| | BOOK FORMAT
Flexi, 8.25 x 11.5 in. / 520 pgs / 146 color. PUBLISHING STATUS
Pub Date 9/30/2014
Active DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2015 p. 149 PRODUCT DETAILS
ISBN 9788887029567 SDNR30
List Price: $95.00 CDN $127.50 AVAILABILITY
In stock | EXHIBITION SCHEDULEVenice, Italy
Fondazione Prada, 06/07/14-11/03/14 | | BROWSE THE 2019 SPRING CATALOG  Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019! |
| | | Art or SoundIntroduction by Germano Celant. Text by Jo Applin, Luciano Chessa, Chiara Costa, Christoph Cox, Geeta Dayal, Patrick Feaster, Christoph E. Hänggi, Bart Hopkin, Douglas Kahn, Alan Licht, Andrea Lissoni, Noel Lobley, Deirdre Loughridge, Mario Mainetti, Simone Menegoi, Holly Rogers, Jonathan Sterne, David Toop, John Tresch, Eric de Visscher, Rob Young. Preface by Miuccia Prada, Patrizio Bertelli.
 Art or Sound examines the rich overlap and areas of ambiguity between musical instruments and works of art. Looking at examples spanning the seventeenth century to the present, this gorgeously produced book, with its thick vinyl cover, offers a fascinating reinterpretation of the musical instrument and the ways in which it can become a sculptural-visual entity (and vice versa). It opens with instruments made from precious materials in the seventeenth century, eighteenth-century musical automata by Pierre Jaquet-Droz and various customized instruments from the Victorian and early modern eras. Research in the field of synesthesia is presented along with works from the historical avant-gardes, such as Luigi Russolo's celebrated Intonarumori (1913). Also included are scores by John Cage, works by Robert Morris and Nam June Paik, sound installations such as Robert Rauschenberg's Oracle (1962–65) and Laurie Anderson's Handphone Table (1978). Examples of artistic appropriations of musical instruments (by the likes of Arman, Richard Artschwager and Joseph Beuys) and hybrid instruments by Ken Butler and William T. Wiley are considered alongside the more recent research of artists such as Christian Marclay, Janet Cardiff, Martin Creed and Doug Aitken, and a younger generation, represented by Anri Sala, Athanasios Argianas, Haroon Mirza, Ruth Ewan and Maywa Denki, among others. Esteemed writers, musicians and scholars such as Christoph Cox, Douglas Kahn, Alan Licht, David Toop and Rob Young contribute contextualizing essays.
"Lo-Tech Proposed" (2006-14) by Haroon Mirza is reproduced from Art or Sound. |
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| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 1/4/2015 Laurie Anderson's Numbers Runners (1979) is reproduced from Fondazione Prada's deluxe doorstopper, Art or Sound—a 520-page examination of works that lie on the boundary of visual art and sound production. "Numbers Runners is an altered public telephone booth. People enter the booth, lift the phone from its hook and hear two voices: Anderson's message on tape and their own words delayed by 3⁄4 of a second. By interacting with the public's input, the telephone booth enables the listener and Anderson to participate in a dialogue. Lapsed-time sequences had already been included in the musical performance New York Social Life (1977), for which Anderson alternates two distinct voices between telephone and microphone, performing the words very rapidly as one long run-on sentence. With this work the artist explores the performing potential of the telephone as a plastic artificial conductor of real relationships between people: '... the question is: Is the phone alive? What's alive and what doesn't have life?" continue to blog | FORTHCOMING AND NEW: ART |  | By Germano Celant.SKIRAISBN: 9788884913043 | US $140.00Pub Date: 7/1/2003
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|  | By Guy Cogeval.SKIRAISBN: 9788876245374 | US $75.00Pub Date: 7/4/2006
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|  | Edited by Germano Celant, Gianfranco Maraniello.SKIRAISBN: 9788861305625 | US $50.00Pub Date: 10/7/2008
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|  | By Lea Vergine.SKIRAISBN: 9788876247286 | US $19.95Pub Date: 6/5/2007
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|  | By Massimiliano Gioni.SKIRAISBN: 9788857228600 | US $45.00Pub Date: 4/5/2016
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|  | By Loredana Parmesani.SKIRAISBN: 9788857214085 | US $24.95Pub Date: 11/6/2012
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|  | By Luca Traini, Debora Ferrari.SKIRAISBN: 9788857211640 | US $35.00Pub Date: 9/4/2012
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|  | Edited by Valerio Terraroli.SKIRAISBN: 9788857201283 | US $60.00Pub Date: 10/19/2010
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|  | By Valerio Terraroli, Gabriella Belli, Carlo Bertelli, Germano Celant, Ester Coen, Ida Gianelli.SKIRAISBN: 9788861301948 | US $60.00Pub Date: 11/11/2008
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|  | By Till Ferath, Sam Bardaouil.SKIRAISBN: 9788857214849 | US $35.00Pub Date: 4/21/2015
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|  | Edited by Diane Venet. Text by Barbara Rose, Adrien Goetz.SKIRAISBN: 9788857211565 | US $70.00Pub Date: 9/14/2011
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|  | By Gabriella Belli, Carlo Bertelli, Germano Celant, Ester Coen, Ida Gianelli. Edited by Valerio Terraroli.SKIRAISBN: 9788857222240 | US $240.00Pub Date: 10/21/2014
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FORMAT: Flexi, 8.25 x 11.5 in. / 520 pgs / 146 color.
LIST PRICE: U.S. $95.00
LIST PRICE: CANADA $127.5
ISBN: 9788887029567
PUBLISHER: Fondazione Prada
AVAILABLE: 9/30/2014
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR30
PUBLISHING STATUS: Active
AVAILABILITY: In stock
| D.A.P. CATALOG: SPRING 2015 Page 149 | INFO AS OF: June 18, 2017 | PRESS INQUIRIES
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| Art or Sound Published by Fondazione Prada.
Introduction by Germano Celant. Text by Jo Applin, Luciano Chessa, Chiara Costa, Christoph Cox, Geeta Dayal, Patrick Feaster, Christoph E. Hänggi, Bart Hopkin, Douglas Kahn, Alan Licht, Andrea Lissoni, Noel Lobley, Deirdre Loughridge, Mario Mainetti, Simone Menegoi, Holly Rogers, Jonathan Sterne, David Toop, John Tresch, Eric de Visscher, Rob Young. Preface by Miuccia Prada, Patrizio Bertelli. | Art or Sound examines the rich overlap and areas of ambiguity between musical instruments and works of art. Looking at examples spanning the seventeenth century to the present, this gorgeously produced book, with its thick vinyl cover, offers a fascinating reinterpretation of the musical instrument and the ways in which it can become a sculptural-visual entity (and vice versa). It opens with instruments made from precious materials in the seventeenth century, eighteenth-century musical automata by Pierre Jaquet-Droz and various customized instruments from the Victorian and early modern eras. Research in the field of synesthesia is presented along with works from the historical avant-gardes, such as Luigi Russolo's celebrated Intonarumori (1913). Also included are scores by John Cage, works by Robert Morris and Nam June Paik, sound installations such as Robert Rauschenberg's Oracle (1962–65) and Laurie Anderson's Handphone Table (1978). Examples of artistic appropriations of musical instruments (by the likes of Arman, Richard Artschwager and Joseph Beuys) and hybrid instruments by Ken Butler and William T. Wiley are considered alongside the more recent research of artists such as Christian Marclay, Janet Cardiff, Martin Creed and Doug Aitken, and a younger generation, represented by Anri Sala, Athanasios Argianas, Haroon Mirza, Ruth Ewan and Maywa Denki, among others. Esteemed writers, musicians and scholars such as Christoph Cox, Douglas Kahn, Alan Licht, David Toop and Rob Young contribute contextualizing essays.
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