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DATE 5/19/2026

Rizzoli Bookstore presents Pieter Henket and Justin Gaspar in conversation for the launch of 'Birds of Mexico City'

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/24/2026

Lost City Books presents Yumna Al-Arashi and Farrah Skeiky on 'Aisha'

DATE 4/20/2026

Mrs. Dalloway's Bookstore presents Jane Fulton Alt, Susan Page Tillett and James Baraz on 'Still Life'

DATE 4/20/2026

Rizzoli Bookstore presents Chris Wiley, Nan Goldin, and Robert Swope on 'Michel Hurst: Órale'

DATE 4/19/2026

Morbid Anatomy presents 'Divine Color' author Laura Weinstein on 'Gods in Living Color: Hindu Devotional Lithographs and the Birth of Modern Indian Visual Culture'

DATE 4/18/2026

Artbook @ MoMA PS1 Bookstore presents a Zine-Making Workshop with Lauren Simkin Berke

DATE 4/17/2026

Watershed moments in Australian Aboriginal modernism

DATE 4/17/2026

Spoonbill Books presents 'Aisha' author Yumna Al-Arashi in conversation with Céline Semaan

DATE 4/16/2026

'The Stars We Do Not See: Australian Indigenous Art'—alive and in the present

DATE 4/14/2026

The essential companion to MoMA's monumental 'Marcel Duchamp'

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/11/2026

A long lost archive documenting life at the Chelsea Hotel, 1969–71


IMAGE GALLERY

"We Gunna Live with Water Fer Tha Resta Our Lives" (2017) by Christina Quarles is reproduced from
CORY REYNOLDS | DATE 1/16/2018

NEW RELEASE! Trigger: Gender as a Tool and a Weapon

“So why a show ‘about’ gender,” curator Johanna Burton asks in her Trigger: Gender as a Tool and a Weapon introductory essay. “Our hope is that Trigger offers a lens beyond the stalemate of identity even while acknowledging identity’s vexed central role in culture today (and perhaps always). Audre Lorde famously argued in her 1983 essay ‘The Master’s Tools Will Never Dismantle the Master’s House’ that one cannot use the tools of racist patriarchy to examine the ‘fruits’ of racist patriarchy. Following this logic, one must ask: What are our tools today? Can anything truly be seen as falling outside the conventions, systems of oppression, and stalemates we interrogate? Gender, as a moving target, usefully occupies and exceeds the context within which it is understood. If it is a weapon, it is one of deflection rather than outright attack. Indeed, in our current moment, when conservatives are calling for the ‘safe spaces’ they mocked not long ago, we might understand gender as a boomerang, hurled through cultural systems of appropriation and instrumentalization and returning transformed.”

Trigger: Gender as a Tool and a Weapon

Trigger: Gender as a Tool and a Weapon

New Museum
Flexi, 5.5 x 10 in. / 400 pgs / 120 color / 30 b&w.





Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!