| RECENT POSTS DATE 6/11/2022 DATE 6/2/2022 DATE 6/1/2022 DATE 5/22/2022 DATE 5/21/2022 DATE 5/20/2022 DATE 5/18/2022 DATE 5/17/2022 DATE 5/15/2022 DATE 5/15/2022 DATE 5/14/2022 DATE 5/13/2022 DATE 5/12/2022 DATE 5/11/2022 DATE 5/9/2022 DATE 5/8/2022 DATE 5/6/2022 DATE 5/5/2022 DATE 5/4/2022 DATE 5/4/2022 DATE 5/2/2022 DATE 4/29/2022 DATE 4/26/2022 DATE 4/26/2022 DATE 4/25/2022 DATE 4/23/2022 DATE 4/20/2022 DATE 4/17/2022 DATE 4/16/2022 DATE 4/15/2022 DATE 4/15/2022 DATE 4/15/2022 DATE 4/12/2022 DATE 4/12/2022 DATE 4/10/2022 DATE 4/10/2022 DATE 4/8/2022 DATE 4/7/2022 DATE 4/6/2022 DATE 4/4/2022 DATE 4/2/2022 DATE 3/31/2022 DATE 3/30/2022 DATE 3/30/2022 DATE 3/27/2022 DATE 3/24/2022 DATE 3/22/2022 DATE 3/22/2022 DATE 3/19/2022 DATE 3/19/2022 DATE 3/19/2022
| | |  CORY REYNOLDS | DATE 6/19/2018Maya Rochat's "Meta Love" (2018) is reproduced from Shape of Light: 100 Years of Photography and Abstract Art, co-published by D.A.P. and Tate. Essayist Emma Lewis describes Rochat's process: "She begins each site-specific work with her own photographs—lately of rock or crystal formations, water and so forth—which she then subjects to extreme manipulation: spattering and spraying with substances like soap, bleach, glue or paint, on a surface or support that might be paper, or aluminum, or an overhead projector slide (in her performances she interferes with the image as it is thrown). Nothing is predetermined: Rochat approaches the photograph as a source of potential to unlock, using the tools at her disposal to see what emerges organically." D.A.P./TATE
Hbk, 8.75 x 8.75 in. / 224 pgs / 180 color.
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