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DATE 8/2/2026

Join Artbook | D.A.P. at Shoppe Object New York, August 2026

DATE 7/23/2026

Join us at the San Francisco Art Book Fair, 2026!

DATE 7/19/2026

Metrograph presents Collier Schorr signing ‘Writing a Letter: Akerman Ballet, Act 1’ followed by a screening of Chantal Akerman’s ‘Je tu il elle’ with joint introduction by Matt Wolf

DATE 7/17/2026

LACMA Store presents Audrey Sands and Rebecca Morse on 'Lisette Model: The Jazz Pictures'

DATE 7/13/2026

An exploration of dancehall, reggae en español, and reggaeton through contemporary art

DATE 7/12/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Karl Haendel, Andrea Gyorody and Aldy Milliken on 'Less Bad'

DATE 7/11/2026

LA Showroom Summer Sample Sale, Save 75–85%!

DATE 7/11/2026

For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’

DATE 7/8/2026

Conflict, culture and exchange in 18th-century art across the Americas

DATE 7/7/2026

Hot Town, Summer In (and Out) of the City

DATE 7/6/2026

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DATE 7/4/2026

Declarations of Independence: America at 250

DATE 7/4/2026

Power and Resistance in 'Art in the Americas'


IMAGE GALLERY

“Montemor-o-Novo, Portugal, May 1, 1994” is reproduced from
CORY REYNOLDS | DATE 1/6/2018

"Once you’ve stood on the edge of the abyss, it doesn’t matter how you got there." Rineke Dijkstra: The Louisiana Book

This 1994 portrait of a Portuguese bullfighter is reproduced from Rineke Dijkstra: The Louisiana Book, the beautiful new retrospective catalogue collecting all of the influential Dutch photographer’s most iconic portrait series. Oversized and exquisitely printed on luxe paper, this 328-page door-stopper is literally mesmerizing. “In their lesser-known Portuguese style of bullfighting, the bull is not killed but pressed to the ground by a team of men,” Hans den Hartog Jager writes. “One of the men is responsible for jumping straight onto the front of the bull—but this role is not assigned until the last minute. Only then does the front man hear that he will soon almost literally be staring danger and death in the eyes. It was these front men that Dijkstra chose to portray, just after they had left the arena. Strikingly, they show almost the same emotions as [new] mothers: a mixture of pride, relief, and exhaustion. The very different source of those emotions seems to make no difference for the picture. Once you’ve stood on the edge of the abyss, it doesn’t matter how you got there.”

Rineke Dijkstra: The Louisiana Book

Rineke Dijkstra: The Louisiana Book

Koenig Books
Hbk, 10 x 13 in. / 328 pgs / 231 color.





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DATE 6/18/2026

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DATE 1/1/2026

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DATE 1/1/2026

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