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RECENT POSTS

DATE 11/30/2025

Artbook at Hauser & Wirth Los Angeles Bookstore presents Kelli Anderson and Claire L. Evans launching 'Alphabet in Motion'

DATE 11/27/2025

Indigenous presence in 'Wendy Red Star: Her Dreams Are True'

DATE 11/24/2025

Holiday Gift Guide 2025: Artful Crowd-Pleasers

DATE 11/22/2025

From 'Bottle Rocket' to 'The Phoenician Scheme' — the archives of Wes Anderson

DATE 11/20/2025

The testimonial art of Reverend Joyce McDonald

DATE 11/18/2025

A profound document of art, love and friendship in ‘Paul Thek and Peter Hujar: Stay away from nothing’

DATE 11/17/2025

The Strand presents Kelli Anderson + Giorgia Lupi launching 'Alphabet in Motion'

DATE 11/15/2025

Holiday Gift Guide 2025: Stuff that Stocking

DATE 11/15/2025

Artbook at MoMA PS1 presents Cory Arcangel, Eivind Røssaak and Alexander R. Galloway launching 'The Cory Arcangel Hack'

DATE 11/14/2025

Columbia GSAPP presents 'The Library is Open 23: Archigram Facsimile' with Beatriz Colomina Thomas Evans, Amelyn Ng, David Grahame Shane, Bernard Tschumi & Bart-Jan Polman

DATE 11/13/2025

Holiday Gift Guide 2025: For the Photo Fanatic

DATE 11/13/2025

Holiday Gift Guide 2025: For the Edition Collector

DATE 11/13/2025

Pop-up pleasure in Kelli Anderson's astonishing 'Alphabet in Motion'


IMAGE GALLERY

“Montemor-o-Novo, Portugal, May 1, 1994” is reproduced from
CORY REYNOLDS | DATE 1/6/2018

"Once you’ve stood on the edge of the abyss, it doesn’t matter how you got there." Rineke Dijkstra: The Louisiana Book

This 1994 portrait of a Portuguese bullfighter is reproduced from Rineke Dijkstra: The Louisiana Book, the beautiful new retrospective catalogue collecting all of the influential Dutch photographer’s most iconic portrait series. Oversized and exquisitely printed on luxe paper, this 328-page door-stopper is literally mesmerizing. “In their lesser-known Portuguese style of bullfighting, the bull is not killed but pressed to the ground by a team of men,” Hans den Hartog Jager writes. “One of the men is responsible for jumping straight onto the front of the bull—but this role is not assigned until the last minute. Only then does the front man hear that he will soon almost literally be staring danger and death in the eyes. It was these front men that Dijkstra chose to portray, just after they had left the arena. Strikingly, they show almost the same emotions as [new] mothers: a mixture of pride, relief, and exhaustion. The very different source of those emotions seems to make no difference for the picture. Once you’ve stood on the edge of the abyss, it doesn’t matter how you got there.”

Rineke Dijkstra: The Louisiana Book

Rineke Dijkstra: The Louisiana Book

Koenig Books
Hbk, 10 x 13 in. / 328 pgs / 231 color.





From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!