ARTBOOK BLOG

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DATE 10/14/2024

Celebrate Indigenous Peoples Day!

DATE 10/6/2024

The Academy Museum comes on strong with 'Color in Motion: Chromatic Explorations of Cinema'

DATE 10/1/2024

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DATE 10/1/2024

Chicago's Athenaeum Center presents Roger and James Deakins

DATE 10/1/2024

A poetic manifesto on labor inequity from George Saunders and Joshua Lutz

DATE 10/1/2024

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DATE 10/1/2024

Creepin’ it Real for Halloween 2024!

DATE 9/29/2024

In 'David Hockney: Paper Trails,' an artist brimming with love

DATE 9/27/2024

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DATE 9/26/2024

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DATE 9/26/2024

Behold, Svetlana Alpers' 'Is Art History?'

DATE 9/25/2024

Early Joel Meyerowitz in 'Europa 1966-1967'

DATE 9/22/2024

Essential Reading: 'The Collected Poems of Mary Ellen Solt'


IMAGE GALLERY

"Evgenya, Induction Center Tel Hashomer, Tel Hashomer, Israel, March 6, 2002" and "Evgenya, North Courth Bse, Pikud Tzafon, Israel, December 9, 2002" are reproduced from
CORY REYNOLDS | DATE 3/30/2018

Inscrutable and disorienting: Rineke Dijkstra

These two portraits of an Israeli soldier, Evgenya, in civilian dress and in uniform, taken nine months apart in 2002, are reproduced from the Louisiana Museum’s superb new Rineke Dijkstra retrospective. "The power of the series lies in Dijkstra’s subtle but thorough avoidance of cliché,” Hans den Hartog Jager writes. “The girls don’t look especially pained in their regulation army outfits, or especially relieved or liberated at home. Instead, their expressions throughout the series are so inscrutable that the viewer’s gaze seems to bounce right off of them. As a viewer, you realize that your interpretation of the photo says a great deal about your own attitude toward uniforms, freedom, war, and major social dilemmas.”

Rineke Dijkstra: The Louisiana Book

Rineke Dijkstra: The Louisiana Book

Koenig Books
Hbk, 10 x 13 in. / 328 pgs / 231 color.





Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!

Vintage Valentine

DATE 2/14/2024

Vintage Valentine