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DATE 3/25/2026

The Strand presents George Condo in conversation with Massimiliano Gioni and Dakis Joannou for the launch of 'The Mad and the Lonely'

DATE 3/21/2026

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DATE 3/19/2026

AIGA presents '50 Books | 50 Covers: The Exhibition' at Pratt Institute, Brooklyn

DATE 3/18/2026

Westweek 2026 kicks off with Christopher Rawlins discussing Fire Island and the Modernist Beach House

DATE 3/15/2026

Artbook at MoMA PS1 presents Jin Mei and Chang Yuchen launching 'Jin Mei: jm'

DATE 3/14/2026

Artbook at MoMA PS1 presents J. Lester Feder and Miriam Elder in conversation for the launch of 'The Queer Face of War'

DATE 3/13/2026

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DATE 3/11/2026

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DATE 3/9/2026

Obedience only to inspiration in 'Agnes Martin: On Beauty'

DATE 3/8/2026

Textile testimony in 'Women Affected by Dams: Embroidering Our Rights'

DATE 3/5/2026

Deeply strange, and deeply sympathetic: Marisol

DATE 3/4/2026

Revolutionary portraiture in 'Alice Neel: I Am the Century'

DATE 3/1/2026

May all your weeds be wildflowers: Staff Picks for Gardeners, 2026


IMAGE GALLERY

"Christ" (2022) is reproduced from
CORY REYNOLDS | DATE 2/13/2023

Hot book alert! ‘Jameson Green’ is new from Derek Eller Gallery

Cronus (2022) is reproduced from Jameson Green, the first major monograph on the rising painter whose work directly addresses and critiques the imagery of racism via intuitive sampling from a long list of influences, including R. Crumb, Philip Guston, Jacob Lawrence, Pablo Picasso and Bill Traylor, to name just a few. Writing on Green’s most recent cycle of paintings, essayist Dan Nadel cites certain myths around the sacrifice of the son. “In three large canvases and a group of related portraits, Green explores the human emotions, paint languages and contemporary implications of the Crucifixion of Jesus Christ for a better future; Abraham’s offering to sacrifice Isaac as a show of faith; and Cronus eating his son out of sheer power hunger. Green is painting these with ever sharper edges looking to the pine tree angularity of F. N. Souza’s religious paintings. We are privy to Cronus’s depraved indifference as he tears apart the pearlescent child, setting off crimson fireworks. Rooted in the pageantry of Rubens and the grit of Goya, these paintings are asking what’s worth a sacrifice, what lessons are on offer, and how, as with the American story, we go forward on a ground riven with violence. Green, a son and soon to be a father, is deep in the weeds of the human project, offering questions beautiful, terrifying and necessary.”

Jameson Green

Jameson Green

Derek Eller Gallery, Inc.
Hbk, 9.5 x 11 in. / 96 pgs / 73 color.

$49.95  free shipping





Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!