My Cart
Gift Certificates

ARTBOOK BLOG

RECENT POSTS

DATE 11/15/2025

Holiday Gift Guide 2025: Stuff that Stocking

DATE 11/13/2025

Holiday Gift Guide 2025: For the Edition Collector

DATE 11/13/2025

Holiday Gift Guide 2025: For the Photo Fanatic

DATE 11/12/2025

Rizzoli Bookstore presents Sandy Skoglund with René Paul Barilleaux for the launch of 'Enchanting Nature'

DATE 11/10/2025

Holiday Gift Guide 2025: LGBTQ+ perspectives

DATE 11/9/2025

Holiday Gift Guide 2025: For Architecture Aficionados

DATE 11/8/2025

Holiday Gift Guide 2025: For the Lover of Letters

DATE 11/7/2025

Holiday Gift Guide 2025: For the Fashion Forward

DATE 11/7/2025

Rizzoli Bookstore presents Reed Kelly, Zoe Friedman and George Kocis in conversation with Arthur Lubow on 'Rodney Smith: Photography between Real and Surreal'

DATE 11/7/2025

In Celebration of Southwest Asian and North African Art & Artists

DATE 11/7/2025

The first major monograph on Greer Lankton’s iconic, life-sized dolls

DATE 11/6/2025

Holiday Gift Guide 2025: For the Design Devotee

DATE 11/5/2025

Holiday Gift Guide 2025: For the Speed Demon


IMAGE GALLERY

Brigitte Lacombe, "Joan Didion, New York, 1996," 1996. Black-and-white photograph. 16 × 20 in. Courtesy of the artist and Lacombe, Inc. From
CORY REYNOLDS | DATE 11/15/2022

This week, it's all about Joan Didion

"The upside of knowing how to make dreams come true is understanding the fakery involved," Hilton Als writes in Joan Didion: What She Means, DelMonico Books' hot new clothbound hardcover published to accompany the Als-curated group exhibition on view now at the Hammer Museum. "From the first, Didion saw not only the false or borrowed diamonds on the star’s lapel but also the paste holding them together. You have to know how to look in order to have vision—to see the thing for what it is, and what it means to the self—and not turn your back on that reality or on reality in general. Again, the radicalism of Didion’s vision has to do with not only not looking away but also describing what others cannot see or won’t, generally in a bid to protect the rights and privileges of their class and maintaining that class’s various fictions."

ABOVE: Brigitte Lacombe, Joan Didion, New York, 1996, 1996. Black-and-white photograph. 16 × 20 in. Courtesy of the artist and Lacombe, Inc.

Joan Didion: What She Means

Joan Didion: What She Means

DelMonico Books
Clth, 9 x 12.5 in. / 128 pgs / 80 color / 32 b&w.

$50.00  free shipping





From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!