries: Creating a Modern Guggenheim

DATE 2/8/2017

Raymond Pettibon

DATE 2/7/2017

In the Good Name of the Company: Artworks and ephemera produced by or in tandem with the Colby Printing Company

DATE 2/6/2017

Hippie Modernism: The Struggle for Utopia

DATE 2/5/2017

Come Alive! The Spirited Art of Sister Corita

DATE 2/4/2017

Come Alive! The Spirited Art of Sister Corita

DATE 2/3/2017

How Posters Work

DATE 2/2/2017

JR & Art Spiegelman: The Ghosts of Ellis Island

DATE 2/1/2017

The Royal Academy of Arts Joins ARTBOOK | D.A.P.

DATE 2/1/2017

Rania Matar: L'Enfant-Femme

DATE 2/1/2017

Mark Neville in conversation with Adam Bell

DATE 2/1/2017

Join ARTBOOK | D.A.P. at the 2017 CAA Conference

DATE 1/30/2017

'Bob & Bob' Launch at ARTBOOK @ Hauser Wirth & Schimmel

DATE 1/30/2017

101 Danish Design Icons

DATE 1/30/2017

Rania Matar: L'Enfant-Femme

DATE 1/29/2017

Yves Klein: In/Out Studio in WSJ Magazine

DATE 1/28/2017

Yves Klein: In/Out Studio in WSJ Magazine

DATE 1/27/2017

'Yves Klein: In/Out Studio' in the WSJ Magazine

DATE 1/25/2017

Børge Mogensen: Simplicity and Function

DATE 1/24/2017

Børge Mogensen: Simplicity and Function

DATE 1/24/2017

BACK IN STOCK: The Moon 1968–1972

DATE 1/23/2017

100 Secrets of the Art World Launch at MoMA PS1

DATE 1/23/2017

Judith Bernstein: Rising

DATE 1/22/2017

See Red Women's Workshop

DATE 1/21/2017

See Red Women's Workshop

DATE 1/21/2017

Christopher Bedford, Mary Schmidt Campbell, Thomas Lax, Sheena Wagstaff & Fred Wilson Launch 'Four Generations' at NYPL

DATE 1/20/2017

Mark Peterson: Political Theatre


EVENTS

CORY REYNOLDS | DATE 10/26/2012

Aperture Remix: on view through Nov 17

On the occasion of Aperture’s sixtieth anniversary in 2012, a select group of contemporary photographers have each responded to an Aperture publication that has been influential in forming their work, paying it artistic homage. Each commissioned artist in Aperture Remix has created a new work inspired by the ideas that they have found most influential or of greatest concern in the earlier work.


Aperture Remix: on view through Nov 17
ABOVE: Rinko Kawauchi, "Untitled," 2012; and Sally Mann: Immediate Family, 1992

The range of participating artists and the diversity of their approaches reflect the multifaceted and elastic nature of contemporary photography. The works that each artist has created for Aperture Remix—incorporating new images made in response or interventions with the original publication itself—comprise a way of mapping the enduring influence of Aperture’s publication history as it relates to contemporary practice.


Aperture Remix: on view through Nov 17
ABOVE: Stephen Shore: Uncommon Places, 1982/2004; and Doug Rickard, "El Capitan Lodge, Hawthorne, Nevada, October 9, 1971," 2012

In 1952, one of Aperture’s founders and the first editor of the magazine, Minor White, wrote, “Growth can be slow and hard when you are groping alone. It quickens when you meet other photographers who have worked and thought intensively about their medium. You listen, and ask, and a phrase sticks in your memory like a barb. You see a photograph that blazes with significance. Suddenly a way of working, dim till then, comes clear before you.”


Aperture Remix: on view through Nov 17
ABOVE: Martin Parr: A Very Special Issue of Aperture Magazine, 2012

Frequently, this meeting of minds takes place via the pages of a book or a magazine; we encounter photographers and artists via the publication of their work. And once published and released into the public sphere, a body of work takes on a life of its own, crossing geographic and generational boundaries, becoming open to new readings. Aperture Remix traces this network of influence; an extended community of shared interests and critical precedents.


Aperture Remix: on view through Nov 17
ABOVE: Robert Adams: Summer Nights, 1985; and a video still from Alec Soth, Summer Nights at the Dollar Tree, 2012.

APERTURE REMIX FEATURES:

Rinko Kawauchi in response to Sally Mann’s Immediate Family (1992)
Vik Muniz in response to Edward Weston’s The Daybooks: Vol. 1, Mexico (1973)
Taiyo Onorato and Nico Krebs in response to a selection of Aperture’s essay titles
Martin Parr in response to Issue 103 of Aperture magazine (1986)
Doug Rickard in response to Stephen Shore’s Uncommon Places (1982/2004)
Viviane Sassen in response to Edward Weston’s Nudes (1977)
Alec Soth in response to Robert Adams’s Summer Nights (1985)
Penelope Umbrico in response to The Masters of Photography (1977–1999)
James Welling in response to Paul Strand’s Time in New England (1980)

Curated by Lesley A. Martin


Aperture Remix: on view through Nov 17
ABOVE: Taiyo Onorato and Nico Krebs, "Book Cam (Aperture Edition) 210mm," 2012.


Aperture Remix: on view through Nov 17



Aperture Remix: on view through Nov 17



Aperture Remix: on view through Nov 17



Aperture Magazine Anthology

Aperture Magazine Anthology

APERTURE
Clth, 6.5 x 9 in. / 455 pgs / 150 color.

STEIDL x STRAND

DATE: 10/19/2016



ARTBOOK LOGO
 
 

the art world's source for books on art & culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
75 Broad Street, Suite 630
New York NY 10004
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2013 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com