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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

“Recognition” (2020) is reproduced from
CORY REYNOLDS | DATE 8/6/2021

The first major survey on octogenarian feminist painter Joan Semmel

“Recognition” (2020) is reproduced from Skin in the Game, the first comprehensive catalog on the influential New York feminist painter Joan Semmel. Published in advance of her October retrospective at the Pennsylvania Academy of the Fine Arts, this long-overdue survey features key paintings alongside rarely seen drawings and collages. “Semmel’s work has in itself always been a mirror—reflecting our own insecurities and fears about bodies, beauty and now aging,” Jodi Throckmorton writes. “In critiques about the overt sexuality in art, music, television, etc., made by women, a fear of women’s freedom is apparent. Women today may not choose to show their sexuality as many feminists in the 1970s had hoped. There remains a divide between the sex celebrated by artists like Semmel and the sex-positive movement that began in the 1980s that has seeped into popular culture today. Much of the divide is centered on the acceptance of pornography and, for Semmel, the way many female artists appropriate the images and symbols pictured in pornography without inquiry into what those images signify. This divide can hinder us from fully understanding the important work that Semmel has done towards the acceptance of female sexuality and better awareness of women’s bodies.”

Joan Semmel: Skin in the Game

Joan Semmel: Skin in the Game

Pennsylvania Academy of the Fine Arts
Hbk, 9.5 x 10.5 in. / 128 pgs / 100 color.





The New York Knicks

DATE 6/18/2026

The New York Knicks