American Road Trip

Robert Frank: The Americans

Published by Steidl.
Introduction by Jack Kerouac.

First published in France in 1958, then in the United States in 1959, Robert Frank's The Americans changed the course of 20th-century photography

PUBLISHER
Steidl

BOOK FORMAT
Clth, 8.25 x 7.25 in. / 180 pgs / 83 tritone.

PUBLISHING STATUS
Pub Date 5/15/2008
Out of print

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D.A.P. Exclusive
Catalog: SPRING 2008 p. 180   

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ISBN 9783865215840 TRADE
List Price: $40.00 CAD $54.00

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Stephen Shore: Uncommon Places

The Complete Works

Published by Aperture.
Essay by Stephan Schmidt-Wulffen. Interview by Lynne Tillman.

Published by Aperture in 1982 and long unavailable, Stephen Shore's legendary Uncommon Places has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore's large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition. Uncommon Places: The Complete Works presents a definitive collection of the original series, much of it never before published or exhibited. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated version of America via highway and camera. Approaching his subjects with cool objectivity, Shore's images retain precise internal systems of gestures in composition and light through which the objects before his lens assume both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscapes with which Un-common Places is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits. As a new generation of artists expands on the projects of the New Topographic and New Color photographers of the seventies--Thomas Struth (whose first book was titled Unconscious Places), Andreas Gursky and Catherine Opie among them--Uncommon Places: The Complete Works provides a timely opportunity to reexamine the diverse implications of Shore's project and offers a fundamental primer for the last 30 years of large-format color photography.

PUBLISHER
Aperture

BOOK FORMAT
Hardcover, 12.75 x 10.5 in. / 188 pgs / 162 color / 7 bw.

PUBLISHING STATUS
Pub Date 6/15/2005
No longer our product

DISTRIBUTION
Contact Publisher
Catalog:

PRODUCT DETAILS
ISBN 9781931788342 TRADE
List Price: $55.00 CAD $65.00

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Walker Evans: American Photographs

Seventy-Fifth Anniversary Edition

Published by The Museum of Modern Art, New York.
Introduction by Sarah Meister. Text by Lincoln Kirstein.

A 75th-anniversary facsimile edition of one of the most significant photobooks ever published

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 7.75 x 8.75 in. / 208 pgs / 87 duotone.

PUBLISHING STATUS
Pub Date 8/31/2012
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2012 p. 180   

PRODUCT DETAILS
ISBN 9780870708350 TRADE
List Price: $45.00 CAD $62.00

AVAILABILITY
In stock

William Eggleston's Guide

Published by The Museum of Modern Art, New York.
Essay by John Szarkowski.

William Eggleston's Guide was the first one-man show of color photographs ever presented at The Museum of Modern Art, New York; it changed the world's perception of color photography forever, and its accompanying catalog is now considered one of the most important American photobooks ever published

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 6.5 x 9 in. / 112 pgs / 186 color.

PUBLISHING STATUS
Pub Date 10/2/2002
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2002 p. 177   

PRODUCT DETAILS
ISBN 9780870703782 TRADE
List Price: $45.00 CAD $60.00

AVAILABILITY
In stock

Arthur Grace: America 101

Published by Fall Line Press.
Introduction by Brett Abbott.

An award-winning photojournalist and social documentarian, Arthur Grace (born 1947) has traveled globally and to every region of America on assignment for major news organizations as well as for his own personal projects since the early 1970s. In America 101, Grace draws 101 pictures from his rich personal archive to assemble a visual crash course on what defines and represents us as Americans. Organized here into thematic chapters, Grace’s book plumbs America’s cultural DNA, fusing the style and the physical proximity of a photojournalist with the conceptual distance and healthy skepticism of an artist. As High Museum of Art Curator of Photography, Brett Abbott, states in his introductory essay, “In Grace’s America, the ordinary meets the absurd, veneration and irreverence comingle in unexpected and delightfully humorous ways, a lighthearted joie de vivre soothes a violent vein, and the sanctity of the individual competes with our continual drive toward collective direction.”

PUBLISHER
Fall Line Press

BOOK FORMAT
Hardcover, 11.5 x 11.5 in. / 128 pgs / 101 bw.

PUBLISHING STATUS
Pub Date 9/30/2013
Active

DISTRIBUTION
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Catalog: FALL 2013 p. 98   

PRODUCT DETAILS
ISBN 9780979937934 TRADE
List Price: $58.50 CAD $77.50

AVAILABILITY
In stock

Joel Sternfeld: American Prospects

Published by D.A.P./Distributed Art Publishers.
Text by Kerry Brougher, Andy Grundberg, Anne W. Tucker.

First published in 1987, Joel Sternfeld’s American Prospects is the classic photo record of 1980s America. This definitive edition, made with new plates and including one additional photograph, offers a spectacular, funny, sad and soberly riveting portrait of America’s diverse possibilities and prospects in the Reagan era. From the famous “Wet n’ Wild Aquatic Theme Park” in Florida to “The Space Shuttle Columbia Lands at Kelly Air Force Base” in San Antonio, Texas; from melancholy images of beached whales in Oregon to beautiful views of Yellowstone National Park and Bear Lake in Utah; from post-tornado Nebraska to a previously unseen photograph from the series, “Bikini Contest, Fort Lauderdale, FL, March 1983”; the sublime contradictions and tragicomedy of this volume are without doubt one of the greatest accomplishments of color photography, all the more fully realized in this splendid new edition. An essay by Kerry Brougher, Chief Curator at the Hirshhorn Museum and Sculpture Garden, considers the historical context of Sternfeld’s book and the pivotal role that American Prospects has played in the evolution of contemporary filmmaking and art photography.
A major exponent of color photography in America, Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s other books include On This Site (1997), Hart Island (1998), Stranger Passing (2001), Walking the High Line (2002), Sweet Earth (2006), When It Changed (2007), Oxbow Archive (2008) and First Pictures (2011).

PUBLISHER
D.A.P./Distributed Art Publishers

BOOK FORMAT
Clth, 14.5 x 11.75 in. / 140 pgs / 66 color.

PUBLISHING STATUS
Pub Date 9/30/2012
Out of print

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2012 p. 6   

PRODUCT DETAILS
ISBN 9781935202974 TRADE
List Price: $50.00 CAD $67.50 GBP £45.00

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Starburst: Color Photography in America 1970-1980

Published by Hatje Cantz.
Edited and text by Kevin Moore. Essays by James Crump, Leo Rubinfien.

It is hard to imagine today that the artistic value of color photography was once questioned and controversial, even as recently as the 1980s. William Eggleston's watershed exhibition at The Museum of Modern Art, New York, in 1976, generated plenty of scorn and confusion, as spectators struggled to accept his seemingly ordinary-looking color images of Southern life as art. Early photographs by Stephen Shore, Helen Levitt, Joel Meyerowitz and others received similarly hostile or ambivalent reviews. Color photography also had opponents within photography, most notoriously in Henri Cartier-Bresson. But as color processes both diversified and grew more sophisticated, and further approaches to the medium developed, the floodgates were opened wide. Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews of sources from the 1970s, and with an abundance of images, this survey makes a thorough assessment of this paradigm shift in the history of art photography.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 10 x 12 in. / 272 pgs / 301 color.

PUBLISHING STATUS
Pub Date 3/31/2010
Out of print

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2010 p. 177   

PRODUCT DETAILS
ISBN 9783775724906 TRADE
List Price: $75.00 CAD $90.00

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Into the Sunset: Photography's Image of the American West

Published by The Museum of Modern Art, New York.
Text by Eva Respini.

Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to this day. Published to accompany a major exhibition at The Museum of Modern Art, New York, Into the Sunset charts changing myths and cultural attitudes about the West through photographs dating from the nineteenth to the twenty-first centuries. An expansive and dynamic survey, it brings together photographers as diverse as Carleton E. Watkins and Stephen Shore, Darius Kinsey and Dorothea Lange, Robert Frank and Cindy Sherman, an unknown daguerreotypist and Richard Prince. More than 120 works are organized thematically to highlight the artists' differing views of the West's land and people.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 9.5 x 10.5 in. / 168 pgs / 77 color / 81 bw.

PUBLISHING STATUS
Pub Date 2/20/2009
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2009 p. 4   

PRODUCT DETAILS
ISBN 9780870707490 TRADE
List Price: $45.00 CAD $60.00

AVAILABILITY
In stock