DATE 10/31/2022

Celebrate Halloween with Christopher Frayling on 'Vampire Cinema: The First One Hundred Years'

DATE 10/25/2022

Rizzoli Bookstore presents Chris Floyd and Catriona Ni Aolain on 'Not Just Pictures'

DATE 10/1/2022

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Betony Vernon signing 'Paradise Found: An Erotic Treasury for Sybarites'

DATE 9/27/2022

Isolde Brielmaier in conversation with Aruna D’Souza on 'I Am Sparkling'

DATE 9/26/2022

Rizzoli Bookstore presents Baldwin Lee in conversation with Imani Perry

DATE 9/22/2022

New Museum presents the launch of 'El Anatsui: The Reinvention of Sculpture'

DATE 9/22/2022

'Temperature's Rising' — a new oral history of Galaxie 500

DATE 9/22/2022

On view now at Howard Greenberg Gallery, 'Baldwin Lee' is a revelation

DATE 9/19/2022

In Celebration of Hispanic Heritage Month

DATE 9/19/2022

Featuring a pull-off poster cover, 'Betye Saar: Serious Moonlight' is a New Release this week!

DATE 9/17/2022

Museum Store of the Month: MFA Boston Shop

DATE 9/17/2022

Peter Fetterman Gallery presents Roger A. Deakins exhibition and 'Byways' signing

DATE 9/16/2022

'Julie Blackmon: Midwest Materials' is NEW from Radius Books


"Abaporu" (1928) is reproduced from

Tarsila do Amaral, cannibal of Modernism

There is so much to love about this new monograph on the underrecognized Brazilian Modernist Tarsila do Amaral, we hardly know where to begin. First, of course, is the title: Cannibalizing Modernism. Second, please note the tipped-on images on both front and back covers. Next, let us acknowledge the fact that the publisher, MASP, has printed on not one, but several very nice papers. There is also the fact that Tarsila, as the artist is known in her home country, dared to blend Parisian Modernism, as ingested during her years studying with André Lhote, Albert Gleizes and Fernand Léger, with "the art of our caipiras (people from the countryside)." Finally, there is the work itself. Colorful, weird, uninhibited, original, magical. Featured image is "Abaporu" (meaning, "the man who eats), painted in 1928 for the artist's husband, Oswald de Andrade, who was inspired by it to write the Manifesto of Anthropophagy, arguing for the supremacy of Brazilian art and culture specifically because it derived from the "cannibalism" of outside influences.

Tarsila do Amaral: Cannibalizing Modernism

Tarsila do Amaral: Cannibalizing Modernism

Hbk, 8 x 10.75 in. / 360 pgs / 358 color.

Happy Mother's Day!

DATE 5/8/2022

Happy Mother's Day!